"'Marvellous, powerful, beautiful' KIJ JOHNSON, multi-times winner of the HUGO AND NEBULA AWARDS 'Beautifully written, meaningful, top-drawer storytelling. An extraordinary novel in the tradition of great old-school literary science fiction like Atwood and Bradbury' - LEAGUE OF EXTRAORDINARY AUTHORS" Misty woods; abandoned towns; secrets in the landscape; a forbidden life by night; the scent of bygone days; a past that lies below the surface; and a door in a dream that seems to hold the answers. Paftoo is a 'bod'; made to serve. He is a groundsman in the last remaining countryside estate, once known as Harkaway Hall and now a theme park. Paftoo holds scattered memories of the old days but they are regularly deleted to keep him productive. When he starts to have dreams of the Lost Lands past, Paftoo is thrown into a nightly battle for his memories, his soul and his cherished connection with Lifeform Three. Includes an appendix of suggested questions for reading groups. "'I really didn't want this book to end; it's that good' - BUILD ANOTHER BOOKCASE"

The origin of life is a hotly debated topic. The Christian Bible states that God created the heavens and the Earth, all in about seven days roughly six thousand years ago. This episode in Genesis departs markedly from scientific theories developed over the last two centuries which hold that life appeared on Earth about 3.5 billion years ago in the form of bacteria, followed by unicellular organisms half a millennia later. It is this version of genesis that Alexandre Meinesz explores in this engaging tale of life's origins and evolution. How Life Began elucidates three origins, or geneses, of life—bacteria, nucleated cells, and multicellular organisms—and shows how evolution has sculpted life to its current biodiversity through four main events—mutation, recombination, natural selection, and geologic cataclysm. As an ecologist who specializes in algae, the first organisms to colonize Earth, Meinesz brings a refreshingly novel voice to the history of biodiversity and emphasizes here the role of unions in organizing life. For example, the ingestion of some bacteria by other bacteria led to mitochondria that characterize animal and plant cells, and the chloroplasts of plant cells. As Meinesz charmingly recounts, life’s grandeur is a result of an evolutionary tendency toward sociality and solidarity. He suggests that it is our cohesion and collaboration that allows us to solve the environmental problems arising in the decades and centuries to come. Rooted in the science of evolution but enlivened with many illustrations from other disciplines and the arts, How Life Began intertwines the rise of bacteria and multicellular life with Vermeer’s portrait of Antoni van Leeuwenhoek, the story of Genesis and Noah, Meinesz’s son’s early experiences with Legos, and his own encounters with other scientists. All of this brings a very human and humanistic tone to Meinesz’s charismatic narrative of the three origins of life.

As featured on BBC radio For Bill Bryson fans. An eccentric couple take the road less travelled through the English countryside and meet lovelorn tourist guides, pushy shopkeepers, ESP students, immortality seekers and weary bodyguards. Cornwall, Devon, Shropshire, Lincolnshire, Somerset, Suffolk,

Any sound practical philosophy must be clear on practical concepts—concepts, in particular, of life, action, and practice. This clarity is Michael Thompson’s aim in his ambitious work. In Thompson’s view, failure to comprehend the structures of thought and judgment expressed in these concepts has disfigured modern moral philosophy, rendering it incapable of addressing the larger questions that should be its focus. In three investigations, Thompson considers life, action, and practice successively, attempting to exhibit these interrelated concepts as pure categories of thought, and to show how a proper exposition of them must be Aristotelian in character. He contends that the pure character of these categories, and the Aristotelian forms of reflection necessary to grasp them, are systematically obscured by modern theoretical philosophy, which thus blocks the way to the renewal of practical philosophy. His work recovers the possibility, within the tradition of analytic philosophy, of hazarding powerful generalities, and of focusing on the larger issues—like “life”—that have the power to revive philosophy. As an attempt to relocate crucial concepts from moral philosophy and the theory of action into what might be called the metaphysics of life, this original work promises to reconfigure a whole sector of philosophy. It is a work that any student of contemporary philosophy must grapple with.

New York Times Best Seller How will Artificial Intelligence affect crime, war, justice, jobs, society and our very sense of being human? The rise of AI has the potential to transform our future more than any other technology—and there’s nobody better qualified or situated to explore that future than Max Tegmark, an MIT professor who’s helped mainstream research on how to keep AI beneficial. How can we grow our prosperity through automation without leaving people lacking income or purpose? What career advice should we give today’s kids? How can we make future AI systems more robust, so that they do what we want without crashing, malfunctioning or getting hacked? Should we fear an arms race in lethal autonomous weapons? Will machines eventually outsmart us at all tasks, replacing humans on the job market and perhaps altogether? Will AI help life flourish like never before or give us more power than we can handle? What sort of future do you want? This book empowers you to join what may be the most important conversation of our time. It doesn’t shy away from the full range of viewpoints or from the most controversial issues—from superintelligence to meaning, consciousness and the ultimate physical limits on life in the cosmos.

'Spellbinding... a hypnotic experience' 'I was hooked - grabbed immediately' 'Beautiful, simple, evocative' 'Absolutely gripping' 'Don't plan to read just a few pages' 'A strange and stubborn book, visual and visceral, original and odd... will stay with you long after finishing its final pages' - For Books' Sake If you were somebody's past life... What echoes would you leave in their soul? Could they be the answers you need now? It's a question Carol never expected to face. She's a gifted musician who needs nothing more than her piano and certainly doesn't believe she's lived before. But forced by injury to stop playing, she fears her life may be over. Enter her soulmate Andreq: healer, liar, fraud and loyal friend. Is he her future incarnation or a psychological figment? And can his story help her discover how to live now? A novel in the tradition of The Time Traveller's Wife, Vertigo and The Gargoyle, My Memories of a Future Life is much more than a 'who was I' tale. It is a multi-layered story of souls on conjoined journeys – in real time and across the centuries. It's a provocative study of the shadows we don't know are driving our lives, from our own pasts and from the people with us right now. An examination of what we believe, what we create and how we scare and heal each other. Above all, it's the story of how one lost soul must search for where she now belongs. 'I was always fascinated by tales of regression to past lives,' says the author Roz Morris. 'I thought, what if instead of going to the past, someone went to a future life? Who would do that? Why? What would they find? 'Another longtime interest was the world of the classical musician. Musical scores are exacting and dictatorial - you play a note for perhaps a sixth of a second and not only that, there are instructions for how to feel - expressivo, amoroso. It's as if you don't play a piece of classical music; you channel the spirit of the composer. 'I became fascinated by a character who routinely opened her entire soul to the most emotional communications of classical composers. And I thought, what if she couldn't do it any more? And then, what if I threw her together with someone who could trap the part of her that responded so completely to music?'