Gerald Vizenor és l'autor indi nord-americà més important d'aquests moments i el que més obres ha publicat. Poeta, assagista, novel·lista, periodista, professor, activista compromés i crític aferrissat de la política racial discriminatòria nord-americana, ha dedicat i continua dedicant la seua vida a estudiar, explorar i redefinir la història passada i present dels nadius nord-americans en la que una vegada fou la seua terra. Autor prolífic 'amb més de trenta títols publicats' i extraordinàriament innovador, ha rebut nombrosos premis i reconeixements. El tret que distingeix la seua producció literària és la unicitat de temes i motius que la recorren amb un estil profundament personal que fon prosa, poesia i assaig sota un denominador comú: el d'un llenguatge on les fronteres entre gèneres desapareixen i donen pas a una literatura única que ben bé es podria encunyar com a vizenoriana. Literary Chance: Essays on Native American Survivance recull quinze assajos en els quals l'autor aprofundeix en com el llenguatge ha creat la imatge del que és l'indi nord-americà; un simulacre que Vizenor tracta de desfer amb un nou vocabulari que pose de manifest aquesta invenció i representació des de la simulació.

Robert Day has invented a new form, the Chance Encounters of a Literary Kind memoirs?brief, whimsical, sometimes touching, reminiscences about his brushes (often friendships) with literary greatness. He treats Shakespeare, William Stafford, Mavis Gallant, John Barth, Ray Carver, Walter Bernstein, and Michael de Montaigne. Some he met and knew in person; others he met in his mind. But the collision is sparkling in its reverent irreverence, airy, gossamer-thin, a playful and informal jeu d?esprit that takes itself not very seriously, yet with flashes of seriousness and wit.

Written by a top literary agent who gives writers an insider's view of how to find and work with an agent throughout the process of getting published. Includes: -- How to know that you're ready for an agent -- 7 ways to find an agent -- Writing a cover letter that grabs attention -- What to do with an agent once you've got one -- What you can expect and what you'd better not hope for -- Making sure this is the right agent for you -- Congratulations, now you have an agent AND an editor -- How to avoid the 7 worst pitfalls for aspiring writers -- And much, much more. In today's highly competitive publishing industry, literary agents are more important than ever. Whether you write fiction or non-fiction, reference or children's books, here is everything you need to know about using an agent to launch and sustain your literary career.a

Ten essays discuss themes and specific works without reliance on structuralism social-science analysis, or historical context, but on the use of language and flow of narrative. Familiarity with the concepts and terminology of postmodern criticism is assumed. Annotation copyrighted by Book News, Inc., Portland, OR

This study of medieval women as postcolonial writers defines the literary strategies of subversion by which they authorized their alterity within the dominant tradition. To dismantle a colonizing culture, they made public the private feminine space allocated by gender difference: they constructed 'unhomely' spaces. They inverted gender roles of characters to valorize the female; they created alternate idealized feminist societies and cultures, or utopias, through fantasy; and they legitimized female triviality the homely female space to provide autonomy. While these methodologies often overlapped in practice, they illustrate how cultures impinge on languages to create what Deleuze and Guattari have identified as a minor literature, specifically for women as dis-placed. Women writers discussed include Hrotsvit of Gandersheim, Hildegard of Bingen, Marie de France, Marguerite Porete, Catherine of Siena, Margery Kempe, Julian of Norwich, and Christine de Pizan.

This first edition reader introduces students to 26 of our greatest literary journalists, from Ernie Pyle to Hunter S. Thompson. It is the most current and complete anthology of the best of literary journalism.

In the Renaissance and early modern periods, there were lively controversies over why things happen. Central to these debates was the troubling idea that things could simply happen by chance. In France, a major terrain of this intellectual debate, the chance hypothesis engaged writers coming from many different horizons: the ancient philosophies of Epicurus, the Stoa, and Aristotle, the renewed reading of the Bible in the wake of the Reformation, a fresh emphasis on direct, empirical observation of nature and society, the revival of dramatic tragedy with its paradoxical theme of the misfortunes that befall relatively good people, and growing introspective awareness of the somewhat arbitrary quality of consciousness itself. This volume is the first in English to offer a broad cultural and literary view of the field of chance in this period. The essays, by a distinguished team of scholars from the U.S., Britain, and France, cluster around four problems: Providence in Question, Aesthetics and Poetics of Chance, Law and Ethics, and Chance and its Remedies. Convincing and authoritative, this collection articulates a new and rich perspective on the culture of sixteenth- and seventeenth-century France.