Angela Harrelson grew up poor, one of thirteen brothers and sisters raised in a shack in the North Carolina woods. She was first in her family to go to college, first to be commissioned in the military, and first to have a career as a professional nurse. Along the way, she and her family were exposed to the harshest forms of racism—from her childhood riding the school bus with white children who made the Black kids stand, to racist commanding officers in the Air Force who told her they wanted her to fail. Nothing stopped Angela, and nothing removed the hope in her heart that America could learn to stop hating people based on the color of their skin. This is the story of George Floyd’s aunt, Angela Harrelson, and how, after being suddenly thrust into the spotlight, she went on a quest to make sure her nephew did not die in vain. Lift Your Voice is a memoir of faith, hope, and bravery, of what we all—Black and white—need to do to eradicate racism from our society. It’s a story of tragic loss and a worldwide uprising to ensure Perry’s death ushers society into a time where people are no longer judged, hated, or killed because of the color of their skin.

The author was nominated as Assistant Attorney General for Civil Rights, but after critics from the right labelled her the "Quota Queen," the president not only withdrew his nomination but refused to allow her an opportunity to defend herself. Now she writes about what really happened behind closed doors, about the nation's racial history and commitment to equality and democracy, and about the courage of "ordinary" people.

"Lyons delivers the history of a song that has inspired generations of African-Americans to persist and resist in the face of racism and systemic oppression. . . . A heartfelt history of a historic anthem."--Publishers Weekly Sing a song full of the faith that the dark past has taught us. Sing a song full of the hope that the present has brought us. In Jacksonville, Florida, two brothers, one of them the principal of a segregated, all-black school, wrote the song "Lift Every Voice and Sing" so his students could sing it for a tribute to Abraham Lincoln's birthday in 1900. From that moment on, the song has provided inspiration and solace for generations of Black families. Mothers and fathers passed it on to their children who sang it to their children and grandchildren. Known as the Black National Anthem, it has been sung during major moments of the Civil Rights Movement and at family gatherings and college graduations. Inspired by this song's enduring significance, Kelly Starling Lyons and Keith Mallett tell a story about the generations of families who gained hope and strength from the song's inspiring words. --A CCBC Choice --A Notable Social Studies Trade Book for Young People --An ALSC Notable Children's Book

When the Supreme Court declared in 1954 that segregated public schools were unconstitutional, the highest echelons of Protestant, Catholic, and Jewish religious organizations enthusiastically supported the ruling, and black civil rights workers expected and actively sought the cooperation of their white religious cohorts. Many white southern clergy, however, were outspoken in their defense of segregation, and even those who supported integration were wary of risking their positions by urging parishioners to act on their avowed religious beliefs in a common humanity. Those who did so found themselves abandoned by friends, attacked by white supremacists, and often driven from their communities. Michael Friedland here offers a collective biography of several southern and nationally known white religious leaders who did step forward to join the major social protest movements of the mid-twentieth century, lending their support first to the civil rights movement and later to protests over American involvement in Vietnam. Profiling such activists as William Sloane Coffin Jr., Daniel and Philip Berrigan, Abraham Joshua Heschel, Eugene Carson Blake, Robert McAfee Brown, and Will D. Campbell, he reveals the passions and commitment behind their involvement in these protests and places their actions in the context of a burgeoning ecumenical movement.

A “civil rights Hall of Fame” (Kirkus) that was published to remarkable praise in conjunction with the NAACP's Centennial Celebration, Lift Every Voice is a momentous history of the struggle for civil rights told through the stories of men and women who fought inescapable racial barriers in the North as well as the South—keeping the promise of democracy alive from the earliest days of the twentieth century to the triumphs of the 1950s and 1960s. Historian Patricia Sullivan unearths the little-known early decades of the NAACP's activism, telling startling stories of personal bravery, legal brilliance, and political maneuvering by the likes of W.E.B. Du Bois, Mary White Ovington, Walter White, Charles Houston, Ella Baker, Thurgood Marshall, and Roy Wilkins. In the critical post-war era, following a string of legal victories culminating in Brown v. Board, the NAACP knocked out the legal underpinnings of the segregation system and set the stage for the final assault on Jim Crow. A sweeping and dramatic story woven deep into the fabric of American history—”history that helped shape America's consciousness, if not its soul” (Booklist) — Lift Every Voice offers a timeless lesson on how people, without access to the traditional levers of power, can create change under seemingly impossible odds.

Explores the role of jazz celebrities like Ella Fitzgerald, Cab Calloway, Duke Ellington, and Mary Lou Williams as representatives of African American religion in the twentieth century Beginning in the 1920s, the Jazz Age propelled Black swing artists into national celebrity. Many took on the role of race representatives, and were able to leverage their popularity toward achieving social progress for other African Americans. In Lift Every Voice and Swing, Vaughn A. Booker argues that with the emergence of these popular jazz figures, who came from a culture shaped by Black Protestantism, religious authority for African Americans found a place and spokespeople outside of traditional Afro-Protestant institutions and religious life. Popular Black jazz professionals—such as Ella Fitzgerald, Cab Calloway, Duke Ellington, and Mary Lou Williams—inherited religious authority though they were not official religious leaders. Some of these artists put forward a religious culture in the mid-twentieth century by releasing religious recordings and putting on religious concerts, and their work came to be seen as integral to the Black religious ethos. Booker documents this transformative era in religious expression, in which jazz musicians embodied religious beliefs and practices that echoed and diverged from the predominant African American religious culture. He draws on the heretofore unexamined private religious writings of Duke Ellington and Mary Lou Williams, and showcases the careers of female jazz artists alongside those of men, expanding our understanding of African American religious expression and decentering the Black church as the sole concept for understanding Black Protestant religiosity. Featuring gorgeous prose and insightful research, Lift Every Voice and Swing will change the way we understand the connections between jazz music and faith.

This updated edition of the classroom favorite confirms its place as the most important systematic theology reader available with a liberationist perspective. Global in its outlook, Lift Every Voice incorporates the voices of North American men and women: Native Americans, Anglos, Hispanics, Blacks, and Asians. Part 1, on theological method, includes a new chapter by Ada Maria Isasi Diaz on love of neighbor in the twenty-first century. Part 2 centers on God and has a new chapter by Susan Brooks Thistlethwaite. Part 3 includes Rosemary Radford Ruether's classic essay on eschatology and feminism. Andy Smith contributes an exciting new essay, "The Spirituality-Liberation Praxis of Native Women" to Part 4, which also includes Mary Potter Engel's much-quoted essay on "Evil, Sin, and Violation of the Vulnerable." Part 5 opens with Mary D. Pellauer's and Susan Brooks Thistlethwaite's classic essay on grace and healing from the perspective of the movement to end violence against women. Part 5 also includes pieces by Carter Heywood and Jacquelyn Grant on christology, and concludes with Sharon Ringe and Kwok Pui Lan's essays on reading the Bible. The careful organization and choice of essays makes Lift Every Voice a valuable book for a wide variety of courses. Its breadth and timeliness makes it possible to show the liberationist implications of the classic theological curriculum.