This compelling study presents an original look at how 'the nation' is represented in the literature of the Middle East. It includes chapters on Egypt, Sudan, Lebanon, Iraq, Palestine and Israel, drawing on the expertise of literary scholars, historians, political scientists and cultural theorists.The book offers a synthesising contribution to knowledge, placing Arab literature within the context of emergent or conflicting nationalist projects in the area. Topics addressed include:*the roles of literature and interpretation in defining national identity*exile*conflicting nationalisms*conflict resolutionThe approaches taken by the authors range from textual and rhetorical analysis to historical accounts of the role of literature in contributing to national identity, and political analysis of the use of literature as a tool in conflict resolution. Genres covered include fiction (the novel), poetry and verbal duelling.This unique exploration of the subject of literature and the nation in the Arab world will be of interest to anyone studying Middle Eastern literature and nationalism, as well as historians and political scientists.Key Features*Includes chapters from a broad range of American, European and Middle Eastern contributors, providing a synthesising perspective on the Middle East*A unique exploration of the connection between literature and national identity in the Middle East, set against the background of conflict*Covers the subject of literature and nation in Egypt, Sudan, Iraq, Palestine and Israel

In this innovative book, Keith Watenpaugh connects the question of modernity to the formation of the Arab middle class. The book explores the rise of a middle class of liberal professionals, white-collar employees, journalists, and businessmen during the first decades of the twentieth century in the Arab Middle East and the ways its members created civil society, and new forms of politics, bodies of thought, and styles of engagement with colonialism. Discussions of the middle class have been largely absent from historical writings about the Middle East. Watenpaugh fills this lacuna by drawing on Arab, Ottoman, British, American and French sources and an eclectic body of theoretical literature and shows that within the crucible of the Young Turk Revolution of 1908, World War I, and the advent of late European colonialism, a discrete middle class took shape. It was defined not just by the wealth, professions, possessions, or the levels of education of its members, but also by the way they asserted their modernity. Using the ethnically and religiously diverse middle class of the cosmopolitan city of Aleppo, Syria, as a point of departure, Watenpaugh explores the larger political and social implications of what being modern meant in the non-West in the first half of the twentieth century. Well researched and provocative, Being Modern in the Middle East makes a critical contribution not just to Middle East history, but also to the global study of class, mass violence, ideas, and revolution.

"This comparative volume explores the dramatic pathways of political development undertaken by rentier regimes in the Arab world. Here, waging war proved to weaken rather than strengthen state capacity in pernicious ways--an insight that contrasts sharply with received Western wisdom about war being the crucible of modern state building."--Sean L. Yom, Temple University "An important contribution to the literature on state building in the Middle East."--Gawdat Bahgat, author of Proliferation of Nuclear Weapons in the Middle East War and State Building in the Middle East addresses the strengths and weaknesses of the authoritarian-regime governments commonly found in the Middle East, particularly among oil-rich countries. In this region, war has interacted with processes of state making in ways that fundamentally differ from the European experience. In short, unlike in Europe, wars do not make states in the Middle East; they destroy them. According to economic theory, most oil-rich countries are rentier states; that is, they rely upon the extraction of a natural resource to generate revenue and authority for the central government. As a result, there is little reliance upon domestic taxation and a general lack of political accountability and transparency. By examining how such governments wage war, Rolf Schwarz turns the prevailing wisdom of modern state building on its head. He closely analyzes the real-world experiences of the United Arab Emirates, Jordan, and Iraq to show how rentierism leads to internal weaknesses when it comes to governing. His comparative approach allows him to demonstrate how varying levels of reliance upon external resource rents are reflected in the structure of the regime. By highlighting the perils of funding wars through the sale of natural resources, fighting with imported weaponry, and accepting peace settlements negotiated and guaranteed by foreign powers, Schwarz offers provocative insights into post-conflict peace building, state failure, and the potential for democratic rule in the region. Rolf Schwarz is professor at the NATO Defense College in Rome.

Language, Memory, and Identity in the Middle East differs from traditional modern Middle East scholarship in that it reevaluates the images and perceptions that specialists-and Middle Easterners themselves-have normalized and intellectualized about the region, often with a patronizing rejection of the legitimacy and authenticity of non-Arab Middle Eastern peoples, and a refusal to attribute the Middle East's pathologies to causes outside the traditional Arab-Israeli and post-colonial paradigms.

To a substantial degree cinema has served to define the perceived character of the peoples and nations of the Middle East. This book covers the production and exhibition of the cinema of Morocco, Algeria, Tunisia, Egypt, Palestine, Jordan, Lebanon, Syria, Iraq, the United Arab Emirates, Saudi Arabi, Yemen, Kuwait, and Bahrain, as well as the non-Arab states of Turkey and Iran, and the Jewish state of Israel. This second edition of Historical Dictionary of Middle Eastern Cinema contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on individual films, filmmakers, actors, significant historical figures, events, and concepts, and the countries themselves. It also covers the range of cinematic modes from documentary to fiction, representational to animation, generic to experimental, mainstream to avant-garde, and entertainment to propaganda. This book is an excellent resource for students, researchers, and anyone wanting to know more about Middle Eastern cinema.

At the heart of this book is a spectral theory of world literature that draws on Edward Said, Aamir Mufti, Jacques Derrida and world-systems theory to assess how the field produces local literature as an "e;other"e; that haunts its universalising, assimilative imperative with the force of the uncanny. It takes the Middle Eastern novel as both metonym and metaphor of a spectral world literature. It explores the worlding of novels from the Middle East in recent years, and, focusing on the pivotal sites of Middle Eastern modernity (Egypt, Turkey, Iran), argues that lost to their global production, circulation and reception is their constitution in the logic of spectrality. With the intention of redressing this imbalance, it critically restores their engagements with the others of Middle Eastern modernity and shows, through a new reading of the Middle Eastern novel, that world literature is always-already haunted by its others, the ghosts of modernity.

Focusing on the situation of both Muslim and non-Muslim religious minorities in the Middle East, this volume offers an analysis of various strategies of resilience and accommodation from a historical as well a contemporary perspective.