Disease, pestilence and contagion have been an integral component of human lives and stories. This book explores the articulations and representations of the vulnerability of life or the trauma of death in literature about epidemics both from India and around the world. This book critically engages with stories and narratives that have dealt with pandemics or epidemics in the past and in contemporary times to see how these texts present human life coming to terms with upheaval, fear and uncertainty. Set in various places and times, the literature examined in this book explores the themes of human suffering and resilience, inequality, corruption, the ruin of civilizations and the rituals of grief and remembrance. The chapters in this volume cover a wide spatio-temporal trajectory analysing the writings of Fakir Mohan Senapati and Suryakant Tripathi Nirala, Jack London, Albert Camus, Margaret Atwood, Sarat Chand, Pandita Ramabai and Christina Sweeney-Baird, among others. It gives readers a glimpse into both grounded and fantastical realities where disease and death clash with human psychology and where philosophy, politics and social values are critiqued and problematized. This book will be of interest to students of English literature, social science, gender studies, cultural studies, psychology, society, politics and philosophy. General readers too will find this exciting as it covers authors from across the world.

Editor Joseph P. Byrne, together with an advisory board of specialists and over 100 scholars, research scientists, and medical practitioners from 13 countries, has produced a uniquely interdisciplinary treatment of the ways in which diseases pestilence, and plagues have affected human life. From the Athenian flu pandemic to the Black Death to AIDS, this extensive two-volume set offers a sociocultural, historical, and medical look at infectious diseases and their place in human history from Neolithic times to the present. Nearly 300 entries cover individual diseases (such as HIV/AIDS, malaria, Ebola, and SARS); major epidemics (such as the Black Death, 16th-century syphilis, cholera in the nineteenth century, and the Spanish Flu of 1918-19); environmental factors (such as ecology, travel, poverty, wealth, slavery, and war); and historical and cultural effects of disease (such as the relationship of Romanticism to Tuberculosis, the closing of London theaters during plague epidemics, and the effect of venereal disease on social reform). Primary source sidebars, over 70 illustrations, a glossary, and an extensive print and nonprint bibliography round out the work.

An old man walks along deserted railway tracks, long since unused and overgrown; beside him a young, feral boy helps him along. It has been 60 years since the great Red Death wiped out mankind, and the handful of survivors from all walks of life have established their own civilization and their own hierarchy in a savage world. Art, science, and all learning has been lost, and the young descendants of the healthy know nothing of the world that was—nothing but myths and make-believe. The old man is the only one who can convey the wonders of that bygone age, and the horrors of the plague that brought about its end. What future lies in store for the remnants of mankind can only be surmised—their ignorance, barbarity, and ruthlessness the only hopes they have. This cataclysmic tale remains a terrifying prophecy of the perils of globalization, which are all too pertinent today.

Beyond her most famous creation—the nightmarish vision of Frankenstein’s Creature—Mary Shelley’s most enduring influence on politics, literature, and art perhaps stems from the legacy of her lesser-known novel about the near-extinction of the human species through war, disease, and corruption. This novel, The Last Man (1826), gives us the iconic image of a heroic survivor who narrates the history of an apocalyptic disaster in order to save humanity—if not as a species, then at least as the practice of compassion or humaneness. In visual and musical arts from 1826 to the present, this postapocalyptic figure has transmogrified from the “last man” into the globally familiar filmic images of the “invisible man” and the “final girl.” Reading Shelley’s work against the background of epidemic literature and political thought from ancient Greece to Covid-19, Eileen M. Hunt reveals how Shelley’s postapocalyptic imagination has shaped science fiction and dystopian writing from H. G. Wells, M. P. Shiel, and George Orwell to Octavia Butler, Margaret Atwood, and Emily St. John Mandel. Through archival research into Shelley’s personal journals and other writings, Hunt unearths Shelley’s ruminations on her own personal experiences of loss, including the death of young children in her family to disease and the drowning of her husband, Percy Bysshe Shelley. Shelley’s grief drove her to intensive study of Greek tragedy, through which she developed the thinking about plague, conflict, and collective responsibility that later emerges in her fiction. From her readings of classic works of plague literature to her own translation of Sophocles’s Oedipus Rex, and from her authorship of the first major modern pandemic novel to her continued influence on contemporary popular culture, Shelley gave rise to a tradition of postapocalyptic thought that asks a question that the Covid-19 pandemic has made newly urgent for many: What do humans do after disaster?

