Like Two Peas in a Pot is intended as a stand-alone companion to our two volumes - Like Two Peas in a Pod. While volume 1 concentrates on look-alikes in film and on TV, and volume 2 looks at theatre and ""live"" versions of Stan and Ollie, this edition bridges the gap! In here you will find stunt doubles, music videos, advertising, quiz shows, false leads, rumours and films that never saw the light of day. Full of interesting trivia, this is another fine edition for your Laurel and Hardy book shelf!

115 recipes--wholesome new creations and celebrated favorites from the blog--from the husband and wife team behind Two Peas & Their Pod TWO PEAS & THEIR POD celebrates a family, friends, and community-oriented lifestyle that has huge and growing appeal. Maria the genuine, fun, relaxed mom next door who's got the secret sauce: that special knack for effortlessly creating tantalizing and wholesome (and budget-friendly) meals with ease. From a Loaded Nacho Bar bash for 200 guests to quick-and-easy healthy weeknight dinners like never-fail favorites like One-Skillet Sausage Pasta or Asian Pork Lettuce Wraps (always followed by a fab dessert!), Maria shares her best lifestyle tips and home cook smarts. An essential resource for parents looking to update their healthy, inexpensive, time-saving, kid friendly meal roster; aspiring home cooks who want to eat-in delicious food more than they eat out; as well as anyone looking to share their love of food and the giving spirit with their neighbors, TWO PEAS & THEIR POD will help readers bring home that (achievable!) slice of Americana, where families come together to enjoy fresh and nutritious meals and there's always a batch of still-warm cookies waiting on the counter.

Melington has changed. There is an evil lurking in the darkness, under the beds and behind closet doors. It seeks vengeance and retribution and will not be denied. No one knows this more than Alan Carter. Returning to his hometown after a twenty year absence, he is resolute in uncovering the truth behind his sister’s abduction and the strange disappearance of children. Joined by his childhood friend, Alan finds himself thrown into the middle of a conspiracy led by the town Council as it desperately tries to hide its secrets from the world. No child is safe in Melington, and Alan Carter needs to stop the curse that has haunted his hometown for generations. But as Alan’s brushes with death become more frequent, he finds himself running out of luck.

This book will catapult and heighten your hope and belief in yourself, your future as well as in your relationship with God. You will see that it is possible to release the pain of the past replacing it with love. The light of truth will shine brighter through your relationships giving you a richer and more fulfilling life.

­­­­­­ BOYFRIEND: Teenage Love is a revealing teenage book about a young teenage girl named Tangie who fell in love with her very attractive boyfriend Marcus and began to delve into the unknown world of sexuality when they start spending a lot of time together at his clubhouse. As they spend more and more time together, they get to know each other pretty well in between all of Marcus' lovemaking. The whole ordeal is painful and mysterious to Tandy as she does not understand why her boyfriend finds it such an enjoyable experience as she herself gets absolutely no enjoyment out of their bodies coming together. It took him four years to share with her that not only could the male enjoy an orgasmic explosion, but females too could experience it as she comes to realize why from the very beginning he always wanted to do it when all she ever wondered was what was the big deal.

This volume offers an overview of Byzantine manuscript illustration, a central branch of Byzantine art and culture. Just like written texts, illustrations bear witness to Byzantine material culture, imperial ideology and religious beliefs, as well as to the development and spread of Byzantine art. In this sense illustrated books reflect the society that produced and used them. Being portable, they could serve as diplomatic gifts or could be acquired by foreigners. In such cases they became “emissaries” of Byzantine art and culture in Western Europe and the Arabic world. The volume provides for the first time a comprehensive overview of the material, divided by text categories, including both secular and religious manuscripts, and analyses which texts were illustrated in Byzantium, and how. Contributors are Justine M. Andrews, Leslie Brubaker, Annemarie W. Carr, Elina Dobrynina, Maria Evangelatou, Maria Laura Tomea Gavazzoli, Markos Giannoulis, Cecily Hennessy, Ioli Kalavrezou, Maja Kominko, Sofia Kotzabassi, Stavros Lazaris, Kallirroe Linardou, Vasileios Marinis, Kathleen Maxwell, Georgi R. Parpulov, Nancy P. Ševčenko, Jean-Michel Spieser, Mika Takiguchi, Courtney Tomaselli, Marina Toumpouri, Nicolette S. Trahoulia, Vasiliki Tsamakda, and Elisabeth Yota.