"For the past fifteen years, Lin May Saeed (b. 1973, Germany) has focused on the lives of animals and human-animal relations. With empathy and wit ,she tells stories, both ancient and modern, of animal subjugation, liberation, and cohabitation with humans, working toward a new iconography of interspecies solidarity. On the occasion of her first museum solo exhibition, this catalogue illustrates Saeed's drawings, paintings, and sculptures in materials such as paper, steel, and polystyrene foam. It includes two interpretive essays on the artist, Saeed's own writings, and a previously untranslated text on animality and otherness."--

A reflection on our changing relationship with the sea, imagined by artists such as Jeff Koons and Alison Katz It goes without saying that our relationship to the natural world, especially the sea and its enigmatic and unfathomable contents, is complex and fraught. Far from a wholesale critical condemnation of anthropocentrism, The Imaginary Sea seeks to present a balanced, multifaceted perspective of our evolving relationship with the natural world. It operates, if not in different temporalities, then in different imaginations, compiling work inspired by the sea from artists such as Jeff Koons, Miquel Barceló and Alison Katz, working across a wide range of mediums. This publication, released alongside the eponymous exhibition at the Fondation Carmignac, considers not only how artists are reevaluating our relationship with nature, but also how nature, particularly the sea, sparks our imagination. Akin to the emotional range of a Shakespearian comedy or tragedy, The Imaginary Sea intends to evoke joy, mystery, wonder and melancholy, as well as loss.

Das Buch ist weit mehr als ein Führer durch die Neuinszenierung des Skulpturenparks. Die neuen Arbeiten, von Tom Burr, Lois Weinberger, Amalia Ulman, Santiago Sierra u.a. sind meist für den Ort gemacht und werden ausführlich in Text und Bild vorgestellt00Exhibition: Skulpturenpark, Köln, Germany (14.06.2015-06.2017).

Meet artist, animator, and film maker Eliza Ivanova, and her powerful figures that blend traditional painting with evocative movement.

A young man begins a journey from Saudi Arabia, believing it will end with his death in England. If his mission succeeds, he will go to his god a martyr - and many innocents will die with him. For David Banks, an armed protection officer, charged with neutralizing the threat to London's safety, his role is no longer clear-cut: one man's terrorist is another man's freedom fighter: dangerous distinctions to a police officer with his finger on the trigger. Soon the two men's paths will cross. Before then, their commitment will be shaken by the journeys that take them there. The suicide bomber and the policeman will have cause to question the roads they've chosen. Win or lose, neither will be the same again...

I?m a painter by nature, almost biologically, but I?m also a painter by default, culturally, because I found out that a lot of what I want to convey to the world can only be told through image and not through words."?Francesco Clemente0This richly illustrated volume documents 'Watchtowers, Keys, Threads, Gates', Francesco Clemente?s exhibition at Dallas Contemporary in 2019, curated by Peter Doroshenko. The large-scale installation presented there included a massive, site-specific fresco and two series of sculptures realized in the artist?s signature style. The overall dreamlike atmosphere was firmly in keeping with Clemente?s aesthetics and imaginary.0Through the winding waves murals??realized with the help of three Oaxacan artists??and the bodies of the sculptures??created over the past five years in collaboration with artisans in India??Clemente constructed a labyrinth of patterns and resonances made up of the elements enumerated in the title. Visitors entered his mythological universe and experienced full immersion in his ongoing research on gesture, knowledge, transition, and color.00Exhibition: Dallas Contemporary, Dallas, USA (13.04-18.08.2019).