As one of the first book-length collections of critical essays on the topic of asexuality, Asexualities: Feminist and Queer Perspectives became a foundational text in the burgeoning field of asexuality studies. This revised and expanded ten-year anniversary edition both celebrates the book’s impact and features new scholarship at the vanguard of the field. While this edition includes some of the most-cited original chapters, it also features critical updates as well as new, innovative work by both up-and-coming and established scholars and activists from around the world. It brings in more global perspectives on asexualities, engages intersectionally with international formations of race and racialization, critiques global capital’s effects on identity and kinship, examines how digital worlds shape lived realities, considers posthuman becomings, experiments with the form of the manifesto, and imagines love and relation in ecologies that exceed and even supersede the human. This cutting-edge, multidisciplinary, interdisciplinary book serves as a valuable resource for everyone—from those who are just beginning their critical exploration of asexualities to advanced researchers who seek to deepen their theoretical engagements with the field.

From the the winner of the Nobel Prize in Literature: Part detective story, part historical epic—a bold and brilliant novel that imagines a plague ravaging a fictional island in the Ottoman Empire. It is April 1900, in the Levant, on the imaginary island of Mingheria—the twenty-ninth state of the Ottoman Empire—located in the eastern Mediterranean between Crete and Cyprus. Half the population is Muslim, the other half are Orthodox Greeks, and tension is high between the two. When a plague arrives—brought either by Muslim pilgrims returning from the Mecca or by merchant vessels coming from Alexandria—the island revolts. To stop the epidemic, the Ottoman sultan Abdul Hamid II sends his most accomplished quarantine expert to the island—an Orthodox Christian. Some of the Muslims, including followers of a popular religious sect and its leader Sheikh Hamdullah, refuse to take precautions or respect the quarantine. And then a murder occurs. As the plague continues its rapid spread, the Sultan sends a second doctor to the island, this time a Muslim, and strict quarantine measures are declared. But the incompetence of the island’s governor and local administration and the people’s refusal to respect the bans doom the quarantine to failure, and the death count continues to rise. Faced with the danger that the plague might spread to the West and to Istanbul, the Sultan bows to international pressure and allows foreign and Ottoman warships to blockade the island. Now the people of Mingheria are on their own, and they must find a way to defeat the plague themselves. Steeped in history and rife with suspense, Nights of Plague is an epic story set more than one hundred years ago, with themes that feel remarkably contemporary.

Ecocritical Explorations of the Climate Crisis expands postcolonial precarity studies by addressing the current climate crisis and threats to the habitability of the planet from a range of ecocritical and environmental perspectives. The collection uses planetary thought-action praxis that acknowledges the interconnectedness of all forms of life in addressing the socioecological issues facing humanity: accelerating climate change, over-exploitation of natural resources, and the Global North–South divide. With reference to contemporary cultural productions, such praxis seeks to examine the ideas, images, and narratives that either represent or impede potential disasters like the so-called sixth extinction of the planet, that inspire the dismantling of carbon democracies arising in the wake of neoliberalism, and that address rising inequality with precarious conditions in the transition to renewable energy. The different chapters explore literary and visual representations of planetary precarity, identifying crisis-responsive genres and cultural formats, and assessing approaches to environment-re/making that call for repair, recovery and sustainability. In imagining future habitability, they deploy diverse critical frameworks such as queer utopias, zero-waste lifestyles, alternative ecologies, and adaptations to the uninhabitable. The collection tackles problems of global vulnerability and examines precarity as a condition of resilience and resistance through collective actions and solidarities and innovative constructions of the planet’s survival as a shared home. It engages with current postcolonial debates, uses intersectional methodologies, and introduces contemporary literary, visual concepts, and narrative types.