As a doctor in Vietnam, Lily survived unimaginable terror and loss. Now, safely ensconced in a close-knit Maine town and a seemingly comfortable marriage, she no longer needs to be afraid, but she is: afraid of light, afraid of sudden sounds, afraid of seeing the wide-eyed child of war who haunts her. So Lily is unprepared for the act of betrayal that threatens to take away the one thing she cannot live without: her young son. Plunged into a bitter custody battle, befriended by a man with a heartbreaking secret of his own, Lily must fight–to escape her own memories, to survive an uncertain future, and to protect, above all else, the love between a mother and child.

Examines the history and folklore surrounding ghosts and discusses how they are portrayed on television, in films, and in literature.

For decades, James Joyce’s modernism has overshadowed his Irishness, as his self-imposed exile and association with the high modernism of Europe’s urban centers has led critics to see him almost exclusively as a cosmopolitan figure. In Joyce’s Ghosts, Luke Gibbons mounts a powerful argument that this view is mistaken: Joyce’s Irishness is intrinsic to his modernism, informing his most distinctive literary experiments. Ireland, Gibbons shows, is not just a source of subject matter or content for Joyce, but of form itself. Joyce’s stylistic innovations can be traced at least as much to the tragedies of Irish history as to the shock of European modernity, as he explores the incomplete project of inner life under colonialism. Joyce’s language, Gibbons reveals, is haunted by ghosts, less concerned with the stream of consciousness than with a vernacular interior dialogue, the “shout in the street,” that gives room to outside voices and shadowy presences, the disruptions of a late colonial culture in crisis. Showing us how memory under modernism breaks free of the nightmare of history, and how in doing so it gives birth to new forms, Gibbons forces us to think anew about Joyce’s achievement and its foundations.

Strange goings-on at her great Uncle's summer home in Cape May, New Jersey, draw Lily and a new friend into a mystery involving lost treasure, a fake medium, and ghosts of all sizes, shapes and dispositions.

Would you risk everything to save a stranger? Off the coast of Venice lurks Poveglia, the world’s most haunted isle, steeped in centuries of innocent blood. A deranged doctor who took great joy in torturing his patients in life continues to rule his abandoned asylum after death. Few go to Poveglia willingly, but medium Kate Carlsson has no choice. It’s her job. While struggling to retrieve a young girl’s soul, Kate uncovers some shocking truths about the evil on the island that challenges her own convictions and morals—and even her life. Is saving Lily worth making a deal with the infamous Doctor of Death, or is the price too high to pay?

A haunted house in Key West Hannah O'Brien, who grew up in the house and now runs it as a B and B, has always had a special ability to see a pair of resident ghosts. But when a man is murdered in the alley behind her place, she's dismayed when his spirit appears, too, asking for help. FBI agent Dallas Samson has a passionate interest in the murder, since the victim's a colleague whose death is connected to the smuggling ring known as Los Lobos—the wolves. Now Dallas is even more committed to chasing them down…. Unaware that Dallas has certain abilities of his own, Hannah calls her cousin Kelsey O'Brien, a member of the FBI's Krewe of Hunters, an elite unit of paranormal investigators. The present-day case is linked to a historical mystery involving salvagers, a curse and a sunken ship. Danger and desire bring Hannah and Dallas together, but to survive, they have to solve the mysteries of the past—and stay alive long enough to solve the crimes of the present!

"Devin Lyle moves into an eighteenth century cabin in the woods of Salem, haunted by dead bodies and ghostly apparitions"--