A young girl is arguing with a cherry tree. That's a new one for Lily, who's managed to reach the end of her first year at high school without too much weirdness. Unfortunately for her, it's not long after solving this odd mystery that her untroubled life begins to unravel. Discovering an abandoned room at the end of the music department corridor, she finds that aside from it being utterly run-down, it's also devoid of its sole occupant: Sonata Sonoda, the missing journalism club president.

A new day comes with a new way to be woken up. On a warm summer's morning, a bicycle chime outside Lily's window plunges her into waking consciousness, followed by the scowl of a girl with twintailed hair. As the days grow steadily longer, she struggles to navigate the mountains which conspire to ruin her peaceful days. And yet her hardships only begin when she makes her way across the finishing line.

Miyako Florence isn’t sad when her fiancé breaks off their engagement after two years. It’s all according to plan! Whisked to the world of her favorite otome game, Miyako frees herself from a dull noble to pursue her true soulmate: the game’s villainess Fuuka Hamilton. Proud Fuuka only has eyes for their mutual ex-fiancé! Miyako confesses her love to Fuuka and proposes that they run away together. Fuuka agrees on one condition: Miyako must make her say “I’m happy” in 14 days. With conniving nobles, strange diseases, and magical rituals pulling them apart, can Miyako win the villainess’s heart? A tentative bud blossoms in this twisting romance from the author of Sexiled!

Master Impressionism with an art-instruction classic. Impressionism has inspired generations of American artists. And no one has done more for the cause of American Impressionism than Charles Hawthorne, the founder of the Cape Cod School of Art. In Painting the Impressionist Landscape, author and artist Lois Griffel explores Hawthorne’s theories about color and light in depth. Griffel, the longtime director of the school Hawthorne founded, teaches his philosophy like no other painter can, with inspiring step-by-step painting lessons and illuminating text. A true classic of art instruction, Painting the Impressionist Landscape has sold more than 30,000 copies in hardcover in the fifteen years since it was first published. Now a new generation of painters can bring impressionism into their work with this convenient and affordable paperback edition.

Saya Hokage, a high school girl who is unable to sleep due to insomnia, encounters Hitsuji Konparu, a girl who can put anyone to sleep as a "lover" in a dream. When Hitsuji's senpai – Ran Aizome – sees potential in Saya, she ends up joining them and their group of Sleepwalkers. As it turns out, unbeknownst to the common citizens in their town, a battle has been unfolding between the Suiju – beings that possess people's spirits in the land of sleep – and the Sleepwalkers, who have the power to move about freely in their dreams. Sleeping together as a team, Saya and her newfound group are doing a good job hunting Suiju. That is, until an unexpected darkness comes along... Will the girls be able defend humanity's sleep?

For many, the terms aging, maturation and senescence are synonymous and used interchangeably, but they should not be. Whereas senescence represents an endogenously controlled degenerative programme leading to plant or organ death, genetiC aging encompasses a wide array of passive degenerative genetiC processes driven primarily by exogenous factors (Leopold, 1975). Aging is therefore considered a consequence of genetiC lesions that accumulate over time, but by themselves do not necessarily cause death. These lesions are probably made more severe by the increase in size and complexity in trees and their attendant physiology. Thus while the withering of flower petals following pollination can be considered senescence, the loss of viability of stored seeds more clearly represents aging (Norden, 1988). The very recent book "Senescence and Aging in Plants" does not discuss trees, the most dominant group of plants on the earth. Yet both angiospermic and gymnospermic trees also undergo the above phenomena but less is known about them. Do woody plants senesce or do they just age? What is phase change? Is this synonymous with maturation? While it is now becoming recognized that there is no programmed senescence in trees, senescence of their parts, even in gymnosperms (e. g. , needles of temperate conifers las t an average of 3. 5 years), is common; but aging is a readily acknowledged phenomenon. In theory, at least, in the absence of any programmed senescence trees should -live forever, but in practice they do not.