A thoroughly researched and documented study of Catalan literature under the Franco regime, focussed on several key post-Civil War novels and their authors. During the 1950s and 1960s, several key Catalan authors set about rewriting some of their narrative work despite the obstacles to publication in Catalan under the Franco regime. This study describes the social, political and cultural conditions that impelled Salvador Espriu, Xavier Benguerel, Sebastià Juan Arbó and Joan Sales to revise Laia, El testament, Tino Costa and Incerta glòria, concentrating particularly on the linguistic debates and literary trends from the 1950s to the early 1970s. Drawing on a wide range of theoretical perspectives, this book examines the reasons for the rewriting, including censorship and self-censorship, generational and ideological changes within the Catalan literary field, controversies over linguistic purism, the appearance of new literary trends and gender and political issues. It focuses on the (re)construction of a distinctive national identity and the impact of repression, memory, exile and silence on the representation of the war and the post-war periods. This study explores not only how writers or society at large were affected by the dictatorship, but how the armed conflict left its mark on the writing process itself. Jordi Cornellà-Detrell is a Lecturer in Spanish in the School of Modern Languages at Bangor University.

This volume presents studies of some of the key artistic manifestations in Catalonia in recent times, a period of innovation and experimentation, and addresses issues concerning literature, film, theatre and performance art. From the creation of a new popular theatre in the work of the Valencian playwright Rodolf Sirera, or the conception of landscape, myth and memory in the late work of the novelist Mercè Rodoreda and the urgency of memory and remembrance in the writings of Jordi Coca, the effects of censorship in Catalonia appear to have proved a spur and a challenge to writers. Desiring to occupy illegal spaces, performance groups have manifested both literally and metaphorically the international dimension of Catalan culture in the modern period, posed in the present volume by the instances of La Cubana and Els Joglars, and further evidenced in the cross-fertilization in the work of contemporary Catalan playwrights and filmmakers to foreground issues of national plurality and tensions arising between the periphery (Catalonia) and the centre (Spain and Castile).

News media are principal actors in the development of national identities: they have the ability to construct them, maintain them, or divide them. Identity Discourses about Spain and Catalonia in News Media explores the historical and contemporary role of journalism in the relationship between Catalonia and Spain. With more than seven million inhabitants, Catalonia is a region of Spain with historical economic strength and a unique culture. For centuries, but recently at an escalating pace, a large part of the Catalan population has expressed the desire to secede from Spain, constituting a prototypical case study for secessionism among developed countries. This book explains how news media have constructed Catalan and Spanish identities as different from one other, suggesting that journalism can play a crucial role in secessionist politics.

Catalan-language publishers were under constant threat during the dictatorship of Francisco Franco (1939–75). Both the Catalan language and the introduction of foreign ideas were banned by the regime, preoccupied as it was with creating a "one, great, and free Spain." Books against Tyranny compiles, for the first time, the strategies Catalan publishers used to resist the censorship imposed by Franco's regime. Author Laura Vilardell examines documents including firsthand witness accounts, correspondence, memoirs, censorship files, newspapers, original interviews, and unpublished material housed in various Spanish archives. As such, Books against Tyranny opens up the field and serves as an informative tool for scholars of Franco's Spain, Catalan social movements, and censorship more generally.

This book focuses on the role of translation in a globalising world. It presents a series of case studies that explore the ways in which translation is subject to ideology and power play across diverging domains and genres. Broadly based on a discussion of 'translation and the economies of power', the chapters examine an array of contextual and textual factors, ranging from global, regional and institutional power relations to the linguistic, stylistic and rhetorical implications of translation decisions. The book maps the multiple ways in which power relations and ideological positions affect cross-cultural communication, with special reference to repressive practices in history, translation policies, media power and commercial hegemonies. It concludes that future translation research will benefit from a more sustained emphasis on the power of technology and economic capital.

This is the first volume entirely dedicated to contested languages. While generally listed in international language atlases, contested languages usually fall through the cracks of research: excluded from the literature on minority languages and treated as mere ensembles of geographically defined varieties by traditional dialectology. This volume investigates the nature of contested languages, the role language ideologies play in the perception of these languages, the contribution of academic discourse to the formation and perpetuation of language contestedness, and the damage contestedness causes to linguistic communities and ultimately to linguistic diversity. Various situations and degrees of language contestedness are presented and analysed, along with theoretical considerations, exploring potential roads to recognition and issues in language planning that arise from language contestedness. Addressing the “language vs dialect” question head on, the volume opens up new perspectives that are relevant to all students and researchers interested in the maintenance of linguistic diversity.

A comparative study of "inner" and "territorial" forms of literary exile under Nazism and Francoism, proposing an integrative model of exile that emphasizes common approaches and themes rather than division.