Fiction. California Interest. Short Stories. With settings that range from the Cuban Missile Crisis and Soviet-era Perestroika to present-day San Francisco, LIKE WATER AND OTHER STORIES, the first English-language collection from Leningrad-born author Olga Zilberbourg, looks at family and childrearing in ways both unsettling and tender, and characters who grapple with complicated legacies--of state, parentage, displacement, and identity. LIKE WATER is a unique portrayal of motherhood, of immigration and adaptation, and an inside account of life in the Soviet Union and its dissolution. Zilberbourg's stories investigate how motherhood reshapes the sense of self--and in ways that are often bewildering--against an uncharted landscape of American culture. In "Dandelion," a child turns into a novel and is shipped off to an agent in New York. In "Doctor Sveta," a young Soviet woman finds herself on a ship bound for Cuba at the onset of the Cuban Missile Crisis. In "Companionship," a young boy decides to return to his mother's uterus. Anthony Marra calls LIKE WATER "A book of succinct abundance, dazzling in its particulars, expansive in its scope," and of these stories, Karen E. Bender says, they "cast a clear, illuminating light on topics ranging from motherhood, the workplace, birth, death, ambition, and immigration, all explored through exquisitely wrought characters in Russia and the United States. Olga Zilberbourg is a writer to read right now."

Like the author of this remarkable collection of thirteen linked stories, the protagonist, Nadia, was born and raised in Egypt, educated in England, and immigrated to the United States. Samia Serageldin draws her characters out with subtlety and control, moving from the narrator’s grandmother’s garden house in Cairo to the suburbs of North Carolina, yielding powerful portraits of cultural dislocation, faith, and multigenerational conflicts. As the narratives shift in time and place, they unfold through memory. In “The Zawiya,” Nadia reflects on the change in women’s space from the coiffeur’s salon to a religious pulpit as she revisits a childhood ritual. In the title story, Nadia offers a vivid sketch of her grandmother Nanou, “a force of nature” who, as an early widow, single-handedly raised six children and ran the household. At a time when few women experienced such independence, Nanou had a potent influence on the young narrator. Told with compassion and clarity, Serageldin’s stories reveal one woman’s exploration of identity, finding it in both the sweeping backdrop of Egyptian history and the quotidian exchanges with friends and family.

In Rachel Swearingen's debut collection, How to Walk on Water and Other Stories, we meet grifters, account executives, waitresses, scientists, and artists who willingly open their doors to trouble. An investment banker falls for a self-made artist who transforms the rooms of her dingy apartment into eerie art installations. A young au pair turns her mundane life into a scene from Key Largo, endangering the child in her care. A down-on-his-luck son moves in with his mother and tries to piece together the brutal attack she survived when he was a baby. A brother helps his wayward sister kidnap her grandson to baptize him in the North Woods. Whether it's a run-down movie theater in Minneapolis, a haunted brownstone in Chicago, a primitive chapel in Northern Michigan, a seedy bar in Seattle, or a tourist hotel in Venice, Italy, Swearingen's powers of observation and suspense show that thoughts as much as place can haunt. The prose is nimble and often heartbreaking. Even as these stories bristle with menace, they soothe with tenderness and humor. The themes of crime and complicity, as well as art and commerce underpin many of these narratives, as does the question of what it means to survive in a world marked by violence and trauma.

A wickedly delightful collection of stories establishing Amis as one of the most versatile and gifted writers of his generation. "Martin Amis is a force unto himself.... There is, quite simply, no one else like him."—The Washington Post "Martin Amis is a stone-solid genius...a dazzling star of wit and insight." —The Wall Street Journal Martin Amis once again demonstrates why he is a modern master of the short story form. In "Career Move," screenwriters struggle for their art, while poets are the darlings of Hollywood. In "Straight Fiction," the love that dare not speak its name calls out to the hero when he encounters a forbidden object of desire—the opposite sex. And in "State of England," Mal, a former "minder to the superstars," discovers how to live in a country where "class and race and gender were supposedly gone."

A moving debut story collection centered on Nigerian women, as they build lives out of longing and hope, faith and doubt, the struggle to stay and the mandate to leave, and the burden and strength of love.

Stories on the people of the Southwest. Silviana strides to her chicken coop, triggering a "feathered pandemonium" as chickens smell death in the air, Mamacita embroiders, "wondering what in the world it feels like to be kissed," and people who buy tortillas at the market "might as well move to Los Angeles, for they have already lost their souls."

~Winner of the Lambda Literary Award for the best LGBT YA novel of 2017~ An unforgettable story of two girls navigating the unknowable waters of identity, millennial anxiety, and first love, from the acclaimed author of The Mystery of Hollow Places. In Savannah Espinoza’s small New Mexico hometown, kids either flee after graduation or they’re trapped there forever. Vanni never planned to get stuck—but that was before her father was diagnosed with Huntington’s disease, leaving her and her mother to care for him. Now she doesn’t have much of a plan at all: living at home, working as a performing mermaid at a second-rate water park, distracting herself with one boy after another. That changes the day she meets Leigh. Disillusioned with small-town life and looking for something greater, Leigh is not a “nice girl.” She is unlike anyone Vanni has met, and a friend when Vanni desperately needs one. Soon enough, Leigh is much more than a friend. But caring about another person threatens the walls Vanni has carefully constructed to protect herself and brings up the big questions she’s hidden from for so long.