This study, the first of its kind in English, sets out to analyse literature as a form of social communication by considering developments in literary theory and practice in the German Democratic Republic in the Honecker era. Attention focuses on the changes in the discourses of literary theory and literary practice in a semi-public sphere controlled by an increasingly ossified political discourse. Key developments in the 1970s, hailed by GDR theorists as the point of departure for a new kind of literary communication in society, are carefully examined. The study then contrasts these idealised views of literature as social communication with practice and theory in the late 1970s and 1980s. In clear trends in practice (and, to a lesser extent, in theory) communication was perceived as being increasingly problematic and conflictual. The development from this sense of destabilisation to the rupturing in communication between literature and society, between literature and political authority and in literature itself became more salient in the 1980s as its forms and themes radically challenged the mounting stagnation of the discourse of political power. These conflicts are illustrated and discussed with the aid of detailed analyses of key literary texts and previously unpublished interviews with leading theorists.

Contents: Introduction. Dennis TATE: Trapped in the past? The identity problems of East German writers since the Wende. Stuart PARKES: Disunity and unity - The inter-German Literaturstreit of the early 1990s. Astrid HERHOFFER: Auf der Suche nach Wahrheit. Helmut PEITSCH: 'Vereinigung': Literarische Debatten über die Funktion der intellektuellen. Ian HUTCHINGS: Reunited Germany: bane or blessing for Europe? John THEOBALD & Gertrud ZUBER: Who wanted unification? Ann KENNARD: Emerging relations between Germany and Poland since German unification. Clive EDWARDS: Trade unions in the new Bundesländer: the shape of things to come? Marilyn FARR: Works councils in the new Bundesländer - the management view. Ulla KITE: Political, economic and social changes and developments since unification: case study Leipzig. Derek LEWIS: The role of language in the fall of the GDR and the aftermath. Hermann KORTE: Zur Lage der Universitäten in Deutschland. Simon GREEN: The European dimension in German schools. Alan BANCE: The impact of the second Gulf War on German political culture and consciousness. David HEAD: 'Made in Germany' in the 1990s. Gisela SHAW: Die Deutschen Rechtsanwälte - eine Profession im Umbruch?

Compared with other human and social sciences, communication theory appears to be of recent origin. Appearances deceive, however, for the antecedents of this growing field of work can be found in the classic philosophical treatises of western and non-western thinkers including Plato, Sextus Empiricus and Laozi, reaching forward through the theolinguistic tradition of St Augustine, Boethius, Averroës and Ockham before arriving at the modern age. Following Wittgenstein's linguistic turn and Husserl's phenomenology in the early decades of the twentieth century, we arrive at the fertile plains of semiotics, information theory, pragmatics and dialogism out of which communication theory has grown. And yet an unresolved and historically non-coincidental tension remains between the implicit transcendental claims of much of communication theory and our experiences of risk, uncertainty and dissolution in what Zygmunt Bauman has described as our 'liquid age'. As communication theory matures, it is an opportune moment to reflect on what form a detranscendentalised theory of communication might take. In bringing intentions, understandings, meanings and interactions down to earth this book invites its readers to account for the complex communications between communications, actors and social processes without recourse to transcendental theories of understanding.

Designed to provide English readers of German literature the opportunity to familiarize themselves with both the established canon and newly emerging literatures that reflect the concerns of women and ethnic minorities, the Encyclopedia of German Literature includes more than 500 entries on writers, individual work, and topics essential to an understanding of this rich literary tradition. Drawing on the expertise of an international group of experts, the essays in the encyclopedia reflect developments of the latest scholarship in German literature, culture, and history and society. In addition to the essays, author entries include biographies and works lists; and works entries provide information about first editions, selected critical editions, and English-language translations. All entries conclude with a list of further readings.

Sharing a commitment to the theory of communication to Habermas' Theory of Communicative Action , Grant here issues a range of challenges to it. He critiques theories of dialogism and intersubjectivity, proposes a rethinking of the communicating subject in society and explores the new contingencies of culture and media in today's world.

This book explores how writers adhered to, played with, and subverted the formulaic precepts of educational transformation in the German Democratic Republic.

Christoph Hein is one of the best-known authors of the former GDR, and his works of fiction have been widely interpreted as responses to and critiques of socialist society. In this study, David Clarke undertakes a detailed analysis of all of Christoph Hein’s major works of fiction from Der fremde Freund (1928) to Willenbrock (2000) in order to explore Hein’s critique of the GDR regime, whilst also demonstrating how aspects of that critique provided a starting point for Hein’s rejection of capitalism both before and after German unification. For Hein, socialism had failed to make good its promise to create a community bound together by common values and goals, preferring instead to impose conformity upon its citizens. Capitalism, he believed, was equally unable to meet the need for community, and Hein sought to demonstrate the consequences of this state of affairs in the figure of Wörle in his first post-unification novel, Das Napoleon-Spiel (1993). After this point, Clarke argues, Hein was nevertheless forced to re-examine his criticism of capitalism, a process which ultimately led to the more differentiated and convincing portrayal to be found in Willenbrock.