The directory of the American book publishing industry with industry yellow pages.

Literary Market Place 2005 is the ultimate insider's guide to the U.S. book publishing industry, covering every conceivable aspect of the business. Two easy-to-use volumes provide: 54 sections organizing everyone and everything in the business-from publishers, agents, and ad agencies to associations, distributors, and events. Over 14,000 listings in all-featuring names, addresses, and numbers; key personnel, activities, specialties, and other relevant data; e-mail addresses and Web sites; and more. Some 24,000 decision makers throughout the industry, listed in a separate "Personnel Yellow Pages" section in each volume. Thousands of services and suppliers equipped to meet every publishing need or requirement. LMP 2005 leaves no stone unturned in connecting you with the publishing firm, service, or product you or your patrons need. Completely revised and updated, LMP 2005 helps: publishers locate other publishers, freelancers, agents, printers, wholesalers, and manufacturers. suppliers find names and numbers of potential publishing customers. job seekers locate contact names, addresses, and phone numbers throughout the industry. writers locate publishers for their works. librarians provide patrons with the reference source they need to navigate the publishing industry. When it comes to books, you can reach the people who publish, package, review, represent, edit, translate, typeset, illustrate, design, print, bind, promote, publicize, ship, and distribute, all at one world-famous business address: Literary Market Place 2005.

Responding to the resurgence of interest in the Scottish working-class writer James Hogg, Sharon Alker and Holly Faith Nelson offer the first edited collection devoted to an examination of the critical implications of his writings and their position in the Edinburgh and London literary marketplaces. Writing during a particularly complex time in Scottish literary history, Hogg, a working shepherd for much of his life, is seen to challenge many of the aesthetic conventions adopted by his contemporaries and to anticipate many of the concerns voiced in discussions of literature in recent years. While the essays privilege Hogg's primary texts and read them closely in their immediate cultural context, the volume's contributors also introduce relevant research on oral culture, nationalism, transnationalism, intertextuality, class, colonialism, empire, psychology, and aesthetics where they serve to illuminate Hogg's literary ingenuity as a working-class writer in Romantic Scotland.

These unique essays focus primarily on Woolf's non-fiction and considers her in the context of the modernist marketplace. With research based on new archival material, this volume makes important new contributions to the study of the 'gift economy.'

This book asks what reading means in India, Nigeria, the UK, and Cuba, through close readings of literary texts from postcolonial, spatial, architectural, cartographic, materialist, trauma, and gender perspectives. It contextualises these close readings through new interpretations of local literary marketplaces to assert the significance of local, not global meanings. The book offers longer case studies on novels that stage important reading moments: Alejo Carpentier’s The Lost Steps (1953), Leonardo Padura’s Adios, Hemingway (2001), Tabish Khair’s Filming (2007), Chibundhu Onuzo’s Welcome to Lagos (2017), and Zadie Smith’s Swing Time (2016). Chapters argue that while India’s literary market was disrupted by Partition, literature offers a means of moving beyond trauma; in post-Revolutionary Cuba, the Special Period led to exploitation of Cuban literary culture, resulting in texts that foreground reading spaces; in Nigeria, the market hosts meeting, negotiation, reflection, and trade, including the writer’s trade; while Black consciousness bookshops and writing in Britain operated to challenge the UK literary market, a project still underway. This book is a vindication of reading, and of the resistant power and creative potential of local literary marketplaces. It insists on ‘located reading’, enabling close reading of world literatures sited in their local materialities.

Combining analysis with detailed accounts of authors' careers and the global trade in literature, this book assesses how postcolonial writers respond to their own reception and niche positioning, parading their exotic otherness to metropolitan audiences, within a global marketplace.

In Literary Partnerships and the Marketplace, David Dowling examines an often-overlooked aspect of the history of publishing -- relationships, of both a business and a personal nature. The book focuses on several intriguing duos of the nineteenth century and explores the economics of literary partnerships between author/publisher, student/mentor, husband/wife, and parent/child. These literary companions range from Emerson's promotion of Thoreau -- a relationship fraught with pitfalls and misjudgments -- to "Davis, Inc.," the seamless joining of the literary and legal minds of Rebecca Harding Davis and her husband, L. Clarke Davis. Dowling also considers and analyzes the teams of Washington Irving and his publisher, John Murray; Herman Melville and his editor, Evert Duyckinck; E. D. E. N. Southworth and Robert Bonner, the publisher who serialized her sentimental novels; Fanny Fern both with her brother/publisher, Nathaniel Parker Willis, and with Robert Bonner, the latter a more successful pairing; and the famous fraternal relationship between Ernest Hemingway and Gertrude Stein. Throughout, Dowling demonstrates the intrinsic irony of authors projecting their labors of the mind as autonomous even as they relied heavily on their "literary partners" to aid them in navigating the business side of writing.