The first English edition of the work of one of Mexico's most admired women writers.

Elena Poniatowska is recognized today as one of Mexico's greatest writers. Lilus Kikus, published in 1954, was her first book. However, it was labeled a children's book because it had a young girl as protagonist, it included illustrations, and the author was an unknown woman. Lilus Kikus has not received the critical attention or a translation into English it deserved, until now. Accompanying Lilus Kikus in this first American edition are four of Poniatowska's short stories with female protagonists, only one of which has been previously published in English. Poniatowska is admired today as a feminist, but in 1954, when Lilus Kikus appeared, feminism didn't have broad appeal. Twenty-first-century readers will be fascinated by the way Poniatowska uses her child protagonist to point out the flaws in adult society. Each of the drawings by the great surrealist Leonora Carrington that accompany the chapters in Lilus Kikus expresses a subjective, interiorized vision of the child character's contemplations on life. "A tantalizingly complex feminist author, whose importance and originality have yet to be appreciated in this country."--Cynthia Steele, author of Politics, Gender, and the Mexican Novel, 1968-1988

Based in the peasantry for the most part, Latin American women's art is profoundly tied to a complex fabric of cultural heritage. This glorious celebration of the unsung and virtually unseen women artists of Latin America presents a dazzling group of women who challenge common assumptions about the nature of artists and their art. Those profiled include painters, sculptors, photographers, textile artists, musicians, dancers, choreographers, and filmmakers. Photos.

This fictionalized account of the life of Tina Modotti is a fascinating story of the complex woman caught up in the social and political turbulence of the pre-World War II era.

A remarkable novel that uniquely melds journalism with fiction, by Elena Poniatowska, the recipient of the prestigious 2013 Cervantes Prize Jesusa is a tough, fiery character based on a real working-class Mexican woman whose life spanned some of the seminal events of early twentieth-century Mexican history. Having joined a cavalry unit during the Mexican Revolution, she finds herself at the Revolution's end in Mexico City, far from her native Oaxaca, abandoned by her husband and working menial jobs. So begins Jesusa's long history of encounters with the police and struggles against authority. Mystical yet practical, undaunted by hardship, Jesusa faces the obstacles in her path with gritty determination. Here in its first English translation, Elena Poniatowska's rich, sensitive, and compelling blend of documentary and fiction provides a unique perspective on history and the place of women in twentieth-century Mexico.

Taking its name from the moon's dark plains, misidentified as seas by early astronomers, The Black Maria investigates African diasporic histories, the consequences of racism within American culture, and the question of human identity. Central to this project is a desire to recognize the lives of Eritrean refugees who have been made invisible by years of immigration crisis, refugee status, exile, and resulting statelessness. The recipient of a 2015 Whiting Award for Poetry, Girmay's newest collection elegizes and celebrates life, while wrestling with the humanistic notion of seeing beyond: seeing violence, seeing grace, and seeing each other better. "to the sea" great storage house, history on which we rode, we touched the brief pulse of your fluttering pages, spelled with salt & life, your rage, your indifference your gentleness washing our feet, all of you going on whether or not we live, to you we bring our carnations yellow & pink, how they float like bright sentences atop your memory's dark hair Aracelis Girmay is the author of two poetry collections, Teeth and Kingdom Animalia, which won the Isabella Gardner Award and was a finalist for the NBCC Award. The recipient of a 2015 Whiting Award, she has received grants and fellowships from the Jerome, Cave Canem, and Watson foundations, as well as Civitella Ranieri and the NEA. She currently teaches at Hampshire College's School for Interdisciplinary Arts and in Drew University's low residency MFA program. Originally from Santa Ana, California, she splits her time between New York and Amherst, Massachusetts.

Mexicana and Chicana authors from the late 1970s to the turn of the century helped overturn the patriarchal literary culture and mores of their time. This landmark volume acquaints readers with the provocative, at times defiant, yet subtle discourses of this important generation of writers and explains the influences and historical contexts that shaped their work. Until now, little criticism has been published about these important works. Addressing this oversight, Teaching Late-Twentieth-Century Mexicana and Chicana Writers starts with essays on Mexicana and Chicana authors. It then features essays on specific teaching strategies suitable for literature surveys and courses in cultural studies, Latino studies, interdisciplinary and comparative studies, humanities, and general education that aim to explore the intersectionalities represented in these works. Experienced teachers offer guidance on using these works to introduce students to border studies, transnational studies, sexuality studies, disability studies, contemporary Mexican history and Latino history in the United States, the history of social movements, and concepts of race and gender.