a verse memoir about the author's parents' experiences in a Nazi slave labor camp in Germany

Winner 2017 Benjamin Franklin GOLD AWARD for POETRY. Winner 2017 MONTAIGNE MEDAL for most thought-provoking books. Major tour de force traces arc of one of millions of American immigrant families, survivors of WWII. Raw, eloquent, nuanced, intimate--illuminates the many faces of war, toll taken on innocent civilians, how trauma echoes down through

A sexy gothic romance based on Edgar Allan Poe's "Annabel Lee" Liam MacGregor is cursed. Haunted by the wails of fantastical Bean Sidhes and labeled a demon by the villagers of Dòchas, Liam has accepted that things will never get better for him—until a wealthy heiress named Annabel Leighton arrives on the island and Liam’s fate is changed forever. With Anna, Liam finally finds the happiness he has always been denied, but the violent, mythical Otherworlders, who inhabit the island and the sea around it, have other plans. They make a wager on the couple’s love, testing its strength through a series of cruel obstacles. But the tragedies draw Liam and Anna even closer. Frustrated, the creatures put the couple through one last trial—and this time it’s not only their love that’s in danger of being destroyed. Based on Edgar Allan Poe’s chilling poem Annabel Lee, with references to many of his other poems including The Raven, Mary Lindsey creates a frighteningly beautiful gothic novel that glorifies the power of true love. Perfect for fans of Lauren Kate's Fallen series, Kendra Blake's Anna Dressed in Blood, and Kelly Creagh's Nevermore. Praise for ASHES ON THE WAVES “Achingly beautiful and darkly sensuous ... an extraordinary read that left me breathless at every turn!” --Sophie Jordan, New York Times bestselling author of Firelight “Mary Lindsey, inspired by Edgar Allan Poe, has created a haunting, mystical world. I loved this tragic, romantic story.” --Cate Tiernan, author of Sweep and Immortal Beloved

Enter a hidden world of winged vampire warriors—and the women they are sworn protect. Born of Ashes is the fourth breathtaking novel in paranormal romance author Caris Roane's Guardians of Ascension series... For years, she was kept as a human slave—one of seven unwilling "blood donors" for the death vampires who thirst for absolute power. Now, Fiona is a free woman, haunted by her memories of being strapped to a gurney, drained of blood, then revived at the last moment. She lives to avenge her captors—but only one warrior can help her... Jean-Pierre has lived and fought for over two-hundred years. He knows the triumph of slaying a death vampire, but has never known anything like the feelings that arise when he becomes Fiona's guardian. Her beauty, her pain, her passion—and her growing power—consume his senses. Now the warrior must draw his sword once more—and fight the gates of hell itself—for love.

Once upon a time, in an alleyway in the slums of the City of Lockes, a young and somewhat lonely boy named Sam Haversford turns a group of teenage douchebags into stone completely by accident. Of course, this catches the attention of a higher power, and Sam's pulled from the only world he knows to become an apprentice to the king's wizard, Morgan of Shadows. When Sam's 14, he enters the Dark Woods and returns with Gary, the hornless gay unicorn, and a half-giant named Tiggy, earning the moniker Sam of Wilds. At 15, Sam learns what love truly is when a new knight arrives at the castle - Knight Ryan Foxheart, the dreamiest dream to have ever been dreamed. Naturally, it all goes to hell when Ryan dates the reprehensible Prince Justin, Sam can't control his magic, a sexually aggressive dragon kidnaps the prince, and the king sends them on an epic quest to save Ryan's boyfriend, all while Sam falls more in love with someone he can never have. Or, so he thinks.

“An intense look at the high-stakes world of a NYC paramedic in the months before and after COVID-19 altered our landscape.”—Damon Tweedy, MD, author of Black Man in a White Coat: A Doctor's Reflections on Race and Medicine The education of a New York City paramedic, whose tales of tragedy and transcendence over a single year culminate in the greatest challenge the city’s emergency medical system has ever faced: COVID-19. As a seasoned paramedic and union leader, Anthony Almojera thought he could handle anything his job threw at him. Like many medical first responders, he came from a troubled background and carried the traumas of the city as well as its triumphs. He had grown up in the rough-and-tumble Park Slope of the 1980s, been homeless for a time, and had watched murder, addiction, and hopelessness consume those closest to him. But he had dedicated his life to helping people in need, and while every day was filled with tragedy—stabbings, shootings, accidents, suicides—it also brought moments of uplift: births, resuscitations, and rescues that reminded Anthony and his coworkers why EMS was the most thrilling job on earth, even if the pay was lousy and the hours were long. So when a strange new virus began spreading in New York, Anthony and his fellow medics were ready. They had done the biohazard drills; they knew the procedures, and how to handle the sick and the bereaved. They believed that their lives and training had prepared them for this new challenge. But the months ahead would prove them wrong, and would push New York’s EMS workers, and Anthony himself, to the breaking point—and beyond. Following one paramedic into hell and back, Riding the Lightning tells the story of New York City’s darkest days through the eyes of its frontline medical workers and the community they serve: ordinary people who will continue to make New York an extraordinary place long after it has been reborn from the ashes of the COVID-19 pandemic.

Selected by Joy Harjo as the winner of the Walt Whitman Award of the Academy of American Poets Emily Skaja’s debut collection is a fiery, hypnotic book that confronts the dark questions and menacing silences around gender, sexuality, and violence. Brute arises, brave and furious, from the dissolution of a relationship, showing how such endings necessitate self-discovery and reinvention. The speaker of these poems is a sorceress, a bride, a warrior, a lover, both object and agent, ricocheting among ways of knowing and being known. Each incarnation squares itself up against ideas of feminine virtue and sin, strength and vulnerability, love and rage, as it closes in on a hard-won freedom. Brute is absolutely sure of its capacity to insist not only on the truth of what it says but on the truth of its right to say it. “What am I supposed to say: I’m free?” the first poem asks. The rest of the poems emphatically discover new ways to answer. This is a timely winner of the Walt Whitman Award, and an introduction to an unforgettable voice.