A compassionate, shame-free guide for your darkest days “A one-of-a-kind book . . . to read for yourself or give to a struggling friend or loved one without the fear that depression and suicidal thoughts will be minimized, medicalized or over-spiritualized.”—Kay Warren, cofounder of Saddleback Church What happens when loving Jesus doesn’t cure you of depression, anxiety, or suicidal thoughts? You might be crushed by shame over your mental illness, only to be told by well-meaning Christians to “choose joy” and “pray more.” So you beg God to take away the pain, but nothing eases the ache inside. As darkness lingers and color drains from your world, you’re left wondering if God has abandoned you. You just want a way out. But there’s hope. In I Love Jesus, But I Want to Die, Sarah J. Robinson offers a healthy, practical, and shame-free guide for Christians struggling with mental illness. With unflinching honesty, Sarah shares her story of battling depression and fighting to stay alive despite toxic theology that made her afraid to seek help outside the church. Pairing her own story with scriptural insights, mental health research, and simple practices, Sarah helps you reconnect with the God who is present in our deepest anguish and discover that you are worth everything it takes to get better. Beautifully written and full of hard-won wisdom, I Love Jesus, But I Want to Die offers a path toward a rich, hope-filled life in Christ, even when healing doesn’t look like what you expect.

An insightful music writer brilliantly reinterprets the lives of three pop geniuses and the soul revolution they launched. Soul music is one of America's greatest cultural achievements, and Stevie Wonder, Aretha Franklin, and Curtis Mayfield are three of its most inspired practitioners. In midcentury America it was soul music—particularly the dazzling stream of recordings made by these three stars—that helped bring the gospel vision of the black church into the mainstream, energizing the era’s social movements and defining a new American gospel where the sacred and the secular met. What made this gospel all the more amazing was that its most influential articulators were the sons and daughters of sharecroppers, storefront preachers, and single parents in the projects, whose genius gave voice to a new vision of American possibility. Higher Ground seamlessly weaves the specific and intensely personal narratives of Stevie, Aretha, and Curtis’s lives into the historical fabric of their times. The three shared many similarities: They were all children of the great migration and of the black church. But Werner goes further and ties them together with a provocative thesis about American history and culture that compels us to reconsider both the music and the times. And aside from the personalities and the history, he writes beautifully about music itself, the nuts and bolts of its creation and performance, in a way that brings a new awareness and understanding to the most familiar music, forcing you to listen to songs you've heard a thousand times with fresh ears. In Higher Ground, Werner illuminates the lives of three unparalleled American artists, reminding us why their music mattered then and still resonates with us today.