Lionel Loueke's signature is one of limitless rhythmic invention. He has established a unique identity born of the synthesis between West African and Brazilian musicwithin the modern jazz idiom. In his compositions, these influences fuse together, creating evocative African textures spliced with a guitar sound that channels the phrasing of a kora. When combined with his voice, Loueke's unique sound transports the listener even further. This book contains 21 original compositions and 5 solo transcriptions which give the reader insight into the compositional language of guitarist-vocalist Lionel Loueke

The diverse musics of the Caribbean form a vital part of the identity of individual island nations and their diasporic communities. At the same time, they witness to collective continuities and the interrelatedness that underlies the region's multi-layered complexity. This Companion introduces familiar and less familiar music practices from different nations, from reggae, calypso and salsa to tambú, méringue and soca. Its multidisciplinary, thematic approach reveals how the music was shaped by strategies of resistance and accommodation during the colonial past and how it has developed in the postcolonial present. The book encourages a comparative and syncretic approach to studying the Caribbean, one that acknowledges its patchwork of fragmented, dynamic, plural and fluid differences. It is an innovative resource for scholars and students of Caribbean musical culture, particularly those seeking a decolonising perspective on the subject.

In this collection of essays, interviews, and profiles, William Banfield reflects on his life as a musician and educator, as he weaves together pieces of cultural criticism and artistry, all the while paying homage to Black music of the last 40 years and beyond. In Representing Black Music Culture: Then, Now, and When Again?, Banfield honors the legacy of artists who have graced us with their work for more than half a century. The essays and interviews in this collection are enhanced by seven years of daily diary entries, which reflect on some of the country's most respected Black composers, recording artists, authors, and cultural icons. These include Ornette Coleman, Bobby McFerrin, Toni Morrison, Amiri Baraka, Gordon Parks, the Marsalis brothers, Spike Lee, Maya Angelou, Patrice Rushen, and many others. Though many of the individuals Banfield lauds are well-known to most readers, he also turns his attention to musicians and artists whose work, while perhaps unheralded by the world at large, are no less deserving of praise and respect for their contributions to the culture. In addition, this volume is filled with candid photographs of many of these fellow artists as they participate in expressive culture, whether on stage, on tour, in clubs, behind the scenes, in rehearsal, or even during meals and teaching class. This unique book of essays, interviews, diary entries, and Banfield's personal photographs will be of interest to scholars and students, of course, but also to general readers interested in absorbing and appreciating the beauty of Black culture.

Discover the groove and soul behind the world's greatest music with "The Rhythm Makers: The 100 Greatest Bass Players of All Time." This definitive anthology celebrates the bassists who have laid the foundation for countless songs and genres, driving the rhythm and adding depth to the melodies we love. From the legendary grooves of James Jamerson to the virtuoso skills of Jaco Pastorius, and from Paul McCartney's melodic lines to Flea's funky rhythms, this book covers the spectrum of bass mastery. Ideal for music enthusiasts, aspiring bassists, and anyone who appreciates the art of rhythm, "The Rhythm Makers" is a tribute to the often unsung heroes of the music world.

This book includes Denin Koch’s transcriptions of solo improvisations from Kurt Rosenwinkel’s 2012 album, Star of Jupiter. Koch provides insight into Rosenwinkel’s techniques and concepts, giving the player perspective on the artist’s signature improvisational approach. Each solo is presented in standard notation and guitar tablature with chord symbols matching Rosenwinkel’s original lead sheets and a one-page discussion of the solo’s notable features and techniques. The tablature represents the most logical fingering for each phrase based on articulation, tone, and what comes before and after it.

CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success.

Designed for Music Theory courses, Music Theory Through Improvisation presents a unique approach to basic theory and musicianship training that examines the study of traditional theory through the art of improvisation. The book follows the same general progression of diatonic to non-diatonic harmony in conventional approaches, but integrates improvisation, composition, keyboard harmony, analysis, and rhythm. Conventional approaches to basic musicianship have largely been oriented toward study of common practice harmony from the Euroclassical tradition, with a heavy emphasis in four-part chorale writing. The author’s entirely new pathway places the study of harmony within improvisation and composition in stylistically diverse format, with jazz and popular music serving as important stylistic sources. Supplemental materials include a play-along audio in the downloadable resources for improvisation and a companion website with resources for students and instructors.