Chronicling the history of the Daughters of Charity through the seventeenth century, this study examines how the community's existence outside of convents helped to change the nature of women's religious communities and the early modern Catholic church. Unusually for the time, this group of Catholic religious women remained uncloistered. They lived in private houses in the cities and towns of France, offering medical care, religious instruction and alms to the sick and the poor; by the end of the century, they were France's premier organization of nurses. This book places the Daughters of Charity within the context of early modern poor relief in France - the author shows how they played a critical role in shaping the system, and also how they were shaped by it. The study also examines the complicated relationship of the Daughters of Charity to the Catholic church of the time, analyzing it not only for what light it can shed on the history of the community, but also for what it can tell us about the Catholic Reformation more generally.

Elizabeth Seton is an important saint for our times: she was a convert, an American, a wife and mother as well as a widow, the foundress of an order (the Sisters of Charity) and an administrator. Fr. Dirvin, an authority on Saint Elizabeth Seton, takes writings, correspondence, and recollections of Seton to reveal her deep life of faith and prayer. A moving biography and an inspiring record of Elizabeth Seton's interior journey that gives us a profound spiritual portrait of a multifaceted saint.

A well-illustrated cultural history of the apparel worn by American Catholics, Sally Dwyer-McNulty's Common Threads reveals the transnational origins and homegrown significance of clothing in developing identity, unity, and a sense of respectability for a major religious group that had long struggled for its footing in a Protestant-dominated society often openly hostile to Catholics. Focusing on those who wore the most visually distinct clothes--priests, women religious, and schoolchildren--the story begins in the 1830s, when most American priests were foreign born and wore a variety of clerical styles. Dwyer-McNulty tracks and analyzes changes in Catholic clothing all the way through the twentieth century and into the present, which finds the new Pope Francis choosing to wear plain black shoes rather than ornate red ones. Drawing on insights from the study of material culture and of lived religion, Dwyer-McNulty demonstrates how the visual lexicon of clothing in Catholicism can indicate gender ideology, age, and class. Indeed, clothing itself has become a kind of Catholic language, whether expressing shared devotional experiences or entwined with debates about education, authority, and the place of religion in American society.

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