This compelling study presents an original look at how 'the nation' is represented in the literature of the Middle East. It includes chapters on Egypt, Sudan, Lebanon, Iraq, Palestine and Israel, drawing on the expertise of literary scholars, historians, political scientists and cultural theorists.The book offers a synthesising contribution to knowledge, placing Arab literature within the context of emergent or conflicting nationalist projects in the area. Topics addressed include:*the roles of literature and interpretation in defining national identity*exile*conflicting nationalisms*conflict resolutionThe approaches taken by the authors range from textual and rhetorical analysis to historical accounts of the role of literature in contributing to national identity, and political analysis of the use of literature as a tool in conflict resolution. Genres covered include fiction (the novel), poetry and verbal duelling.This unique exploration of the subject of literature and the nation in the Arab world will be of interest to anyone studying Middle Eastern literature and nationalism, as well as historians and political scientists.Key Features*Includes chapters from a broad range of American, European and Middle Eastern contributors, providing a synthesising perspective on the Middle East*A unique exploration of the connection between literature and national identity in the Middle East, set against the background of conflict*Covers the subject of literature and nation in Egypt, Sudan, Iraq, Palestine and Israel

To a substantial degree cinema has served to define the perceived character of the peoples and nations of the Middle East. This book covers the production and exhibition of the cinema of Morocco, Algeria, Tunisia, Egypt, Palestine, Jordan, Lebanon, Syria, Iraq, the United Arab Emirates, Saudi Arabi, Yemen, Kuwait, and Bahrain, as well as the non-Arab states of Turkey and Iran, and the Jewish state of Israel. This second edition of Historical Dictionary of Middle Eastern Cinema contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on individual films, filmmakers, actors, significant historical figures, events, and concepts, and the countries themselves. It also covers the range of cinematic modes from documentary to fiction, representational to animation, generic to experimental, mainstream to avant-garde, and entertainment to propaganda. This book is an excellent resource for students, researchers, and anyone wanting to know more about Middle Eastern cinema.

In the Middle East, translation movements and the debates they have unleashed on language, culture and the politics and practices of identity have historically been tied to processes of state formation and administration, in the form of patronage, policy and publishing. Whether one considers the age of regional empires centered in Baghdad or Istanbul, or that of the modern nation-state from Egypt to Iran, this relationship points to the historical role of translation as a powerful and flexible tool of cultural politics. "Nation and Translation in the Middle East" focuses on this important aspect of translation in the region, with special emphasis on translation movements and the production of modernity in a historical context defined by European imperialism, enlightenment universalism, and globalization. While the papers assembled in this special issue of "The Translator" each address specific translation histories and practices in the Middle East, the broader questions they raise regarding the location and the historicity of translation offer a fruitful intervention into contemporary debates in translation studies on difference, fidelity and the ethics of translation. The volume opens with two essays that situate translation at the intersection of national canons, post colonial cultural hegemonies and 'private' market or activist-based initiatives in Egypt and Turkey. Other contributions discuss the utility of translation paradigms as a counterweight to the dominant orientalist historiography of modern print culture in the Arab World; the role of the translator as political agent and social reformer in twentieth-century Egypt; and the relationship between language, translation and the politics of identity in the multi-ethnic and multilingual Islamicate contexts of the Abbasid and Mughal Empires. The volume also includes a general bibliography on translation and the Middle East.

Language, Memory, and Identity in the Middle East differs from traditional modern Middle East scholarship in that it reevaluates the images and perceptions that specialists-and Middle Easterners themselves-have normalized and intellectualized about the region, often with a patronizing rejection of the legitimacy and authenticity of non-Arab Middle Eastern peoples, and a refusal to attribute the Middle East's pathologies to causes outside the traditional Arab-Israeli and post-colonial paradigms.

Based on a decade of research, including in-depth interviews with many leading figures in the story, this edition is essential for anyone who wants to understand the roots of the turmoil engulfing the Middle East, from civil wars to the rise of Al-Qaeda and ISIS.

At the heart of this book is a spectral theory of world literature that draws on Edward Said, Aamir Mufti, Jacques Derrida and world-systems theory to assess how the field produces local literature as an "e;other"e; that haunts its universalising, assimilative imperative with the force of the uncanny. It takes the Middle Eastern novel as both metonym and metaphor of a spectral world literature. It explores the worlding of novels from the Middle East in recent years, and, focusing on the pivotal sites of Middle Eastern modernity (Egypt, Turkey, Iran), argues that lost to their global production, circulation and reception is their constitution in the logic of spectrality. With the intention of redressing this imbalance, it critically restores their engagements with the others of Middle Eastern modernity and shows, through a new reading of the Middle Eastern novel, that world literature is always-already haunted by its others, the ghosts of modernity.

Middle Eastern societies and ordinary people's lives / Edmund Burke III and David N. Yaghoubian -- Precolonial lives -- Assaf: a peasant of Mount Lebanon / Akram F. Khater and Antoine F. Khater -- Shemsigul: a circassian slave in mid-nineteenth-century Cairo / Ehud R. Toledano -- Journeymen textile weavers in nineteenth-century Damascus: a collective / Sherry Vatter -- Ahmad: a Kuwaiti pearl diver / Nels Johnson -- Mohand N'Hamoucha: Middle Atlas Berber / Edmund Burke III -- Bibi Maryam: a Bakhtiyari tribal woman / Julie Oehler -- Colonial lives -- The Shaykh and his daughter: coping in colonial Algeria / Julia Clancy-Smith -- Izz al-Din al-Qassam: preacher and mujahid / Abdullah Schleifer -- Abu Ali al-Kilawi: a Damascus qabaday / Philip S. Khoury -- M'hamed Ali: Tunisian labor organizer / Eqbal Ahmad and Stuart Schaar -- Hagob Hagobian: an Armenian truck driver in Iran / David N. Yaghoubian -- Naji: an Iraqi country doctor / Sami Zubaida -- Post-Colonial lives -- Migdim: Egyptian bedouin matriarch / Lila Abu-Lughod -- Rostam: Qashqai rebel / Lois Beck -- An Iranian village boyhood / Mehdi Abedi and Michael M. [ths] J. Fischer -- Gulab: an Afghan schoolteacher / Ashraf Ghani -- Abu Jamal: a Palestinian urban villager / Joost Hiltermann -- Haddou: a Moroccan migrant worker / David Mcmurray -- Contemporary lives -- Nasir: Sa'idi youth between Islamism and agriculture -- Fanny colonna -- Ghada: village rebel or political protestor? / Celia Rothenberg -- Khanom gohary: Iranian community leader / Homa Hoodfar -- Nadia: mother of the believers / Baya Gacemi -- June leavitt: West Bank settler / Tamara neuman -- Talal Rizk: a Syrian engineer in the Gulf / Michael Provence.