Highly Recommended!Collectors Edition!Edgar rice Burroughs is the master of science fiction fantasy! Eager to know the inside story about the legendary John Carter and the amazing cities and peoples of Barsoom? Tarzan the Ape man and his adventures in jungles vast ? Perhaps your taste is more suited to David Innes and the fantastic lost world at the Earth's core? Or maybe wrong-way Napier and the bizarre civilizations of cloud-enshrouded Venus are more to your liking? These pages contain the wondrous worlds and unforgettable characters penned by the master storyteller Edgar Rice Burroughs.

In an era when even the finest rugby coaches have a drastically short shelf-life, Ian McGeechan's longevity and adaptability is staggering. In his 20 years at the highest level of the game he has been at the centre of almost every major story in UK rugby and has worked alongside some of the greatest rugby figures of the era. McGeechan began his career as a player -- winning more than thirty caps for Scotland and twice touring with the Lions. As coach to the Scottish national team, he led his country to a famous Grand Slam victory in the 1990 Five Nations tournament. Continued success in management earned him an appointment as head coach to the Lions on four separate occasions, more than any other, and he will again take charge on their 2009 tour to South Africa. Most recently, as coach of Wasps, McGeechan has guided the team to complete dominance in the club game. Now, in this frank and engaging memoir, Ian McGeechan shares his unrivalled insight into the triumphs and tribulations of British rugby and of the progress of the sport over the past two decades. Lion Manoffers a unique glimpse into the past, present and future of British rugby from one of the most influential figures in the history of the sport.

Mr. Milton Smith, Executive Vice President in Charge of Production, was in conference. A half dozen men lounged comfortably in deep, soft chairs and divans about his large, well-appointed office in the B.O. studio. Mr. Smith had a chair behind a big desk, but he seldom occupied it. He was an imaginative, dramatic, dynamic person. He required freedom and space in which to express himself. His large chair was too small; so he paced about the office more often than he occupied his chair, and his hands interpreted his thoughts quite as fluently as did his tongue. "It's bound to be a knock-out," he assured his listeners; "no synthetic jungle, no faked sound effects, no toothless old lions that every picture fan in the U. S. knows by their first names. No, sir! This will be the real thing." A secretary entered the room and closed the door behind her. "Mr. Orman is here," she said. "Good! Ask him to come in, please." Mr. Smith rubbed his palms together and turned to the others. "Thinking of Orman was nothing less than an inspiration," he exclaimed. "He's just the man to make this picture." "Just another one of your inspirations, Chief," remarked one of the men. "They've got to hand it to you." Another, sitting next to the speaker, leaned closer to him. "I thought you suggested Orman the other day," he whispered. "I did," said the first man out of the corner of his mouth. Again the door opened, and the secretary ushered in a stocky, bronzed man who was greeted familiarly by all in the room. Smith advanced and shook hands with him. "Glad to see you, Tom," he said. "Haven't seen you since you got back from Borneo. Great stuff you got down there. But I've got something bigger still on the fire for you. You know the clean-up Superlative Pictures made with their last jungle picture?" "How could I help it; it's all I've heard since I got back. Now I suppose everybody's goin' to make jungle pictures." "Well, there are jungle pictures and jungle pictures. We're going to make a real one. Every scene in that Superlative picture was shot inside a radius of twenty-five miles from Hollywood except a few African stock shots, and the sound effects—lousy!" Smith grimaced his contempt.

