This volume stems from the idea that the notion of borders and borderlines as clear-cut frontiers separating not only political and geographical areas, but also cultural, linguistic and semiotic spaces, does not fully address the complexity of contemporary cultural encounters. Centering on a whole range of literary works from the United States and the Caribbean, the contributors suggest and discuss different theoretical and methodological grounds to address the literary production taking place across the lines in North American and Caribbean culture. The volume represents a pioneering attempt at proposing the concept of the border as a useful paradigm not only for the study of Chicano literature but also for the other American literatures. The works presented in the volume illustrate various aspects and manifestations of the textual border(lands), and explore the double-voiced discourse of border texts by writers like Harriet E. Wilson, Rudolfo Anaya, Toni Morrison, Cormac McCarthy, Louise Erdrich, Helena Viramontes, Paule Marshall and Monica Sone, among others. This book is of interest for scholars and researchers in the field of comparative American studies and ethnic studies.

This volume stems from the idea that the notion of borders and borderlines as clear-cut frontiers separating not only political and geographical areas, but also cultural, linguistic and semiotic spaces, does not fully address the complexity of contemporary cultural encounters. Centering on a whole range of literary works from the United States and the Caribbean, the contributors suggest and discuss different theoretical and methodological grounds to address the literary production taking place across the lines in North American and Caribbean culture. The volume represents a pioneering attempt at proposing the concept of the border as a useful paradigm not only for the study of Chicano literature but also for the other American literatures. The works presented in the volume illustrate various aspects and manifestations of the textual border(lands), and explore the double-voiced discourse of border texts by writers like Harriet E. Wilson, Rudolfo Anaya, Toni Morrison, Cormac McCarthy, Louise Erdrich, Helena Viramontes, Paule Marshall and Monica Sone, among others. This book is of interest for scholars and researchers in the field of comparative American studies and ethnic studies.

This pathbreaking anthology of Chicano literary criticism, with essays on a remarkable range of texts—both old and new—draws on diverse perspectives in contemporary literary and cultural studies: from ethnographic to postmodernist, from Marxist to feminist, from cultural materialist to new historicist. The editors have organized essays around four board themes: the situation of Chicano literary studies within American literary history and debates about the “canon”; representations of the Chicana/o subject; genre, ideology, and history; and the aesthetics of Chicano literature. The volume as a whole aims at generating new ways of understanding what counts as culture and “theory” and who counts as a theorist. A selected and annotated bibliography of contemporary Chicano literary criticism is also included. By recovering neglected authors and texts and introducing readers to an emergent Chicano canon, by introducing new perspectives on American literary history, ethnicity, gender, culture, and the literary process itself, Criticism in the Borderlands is an agenda-setting collection that moves beyond previous scholarship to open up the field of Chicano literary studies and to define anew what is American literature. Contributors. Norma Alarcón, Héctor Calderón, Angie Chabram, Barbara Harlow, Rolando Hinojosa, Luis Leal, José E. Limón, Terese McKenna, Elizabeth J. Ordóñez, Genero Padilla, Alvina E. Quintana, Renato Rosaldo, José David Saldívar, Sonia Saldívar-Hull, Rosaura Sánchez, Roberto Trujillo

Offers a comparative approach to ethnic literature that begins by accounting for the intrinsic historical, geographical, and political contingencies of different American cultures. This work looks at a range of writing, from novels to literature.

This volume introduces the Cross-Cultural Interaction Model (CCIM), a visual tool for studying the exchanges that take place between different cultures in borderland areas or across long distances. The model helps researchers untangle complex webs of connections among people, landscapes, and artifacts, and can be used to support multiple theoretical viewpoints. Through case studies, contributors apply the CCIM to various regions and time periods, including Roman Europe, the Greek province of Thessaly in the Late Bronze Age, the ancient Egyptian-Nubian frontier, colonial Greenland in the eighteenth and nineteenth centuries, the Mississippian realm of Cahokia, ancient Costa Rica and Panama, and the Moquegua Valley of Peru in the early Middle Horizon period. They adapt the model to best represent their data, successfully plotting connections in many different dimensions, including geography, material culture, religion and spirituality, and ideology. The model enables them to expose what motivates people to participate in cultural exchange, as well as the influences that people reject in these interactions. These results demonstrate the versatility and analytical power of the CCIM. Bridging the gap between theory and data, this tool can prompt users to rethink previous interpretations of their research, leading to new ideas, new theories, and new directions for future study. Contributors: Meghan E. Buchanan | Michele R. Buzon | Kirk Costion | Bryan Feuer | Ulrike Matthies Green | Scott Palumbo | Stuart Tyson Smith | Peter Andreas Toft | Peter S. Wells

Explores the minority peoples on their skiffs and herders on the steppe. Closely observing daily life in these remote regions, they document the many lifestyles and adventures of the Chinese natives, among them the visit of an old Catholic fisherman at a church that has been without a priest for over 40 years.

Focusing on the Nepali ethnic group living on the borderlands of Sikkim, Darjeeling, and east Nepal, the book 'Ethnicity and Democracy in the Eastern Himalayan Borderland' analyses the growth, success, and proliferation of ethnic politics on the peripheries of modern South Asia. Based on extensive historical and ethnographic research, it critically examines the relationship between culture and politics in a geographical space which is replete with a diverse range of ethnic identities. The book explores the emergence of new modes of political representation, cultural activism, and everyday politics in regional South Asia. Being Nepali offers new perspectives on political dynamics and state formation across the eastern Himalaya which is fuelled by the resurgence of ethnic culture. NB CATALGUSTEKST CHICAGO: This book presents a close look at the growth, success, and proliferation of ethnic politics on the peripheries of modern South Asia, built around a case study of the Nepal ethnic group that lives in the borderlands of Sikkim, Darjeeling, and east Nepal. Grounded in historical and ethnographic research, it critically examines the relationship between culture and politics in a geographical space that is home to a diverse range of ethnic identities, showing how new modes of political representation, cultural activism, and everyday politics have emerged from the region.