Following in the footsteps of the late great Lester Bangs -- the most revered and irreverent of rock 'n' roll critics -- twenty-four celebrated writers have penned stories inspired by great songs. Just as Bangs cast new light on a Rod Stewart classic with his story "Maggie May," about a wholly unexpected connection between an impressionable young man and an aging, alcoholic hooker, the diverse, electrifying stories here use songs as a springboard for a form dubbed the lit riff. Alongside Bangs's classic work, you'll find stories by J.T. LeRoy, who puts a recovering teenage drug abuser in a dentist's chair with nothing but the Foo Fighters's "Everlong" -- blaring through the P.A. -- to fight the pain; Jonathan Lethem, whose narrator looks back on his lost innocence just as an extramarital affair careens to an end -- this to the tune "Speeding Motorcycle" as recorded by Yo La Tengo; and Jennifer Belle, who envisions a prequel to Paul Simon's "Graceland" -- one that takes place at a children's birthday party replete with a real live kangaroo. With original contributions from Tom Perrotta, Nelson George, Amanda Davis, Lisa Tucker, Aimee Bender, Darin Strauss, and many more -- riffing on everyone from Tom Waits and Bruce Springsteen to the White Stripes, Cat Power, and Bob Marley -- this is both an astounding collection of short stories and an extraordinary experiment in words and music. Soundtrack available from Saturation Acres Music & Recording Co.

Some of today's leading young authors contribute a vast array of short stories all inspired by popular songs, in an anthology featuring selections by such authors as Julianna Baggot, David Ebershoff, Amanda Davis, Neal Pollack, Tom Perrotta, and Rebecca W

RIFFS: HOW TO CREATE AND PLAY GREAT GUITAR RIFFS: UPDATED AND REVISED

Just as soon as it had got rolling, rock music had a problem: it wanted to be art. A mere four years separate the Beatles as mere kiddy culture from the artful geniuses of Sergeant Pepper's, meaning the very same band who represents the mass-consumed, "mindless" music of adolescents simultaneously enjoys status as among the best that Western culture has to offer. The story of rock music, it turns out, is less that of a contagious popular form situated in opposition to high art, but, rather, a story of high and low in dialogue--messy and contentious, to be sure, but also mutually obligated to account for, if not appropriate, one another. The chapters in this book track the uses of literature, specifically, within this relation, helping to showcase collectively its fundamental role in the emergence of the "pop omnivore."

A must-have volume for all Beatles fans-a career-spanning selection of writings about the Fab Four There are, of course, many books on the Beatles, but this is the only one available that is a comprehensive, career-spanning collection of journalism about the legendary band, before and after the breakup. Consisting of more than fifty articles, essays, interviews, record and movie reviews, poems, and book excerpts-many of them rare and hard to find-Read the Beatles is an unprecedented compilation that follows the arc of the Fab Four's iconic and idiosyncratic career, from their early days in Liverpool through their tragic and triumphant histories after the group's split. The book also includes original essays from noted musicians and journalists about the Beatles' lasting influence and why they still matter today.

Half a century ago, the primary contours of the history of the Jews in Roman times were not subject to much debate. This standard account collapsed, however, when a handful of insights undermined the traditional historical method, the method long enlisted by historians for eliciting facts from sources. In response to these insights, a new historical method gradually emerged. Rewriting Ancient Jewish History critiques the traditional historical method and makes a case for the new one, illustrating how to write anew ancient Jewish history. At the heart of the traditional historical method lie three fundamental presumptions. The traditional historical method regularly presumes that multiple versions of a text or tradition are equally authentic; it presumes that many ancient Jewish sources are the products of largely immanent forces of cloistered Jewish communities; and, barring any local grounds for suspicion, it presumes that most ancient Jewish texts faithfully reflect their sources and reliably recount events. Rewriting Ancient Jewish History unfurls the failings of this approach; it promotes the new historical method which circumvents the flawed traditional presumptions while plotting anew the limits of rational argumentation in historical inquiry. This crucial reappraisal is a must-read for students of Jewish and Roman history alike, and a fascinating case-study in how historians should approach their ancient sources.

(Easy Guitar). Easy arrangements of 15 finger-flying favorites in standard notation and tab: Ain't Talkin' 'Bout Love * Best of Both Worlds * Dance the Night Away * Finish What Ya Started * Jamie's Cryin' * Jump * Panama * Right Now * Unchained * and more.