With this haunting first volume of his Into Their Labours trilogy, John Berger begins his chronicle of the eclipse of peasant cultures in the twentieth century. Set in a small village in the French Alps, Pig Earth relates the stories of skeptical, hard-working men and fiercely independent women; of calves born and pigs slaughtered; of summer haymaking and long dark winters f rest; of a message of forgiveness from a dead father to his prodigal son; and of the marvelous Lucie Cabrol, exiled to a hut high in the mountains, but an inexorable part of the lives of men who have known her. Above all, this masterpiece of sensuous description and profound moral resonance is an act of reckoning that conveys the precise wealth and weight of a world we are losing.

Lombard has been called the "Lilac Village" since the late 1920s when William R. Plum, affectionately known as the "Colonel," bestowed his world-renowned lilac collection to the village for use as its first public park. Colonel Plum's 2.5-acre estate was known as Lilacia and began in 1911 after a trip to the Lemoine Lilac Gardens in France. By the time Plum passed away in 1927, he had amassed over 200 varieties of lilacs and had the largest collection of French hybrids in the world. Jens Jensen, the famous landscape architect, designed a public space out of Plum's lilac collection with winding paths of native limestone, tulips by the thousands, and a lily pond in the park. The first community-wide Lilac Festival was held in May of 1930, unveiling Jensen's Lilacia and including a Lilac Queen and Court, a pageant, parade, and wide variety of events and festivities celebrating the village's new park.

As Dickens and Balzac did for their time, so John Berger does for ours, rendering the movement of a people and the passing of a way of life in his masterwork, the Into Their Labours trilogy. With Lilac and Flag, the Alpine village of the two earlier volumes has been forsaken for the mythic city of Troy. Here, amidst the shantytowns, factories, and opulent hotels, fading heritages and steadfast dreams, the children and grandchildren of rural peasants pursue meager livings as best they can. And here, two young lovers embark upon a passionate, desperate journey of love and survival and find transcending hope both for themselves and for us as their witnesses.

A smart superhero book for girls with plenty of glitter—perfect for fans of The Powerpuff Girls It all started with the mysterious purple goo . . . What happens when four best friends find themselves splattered with a bubbling, genetically altering substance during a seemingly innocent sleepover in a secret, see-through, high-tech, futuristic lab? The develop superpowers, that’s what! Iris, Cheri, Scarlet, and maybe Opaline have become . . . THE ULTRA VIOLETS After a close encounter with Opaline's pugnacious perfume at her baddie birthday party in book 2, the Ultra Violets realize they have a lot of cleaning up to do. When IRIS lets her purple flag fly, the UVs decide to reveal their true colors to Sync City. CHERI is pleased with the applause, but after a little mathematical deduction, she knows the peace won't last long. BeauTek and the mutants are scheming up something sinister in the Mall of No Returns. And then SCARLET overhears the Black Swans whispering about a mysterious BeauTekification plan and decides to do a little investigating, dropkick style. Just as the skies are starting to look particularly stormy, OPAL asks to be an Ultra Violet again. Can the girls trust their previously evil friend? In this exciting third book, the Ultra Violets must team up to save SyncCity from the smelly Joan River—and kick some evil mutant BeauTek butt! Dorks are done and . . . the fuchsia is now!

A collection of interwoven stories, this is a portrait of two worlds - a small Alpine village bound to the earth and by tradition, and the restless, future-driven culture that will invade it - at their moment of collision. The instrument of entrapment is love. Lives are lost and hearts broken.

With a career in literature and art spanning more than sixty years, John Berger is characterized by an independent and anti-institutional approach to creativity. Working in a range of media including novels, painting, essays and scriptwriting, Berger's voice has resounded through mainstream and alternative culture alike. He is perhaps best known for his seminal book of art criticism Ways of Seeing, published in 1972. Tied directly into a four-part BBC television series, the book presented a radical new interpretation of Western cultural aesthetics. In the same year, Berger's experimental novel G. was awarded the Man Booker Prize for Fiction, cementing his reputation as a boundary-pushing writer and thinker. In this concise yet detailed study of Berger's life and work, the first for decades, Andy Merrifield sheds light on Berger the man, the artist, and the concerned citizen. Merrifield shows Berger to be a figure who constantly strives to open up new horizons, and also reveals the depth of feeling that infuses even his most intellectual work. In this sense, Berger is a creator who feels reality like the irrationalist Rousseau, yet is also a meticulous realist, probing objects critically and rationally like Spinoza. John Berger stitches together art, literature, biography and politics into a lucid, coherent whole. The result is a reader-friendly, freewheeling narrative, which gives fascinating insight into one of the most influential thinkers of our times. The book is essential reading for students and scholars of art, literature and twentieth-century culture.