During his life, Elvis Presley was idolized: since his death, he has become immortalized. Now, drawing from Life Magazine's unrivaled archives, the editors of Life chronicle in pictures and text Elvis' transformation from shy teenager to superstar. It is a story best told in the details, and this singular collection of unforgettable pictures reveal all those details: the sad, the funny, and the passionate.

He will always be the King Celebrate the King of Rock 'n' Roll with this keepsake biography of Elvis Presley, lavishly illustrated with dozens of historic photos, including many from the archives of Life magazine. A detailed timeline traces Elvis's life from when he received his first guitar to his glory days filled with recording, acting and gyrating for shrieking fans, to his great '68 comeback comeback, and right up to his untimely death in 1977. Intimate photojournalism combines with insightful text to reveal Elvis behind the scenes . . . at Graceland and on the road, with Priscilla and Lisa Marie, in front of the cameras, and on the stage. Explore the days of "Heartbreak Hotel," "Don't Be Cruel," "Blue Suede Shoes," "Jailhouse Rock," "Love Me Tender," "Blue Christmas" and so many other unforgettable hits. It's now or never-so you should probably pick up your copy today.

In this New York Times bestseller, host of one of the nation’s top morning shows Elvis Duran shares his wildest stories and hardest-learned lessons with his trademark honesty and “bighearted, deliciously warm” (Barbara Corcoran, star of ABC’s Shark Tank) humor. Elvis Duran’s nationally syndicated radio program, Elvis Duran and the Morning Show, is America’s most-listened-to Top 40 morning show and one of the 10 most-listened-to programs in all of radio, heard live by nearly ten million people every morning. But his success didn’t happen overnight. Elvis spent years navigating the wild world of radio as a DJ for hire, working (and partying) in markets around the country before taking over the morning shift at the legendary Z100 in 1996. Over the last twenty years, he has become one of New York City’s signature voices (Variety calls him “a permanent fixture of the area’s daily commutes”) thanks to his show’s exciting mix of music, new artist discovery, interviews, gossip, and live listener interaction. Along the way, Elvis has become known not just for his incisive interviews (and occasional feuds) with pop music’s biggest stars, but for the show’s commitment to kindness and positivity and Elvis’s own candor and openness with his audience. Bold, funny, and totally candid, Where Do I Begin? is sure to be loved by anyone who listens to Elvis live every morning—or anyone who wants to know what really goes on behind the scenes of the pop music machine from the “man who has been as big a part of the industry’s success as anyone” (Ryan Seacrest).

One of the most admired Southern historians of our time paints an intimate portrait of Elvis Presley, set against the rich backdrop of Southern society, that illuminates the zenith of his career, showing how Elvis himself changed—and didn't—and providing a deeper understanding of the man and his times.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. For a century, magazines were the authors of culture and taste, of intelligence and policy - until they were overthrown by the voices of the public themselves online. Here is a tribute to all that magazines were, from their origins in London and on Ben Franklin's press; through their boom - enabled by new technologies - as creators of a new media aesthetic and a new mass culture; into their opulent days in advertising-supported conglomerates; and finally to their fall at the hands of the internet. This tale is told through the experience of a magazine founder, the creator of Entertainment Weekly at Time Inc., who was also TV critic at TV Guide and People and finally an executive at Condé Nast trying to shepherd its magazines into the digital age. Object Lessons is published in partnership with an essay series in The Atlantic.