Following the award-winning BBC Radio 4 series, a panoramic exploration of peoples, objects and beliefs from the celebrated author of A History of the World in 100 Objects and Germany 'Riveting, extraordinary ... tells the sweeping story of religious belief in all its inventive variety. The emphasis is not on our differences, but on shared spiritual yearnings' Rachel Campbell-Johnston, The Times, Books of the Year One of the central facts of human existence is that every society shares a set of beliefs and assumptions - a faith, an ideology, a religion - that goes far beyond the life of the individual. These beliefs are an essential part of a shared identity. They have a unique power to define - and to divide - us, and are a driving force in the politics of much of the world today. Throughout history they have most often been, in the widest sense, religious. Yet this book is not a history of religion, nor an argument in favour of faith. It is about the stories which give shape to our lives, and the different ways in which societies imagine their place in the world. Looking across history and around the globe, it interrogates objects, places and human activities to try to understand what shared beliefs can mean in the public life of a community or a nation, how they shape the relationship between the individual and the state, and how they help give us our sense of who we are. For in deciding how we live with our gods, we also decide how to live with each other. 'The new blockbuster by the museums maestro Neil MacGregor ... The man who chronicles world history through objects is back ... examining a new set of objects to explore the theme of faith in society' Sunday Times

The Lion Man is counted among the most significant discoveries in prehistoric archeology. The statuette - made from mammoth ivory from the Lone Valley near Ulm - is the largest known sculpture of Ice Age art. At nearly 40,000 years old, it is one of the oldest pieces of figurative art made by mankind.New excavations in the Stadel cave led archeologists to the surprising re-discovery of the original finding place of the statuette from the 1939 excavation- They were also able to retrieve numerous additional fragments from the figure. As a result, it was possible to further reassemble the Lion Man in the course of a complex restoration project. The project culminated in a special exhibition at the Ulmer Museum, which focuses on the Paleolithic statuette. This present companion volume also serves as the most current and comprehensive guide to Ice Age art and culture of the Swabian Jura.

The Serengeti is one of the world's most renowned ecosystems, and at its apex prowls the Serengeti Lion. These majestic mammals are iconic, and integral, and also in constant danger from encroaching humans. Craig Packer is among the unique species that has spent a lifetime ensuring the study and perpetuity of these dark maned cats. He has dedicated countless research hours and dollars to the coexistence of humans and wildlife in the Serengeti. He has even proposed ways of using lion hunting to ensure their value, and hence their protection. "Lions in the Balance "takes us into the red-in-tooth-and-claw world of lion conservation. It is an incredibly candid, entertaining, and at points alarming look at what the future of the Serengeti lions entails, and how the politics of conservation require survival strategies far more creative and powerful than what animals (humans included) on the savannas must possess. A sequel to Mr. Packer's "Into Africa, "this diary based chronicle of the past decade draws readers along the dusty trails and into the spectacular sunsets of the Serengeti. Through his experiences we learn that female lions prefer their male manes dark and long, that lion attacks on humans most commonly occur during the full moon cycles, and that citizen science is shaping the world--Packer's initiative Snapshot Serengeti has helped engage globally, and locally, and has identified thousands of images of the Serengeti. The narrative moves from Arusha to the Serengeti to Washington DC, and with some temporal hopping, as often the stories are as rich and multilayered as the Serengeti ecosystem. And Mr. Packer demonstrates that he possesses himself a bit of cat, having needed nearly nine lives to persist in the ever dynamic and vexed world of conservation in Africa.

This is a reprint of the first comic book created by black artists, writers and publisher, jam-packed with fast action, African Adventure, good clean humor and fantasy. Every brush stroke and pen line in the drawings on these pages are by negro artists. This publication is another milestone in the splendid history of negro journalism. But in this first issue we meet Ace Harlem (a detective), the Dew Dillies (pixie-like children), Lion Man (jungle defender) and Sugarfoot (Amos and Andy type humor). There is also a two-page text story, a one page humor strip, and a quartet of funnies called Hep Chicks on Parade. I would have loved to see Ace Harlem continue and what the artwork would have developed as in Lion Man. And I think that Hep Chicks is funny, regardless of time period. These books are constantly updated with the best version Enjoy a nostalgic trip down memory lane with the best titles from the golden age of comics. Escamilla Comics has lovingly remastered these timeless classics with vivid color correction, image restoration and has also added an enhanced reading experience with Kindle Panel View The comic reprints from Calumet History and Hobby are reproduced from actual classic comics, and sometimes reflect the imperfection of books that are decades old.