By way of a case study of one of the oldest French book agencies, Agence Hoffman, this book analyzes the role played by French literary agents in the importation of US fiction and literature into France in the years following World War II. It sheds light on the material conditions of the circulation of texts across the Atlantic between 1944 and 1955, exploring the fine mechanisms of agents’ negotiations which allowed texts, and ideas, to cross borders. While providing comparative insights into the history of publishing in France and in the United States in the immediate aftermath of the war, this book aims at foregrounding the role of the book agent, an all-too often neglected intermediary in the field of book history. Grounded in archival work conducted both in France and the United States, this study is based on previously unexamined correspondence. Considering the concept of mediation as central in the field of print culture, this book addresses the dearth of scholarship on literary agents on both sides of the Atlantic, and intersects with the current scholarship on transatlantic, internationalm and transnational cultural and trade networks, as evidenced by the recently emerged field of sociology of translation in Europe.

By way of a case study of one of the oldest French book agencies, Agence Hoffman, this book analyzes the role played by French literary agents in the importation of US fiction and literature into France in the years following World War II. It sheds light on the material conditions of the circulation of texts across the Atlantic between 1944 and 1955, exploring the fine mechanisms of agents’ negotiations which allowed texts, and ideas, to cross borders. While providing comparative insights into the history of publishing in France and in the United States in the immediate aftermath of the war, this book aims at foregrounding the role of the book agent, an all-too often neglected intermediary in the field of book history. Grounded in archival work conducted both in France and the United States, this study is based on previously unexamined correspondence. Considering the concept of mediation as central in the field of print culture, this book addresses the dearth of scholarship on literary agents on both sides of the Atlantic, and intersects with the current scholarship on transatlantic, internationalm and transnational cultural and trade networks, as evidenced by the recently emerged field of sociology of translation in Europe.

The book trade historically tended to operate in a spirit of co-operation as well as competition. Networks between printers, publishers, booksellers and related trades existed at local, regional, national and international levels and were a vital part of the business of books for several centuries. This collection of essays examines many aspects of the history of book-trade networks, in response to the recent ‘spatial turn’ in history and other disciplines. Contributors come from various backgrounds including history, sociology, business studies and English literature. The essays in Part One introduce the relevance to book-trade history of network theory and techniques, while Part Two is a series of case studies ranging chronologically from the Middle Ages to the twentieth century. Topics include the movement of early medieval manuscript books, the publication of Shakespeare, the distribution of seventeenth-century political pamphlets in Utrecht and Exeter, book-trade networks before 1750 in the English East Midlands, the itinerant book trade in northern France in the late eighteenth century, how an Australian newspaper helped to create the Scottish public sphere, the networks of the Belgian publisher Murquardt, and transatlantic radical book-trade networks in the early twentieth century.

Adopting his late girlfriend’s son turns one man’s life upside down in this domestic thriller by the author of The Neighbors. When Josh’s longtime partner, Grace, dies in a tragic accident, he is left with a mess of grief—and full custody of her seven-year-old son, Logan. While not his biological father, Josh has been a dad to Logan in every way that counts, and with Grace gone, Logan needs him more than ever. Wanting to do right by Logan, Josh begins the process of becoming his legal guardian—something that seems suddenly urgent, though Grace always brushed it off as an unnecessary formality. But now, as Josh struggles to find the paperwork associated with Logan’s birth, he begins to wonder whether there were more troubling reasons for Grace’s reluctance to make their family official. As he digs deeper into the past of the woman he loved, Josh soon finds that there are many dark secrets to uncover, and that the truth about where Logan came from is much more sinister than he could have imagined . . . Tightly paced and brimming with tension, Her Secret Son is a heartbreakingly honest portrait of a family on the edge of disaster and a father desperate to hold on to the boy who changed his life. Praise for Her Secret Son “An engrossing mix of suspense, grief, and family drama . . . a powerful tale.” —Kimberly Belle, author of The Marriage Lie “Emotionally tense and brimming with secrets, McKinnon showcases love in all its purity and peril.” —Mindy Mejia, author of Leave No Trace “If readers are expecting this to be just another domestic suspense tale, then they’re in for a wonderful surprise. . . . Her Secret Son will shock, flabbergast, and hook readers into reading frantically way past their planned stopping point.” —Fresh Fiction

In this book, religious historian Jonathan Yeager provides a narrative of the publishing history of Jonathan Edwards's works in the eighteenth century, including the various printers, booksellers, and editors responsible for producing and disseminating his writings in America, Britain, and continental Europe. In doing so, Yeager demonstrates how the printing, publishing, and editing of Edwards's works shaped society's understanding of him as an author and what the distribution of his works can tell us today about religious print culture in the eighteenth century.

A COMPANION TO THE HISTORY OF THE BOOK A COMPANION TO THE HISTORY OF THE BOOK Edited by Simon Eliot and Jonathan Rose “As a stimulating overview of the multidimensional present state of the field, the Companion has no peer.” Choice “If you want to understand how cultures come into being, endure, and change, then you need to come to terms with the rich and often surprising history Of the book ... Eliot and Rose have done a fine job. Their volume can be heartily recommended. “ Adrian Johns, Technology and Culture From the early Sumerian clay tablet through to the emergence of the electronic text, this Companion provides a continuous and coherent account of the history of the book. A team of expert contributors draws on the latest research in order to offer a cogent, transcontinental narrative. Many of them use illustrative examples and case studies of well-known texts, conveying the excitement surrounding this rapidly developing field. The Companion is organized around four distinct approaches to the history of the book. First, it introduces the variety of methods used by book historians and allied specialists, from the long-established discipline of bibliography to newer IT-based approaches. Next, it provides a broad chronological survey of the forms and content of texts. The third section situates the book in the context of text culture as a whole, while the final section addresses broader issues, such as literacy, copyright, and the future of the book. Contributors to this volume: Michael Albin, Martin Andrews, Rob Banham, Megan L Benton, Michelle P. Brown, Marie-Frangoise Cachin, Hortensia Calvo, Charles Chadwyck-Healey, M. T. Clanchy, Stephen Colclough, Patricia Crain, J. S. Edgren, Simon Eliot, John Feather, David Finkelstein, David Greetham, Robert A. Gross, Deana Heath, Lotte Hellinga, T. H. Howard-Hill, Peter Kornicki, Beth Luey, Paul Luna, Russell L. Martin Ill, Jean-Yves Mollier, Angus Phillips, Eleanor Robson, Cornelia Roemer, Jonathan Rose, Emile G. L Schrijver, David J. Shaw, Graham Shaw, Claire Squires, Rietje van Vliet, James Wald, Rowan Watson, Alexis Weedon, Adriaan van der Weel, Wayne A. Wiegand, Eva Hemmungs Wirtén.

A sweet and hilarious chapter book about a boy and a bat, two unlikely friends who bond over loneliness, jellyrolls and Darth Vader. Daniel Misumi has just moved to a new house. It's big and old and far away from his friends and his life before. AND it's haunted . . . or is it? Megabat was just napping on a papaya one day when he was stuffed in a box and shipped halfway across the world. Now he's living in an old house far from home, feeling sorry for himself and accidentally scaring the people who live there. Daniel realizes it's not a ghost in his new house. It's a bat. And he can talk. And he's actually kind of cute. Megabat realizes that not every human wants to whack him with a broom. This one shares his smooshfruit. Add some buttermelon, juice boxes, a lightsaber and a common enemy and you've got a new friendship in the making! This charming, funny story is brought to life by Kass Reich's warm and adorable illustrations. There's never been a bat this cute -- readers will be rooting for Megabat and Daniel from page one!