When his wives, who take care of all his needs, decide to go on vacation, Limpopo the lion has a hard time hunting and caring for himself and realizes that he needs to change his lazy ways and help them with the chores.

In this captivating, suspenseful memoir, white lion conservationist Linda Tucker describes her perilous struggle to protect the sacred white lion from the merciless and mafia-like trophy-hunting industry, armed only with her indomitable spirit and total devotion. Her story begins in 1991 with a heart-stopping misadventure in the Timbavati Reserve of South Africa. Tucker—then a successful advertising executive—and a group of fellow travelers found themselves surrounded by a pride of angry lions. There was no way out, night had fallen, and the battery in their only flashlight was beginning to flicker. Miraculously, a local medicine woman, with two youngsters in tow, passed, trancelike and fearless, through the lions and escorted them all to safety. For Tucker, that life-threatening experience became a life-changing one. She abandoned her career, left Europe, and returned to Timbavati to track down the medicine woman who had saved her: Maria Khosa. Upon seeing Tucker again, Khosa only smiled and said, “What took you so long?” She had been expecting her, and there was so much to do. Under Khosa’s shamanic tutelage, Tucker learned of her sacred destiny: to be the “keeper of the white lions,” believed to be angelic beings sent to Earth to save humanity at a time of crisis. Khosa also prophesized that the queen of the white lions—the embodiment of the mother of Ra, the sun god—would soon be born, on a day and in a place considered holy by Westerners. On December 25, 2000, in the little South Africa town of Bethlehem, a snowy white lion cub, Marah, was born. From the moment of her first meeting with Marah, Tucker’s story immediately takes off into battle, as she dedicates her every waking moment to prying Marah and her siblings from the grips of the trophy-hunting industry. Compellingly written in the intimate style of a journal, Tucker describes with unflinching honesty her fears, doubts, hopes, and dreams, all the while unfolding for us an unforgettable tale of adventure, romance, spirituality, and most of all, justice.

Like Fela Kuti and Bob Marley, singer, composer, and bandleader Thomas Mapfumo and his music came to represent his native country's anticolonial struggle and cultural identity. Mapfumo was born in 1945 in what was then the British colony of Rhodesia (now Zimbabwe). The trajectory of his career—from early performances of rock 'n' roll tunes to later creating a new genre based on traditional Zimbabwean music, including the sacred mbira, and African and Western pop—is a metaphor for Zimbabwe's evolution from colony to independent nation. Lion Songs is an authoritative biography of Mapfumo that narrates the life and career of this creative, complex, and iconic figure. Banning Eyre ties the arc of Mapfumo's career to the history of Zimbabwe. The genre Mapfumo created in the 1970s called chimurenga, or "struggle" music, challenged the Rhodesian government—which banned his music and jailed him—and became important to Zimbabwe achieving independence in 1980. In the 1980s and 1990s Mapfumo's international profile grew along with his opposition to Robert Mugabe's dictatorship. Mugabe had been a hero of the revolution, but Mapfumo’s criticism of his regime led authorities and loyalists to turn on the singer with threats and intimidation. Beginning in 2000, Mapfumo and key band and family members left Zimbabwe. Many of them, including Mapfumo, now reside in Eugene, Oregon. A labor of love, Lion Songs is the product of a twenty-five-year friendship and professional relationship between Eyre and Mapfumo that demonstrates Mapfumo's musical and political importance to his nation, its freedom struggle, and its culture.