Organized by subject and with an accompanying audio app, this is the essential reference for all Spanish language learners. Learn more than 10,000 of the most useful words and phrases in Spanish with this beautifully illustrated dictionary for Spanish-language students. Building on the success of the English for Everyone course books and the Bilingual Visual Dictionary series, Spanish/English Illustrated Dictionary uses crystal-clear illustrations to show the meaning of over 10,000 words of Spanish vocabulary. The words are shown in a visual context in themed sections covering practical or everyday topics (such as shopping, food, or study), providing learners with all the vocabulary they need for work, travel, and leisure. Learning Spanish vocabulary is even easier with this visually stunning dictionary.

La Vida de Ignacio Agramonte de Juan José Expósito Casasús constituye un mito de la cultura cubana. Durante generaciones en las escuelas de la Isla se cuentan las hazañas de Agramonte como parte de un ciclo de relatos de dimensiones épicas. Esta Vida de Ignacio Agramonte recoge parte de las cartas que intercambiaron entre sí Agramonte y Amalia, el amor de su vida. Asimismo, contiene documentos militares que informan de las operaciones de la guerra de independencia cubana. Agramonte luchó contra fuerzas más numerosas y mejor equipadas. Su inventiva para sortear con astucia estas desventajas lo convirtieron en líder muy respetado. Llaman, además, la atención los capítulos en que se refieren las polémicas entre los revolucionarios cubanos. Se discutía, en esencia, el modo de gobernar la República cubana en armas y sus instituciones democráticas. Asimismo merecen interés los Decretos y documentos constitucionales aquí incluidos y, en particular, los de Agramonte. En este periodo de la historia cubana se proclama la abolición de la esclavitud. También se redacta una nueva Constitución para Cuba. Mientras, los independentistas cubanos se debatían entre un modelo dictatorial de gobierno en plena guerra y el ideal Republicano y democrático, defendido por Agramonte.

Perspective has been a divided subject, orphaned among various disciplines from philosophy to gardening. In the first book to bring together recent thinking on perspective from such fields as art history, literary theory, aesthetics, psychology, and the history of mathematics, James Elkins leads us to a new understanding of how we talk about pictures. Elkins provides an abundantly illustrated history of the theory and practice of perspective. Looking at key texts from the Renaissance to the present, he traces a fundamental historical change that took place in the way in which perspective was conceptualized; first a technique for constructing pictures, it slowly became a metaphor for subjectivity. That gradual transformation, he observes, has led to the rifts that today separate those who understand perspective as a historical or formal property of pictures from those who see it as a linguistic, cognitive, or epistemological metaphor. Elkins considers how the principal concepts of perspective have been rewritten in work by Erwin Panofsky, Hubert Damisch, Martin Jay, Paul Ricoeur, Jacques Lacan, Maurice Merleau-Ponty, and E. H. Gombrich. The Poetics of Perspective illustrates that perspective is an unusual kind of subject: it exists as a coherent idea, but no one discipline offers an adequate exposition of it. Rather than presenting perspective as a resonant metaphor for subjectivity, a painter's tool without meaning, a disused historical practice, or a model for vision and representation, Elkins proposes a comprehensive revaluation. The perspective he describes is at once a series of specific pictorial decisions and a powerful figure for our knowledge of the world.