Zusammenfassung: Audiovisual testimony of a Holocaust survivor. Includes pre-war, wartime, and post-war experiences

Zusammenfassung: Audiovisual testimony of a Holocaust survivor. Includes pre-war, wartime, and post-war experiences

ntroduction by Stephen King, Afterword by Tobe Hooper, Jacket and Interior Art by Clive BarkerA LIFE IN THE CINEMA is the first book from award-winning filmmaker Mick Garris. It is a collection of eight prickly tales and a screenplay that reach under the skin of real life and reel life to take you places you never realized you wanted to go. The title story, "A Life in the Cinema" and its sequel, "Starfucker", are set in the author's hometown of Hollywood, and provide a yellow-jaundiced look at a world you only thought was glamorous.As Stephen King, in his introduction, says: "Here is a real Hollywood insider writing about the real inside world of filmmaking: the good, the bad, and the cheesy. These stories are both erotic and cynical, but they are above all well and fiercely told-when he's yarning about the tarnished tinsel underbelly of the town he knows (and clearly loves) the best, Mick Garris writes like a combination of Robert Bloch and James Ellroy, hardboiled noir with a ghastly little prink of the devil's own pitchfork."Not all of the stories are Hollywood-based: Garris includes tales of a grandmother who is just as loving in death as she was in life, a geriatric trailer park with a randy secret, wistful and impossible love with a twist, the wrong kind of baby-love, and a deathly brush with fame. The book is capped with a screenplay by Garris, as well as "Chocolate", the story it's based on, providing, as King puts it, "a textbook seminar in the art and craft of adapting one's own work."So welcome to a dark side of Hollywood you've never seen before...

Questions of who can access land and who is excluded from it underlie many recent social and political conflicts in Southeast Asia. Powers of Exclusion examines the key processes through which shifts in land relations are taking place, notably state land allocation and provision of property rights, the dramatic expansion of areas zoned for conservation, booms in the production of export-oriented crops, the conversion of farmland to post-agrarian uses, “intimate” exclusions involving kin and co-villagers, and mobilizations around land framed in terms of identity and belonging. In case studies drawn from seven countries, the authors find that four “powers of exclusion”—regulation, the market, force and legitimation—have combined to shape land relations in new and often surprising ways. Land debates are often presented as a conflict between market-oriented land use with full private property rights on the one side, and equitable access, production for subsistence, and respect for custom on the other. The authors step back from these debates to point out that any productive use of land requires the exclusion of some potential users, and that most projects for transforming land relations are thus accompanied by painful dilemmas. Rather than counterposing “exclusion” to “inclusion,” the book argues that attention must be paid to who is excluded, how, why, and with what consequences. Powers of Exclusion is a path-breaking book that draws on insights from multiple disciplines to map out the new contours of struggles for land in Southeast Asia. The volume provides a framework for analyzing the dilemmas of land relations across the Global South and beyond.