Blanchette's collection of poetry evokes the essence of humanity in all its shades, but most importantly being a woman and what that can and should mean. Through her soul's journey we read about Blanchette's courage in overcoming abuse and depression, and her discovery that Love is truly the only thing that matters.

The starting point of this book is the observation that there is a discrepancy between the lived reality of human beings and the fabricated, planned, and governed ‘reality’ of the state apparatus at both the local and national level. The book posits multi-locality as an emerging spatial configuration. The author draws from various theoretical sources, such as Deleuze and Guattari’s concepts of state or royal science, the Nietzschean critique of idealism, Hägerstrnad’s time-geography, Hintikka’s theory of modalities, Lefebvre’s urban society, Castel’s network society, Foucault’s concept of heterotopia, and Bhaskar’s and Sartre's theories of presence and absence. He also discusses the implications of Faludi’s post-territorialist critique of planning and governance, and of the failure to operationalise the concept quantitively, basing his arguments in the lived experiences of multi-locals as well. The novelty of the book is how it analyses multi-locality from such a wide theoretical perspective: what is the nature and meaning of the different multiple and coexistent places for people, and how is this spatial transformation related to their mobility, everyday practices, and work. How does the presence and absence of places form their identity and their citizenship? He also addresses the inconsistency between multi-locality and traditional statistics and the planning and governance practices based on the assumption of unilocality and discusses the implications of this incongruity. The book will be of interest to scholars in urban studies and planning theory, as well as practitioners developing more adequate practices replacing outdated ones.

McDean calls this collection Lifescapes rather than landscapes because the images represent his private views--vignettes from his own travels, his road trips across the world.

Essays dealing with the question of how "sense of place" is constructed, in a variety of locations and media. The term "sense of place" is an important multidisciplinary concept, used to understand the complex processes through which individuals and groups define themselves and their relationship to their natural and cultural environments, and which over the last twenty years or so has been increasingly defined, theorized and used across diverse disciplines in different ways. Sense of place mediates our relationship with the world and with each other; it providesa profoundly important foundation for individual and community identity. It can be an intimate, deeply personal experience yet also something which we share with others. It is at once recognizable but never constant; rather it isembodied in the flux between familiarity and difference. Research in this area requires culturally and geographically nuanced analyses, approaches that are sensitive to difference and specificity, event and locale. The essayscollected here, drawn from a variety of disciplines (including but not limited to sociology, history, geography, outdoor education, museum and heritage studies, health, and English literature), offer an international perspectiveon the relationship between people and place, via five interlinked sections (Histories, Landscapes and Identities; Rural Sense of Place; Urban Sense of Place; Cultural Landscapes; Conservation, Biodiversity and Tourism). Ian Convery is Reader in Conservation and Forestry, National School of Forestry, University of Cumbria; Gerard Corsane is Senior Lecturer in Heritage, Museum and Galley Studies, International Centre for Cultural and Heritage Studies, Newcastle University; Peter Davis is Professor of Museology, International Centre for Cultural and Heritage Studies, Newcastle University. Contributors: Doreen Massey, Ian Convery, Gerard Corsane, Peter Davis, David Storey, Mark Haywood, Penny Bradshaw, Vincent O'Brien, Michael Woods, Jesse Heley, Carol Richards, Suzie Watkin, Lois Mansfield, Kenesh Djusipov, Tamara Kudaibergonova, Jennifer Rogers, Eunice Simmons, Andrew Weatherall, Amanda Bingley, Michael Clark, Rhiannon Mason, Chris Whitehead, Helen Graham, Christopher Hartworth, Joanne Hartworth, Ian Thompson, Paul Cammack, Philippe Dubé, Josie Baxter, Maggie Roe, Lyn Leader-Elliott, John Studley, Stephanie K.Hawke, D. Jared Bowers, Mark Toogood, Owen T. Nevin, Peter Swain, Rachel M. Dunk, Mary-Ann Smyth, Lisa J. Gibson, Stefaan Dondeyne, Randi Kaarhus, Gaia Allison, Ellie Lindsay, Andrew Ramsay

Not since the 19th century has the future of the countryside been such a focus of political and public attention, nor of profound uncertainty and anguished debate. A watershed has now been reached, and in this time of unprecedented change, new tools are needed for planning and managing the countryside. Increasingly the 'drivers' of countryside management and conservation are European and international. They aim to provide comprehensive new frameworks for the whole countryside, and encourage community-driven planning and protection. There have been numerous responses at the country and local levels within the UK. In this book, a broad range of scholars and practitioners review the international drivers affecting countryside policy and practice, and - through a variety of case studies - they assess the value of country and local responses. The result is a powerful and coherent volume that provides a fully up-to-date review and analysis of the pressures on the countryside, the policies for the future and the keys to successful implementation. Countryside Planning is essential reading for planners, local authorities and rural organizations, conservationists and environmental groups, as well as academics and students in planning, rural studies, environmental studies and geography.

Songwriters, performers and producers Erik Appelwick, Eric Fawcett, John Hermanson and Darren Jackson were important players in an early 2000s musical collective. This collective included genres such as folk, power pop, R & B, electro-funk and indie rock. Well-known bands Storyhill, Spymob, Alva Star, Kid Dakota, Vicious Vicious, Tapes 'n Tapes, Olympic Hopefuls and others were part of this movement. These four men worked for their rock 'n' roll dreams, producing well-crafted albums and exciting live performances along the way. Their shared biography draws from dozens of new interviews and hundreds of articles to document their intersecting musical journeys--from playing air guitar to KISS records to rocking gyms in high school cover bands to touring the world with some of pop music's biggest names. Equal parts celebration and cautionary tale, this book discusses both the rewards and difficulties of life as an independent musician.