"This text discusses the evolution of punk from its inception in 1975 to the present, delving into the lasting impact of the genre throughout society today"--

Listen to Punk Rock! Exploring a Musical Genre discusses the evolution of punk from its inception in 1975 to the present, delving into the lasting impact of the genre throughout society today. Listen to Punk Rock! provides readers with a fuller picture of punk rock as an inclusive genre with continuing relevance. Organized in a roughly chronological manner, it starts with an introduction that explains the musical and cultural forces that shaped the punk genre. Next, 50 entries cover important punk bands and subgenres, noting female punk bands as well as bands of color. The final part of the book discusses how punk has influenced other musical genres and popular culture. The book will give those new to the genre an overview of important bands and products related to the movement in music, including publications, fashion, and films about punk rock. Notably, it pays special attention to diversity within the genre, discussing bands often overlooked or mentioned only in passing in most histories of the movement, which focus mainly on The Sex Pistols, The Clash, and The Ramones as the pioneers of punk.

This ground-breaking case study examines record production as ethnographic work. Since its founding in 2003, Seattle-based record label Sublime Frequencies has produced world music recordings that have been received as radical, sometimes problematic critiques of the practices of sound ethnography. Founded by punk rocker brothers Alan and Richard Bishop, along with filmmaker Hisham Mayet, the label’s releases encompass collagist sound travelogues; individual artist compilations; national, regional and genre surveys; and DVDs—all designed in a distinctive graphic style recalling the DIY aesthetic of punk and indie rock. Sublime Frequencies’ producers position themselves as heirs to canonical ethnographic labels such as Folkways, Nonesuch, and Musique du Monde, but their aesthetic and philosophical roots in punk, indie rock, and experimental music effectively distinguish their work from more conventional ethnographic norms. Situated at the intersection of ethnomusicology, sound studies, cultural anthropology, and popular music studies, the essays in this volume explore the issues surrounding the label—including appropriation and intellectual property—while providing critical commentary and charting the impact of the label through listener interviews.

The Punk Rock Handbook is the classic punk rock comedy, everything you need to know about being punk rock from the gutter punk underground. The book that you will want to read again and again when your drunk.

As a music scene, punk rock faces an unfortunate stereotype which often assumes an overwhelming presence of aggression and indifference. Using interviews and personal experience, Ellen M. Bernhard argues that contemporary punk scenes are more than just music and mohawks—they operate as sites of autonomous practice and networked communities where a tireless pursuit for social action is amplified by the platforms and forces that exist within the scene today. Contemporary Punk Rock Communities explores current trends within the punk rock community and concludes that today's scenes are spaces of autonomy and commitment where inclusiveness and diversity are prioritized. While self-sufficiency is preferred, scene-related practices are influenced and affected by the larger forces that exist within society today.

While pundits bemoan the death of the music industry and decry teenagers for their morals, earnest, heartfelt bands like Dashboard Confessional, Jimmy Eat World, and Thursday are quietly selling hundreds of thousands of albums through dedication, relentless touring and respect for their fans. This relationship--between young people and the empathetic music that sets them off down a road of self-discovery and self-definition--is emo, a much-maligned, misunderstood term that has existed for nearly two decades, but has flourished only recently. Here, Andy Greenwald makes the case for emo as more than a genre--it's an essential rite of teenagehood. From the '80s to the '00s, from the basement to the stadium, and from the diary to the computer screen, he narrates the story of emo from the inside out and explores the way this movement is taking shape in real time and with real hearts on the line.--From publisher description.

With its own fashion, culture, and chaotic energy, punk rock boasted a do-it-yourself ethos that allowed anyone to take part. Vibrant and volatile, the punk scene left an extraordinary legacy of music and cultural change. John Robb talks to many of those who cultivated the movement, such as John Lydon, Lemmy, Siouxsie Sioux, Mick Jones, Chrissie Hynde, Malcolm McLaren, Henry Rollins, and Glen Matlock, weaving together their accounts to create a raw and unprecedented oral history of UK punk. All the main players are here: from The Clash to Crass, from The Sex Pistols to the Stranglers, from the UK Subs to Buzzcocks—over 150 interviews capture the excitement of the most thrilling wave of rock ’n’ roll pop culture ever. Ranging from its widely debated roots in the late 1960s to its enduring influence on the bands, fashion, and culture of today, this history brings to life the energy and the anarchy as no other book has done.