The woman expected to succeed the Virgin Queen

Based on letters written by England's "Lost Queen," this portrait describes the niece to Mary Queen of Scots and cousin to Elizabeth I who became a pawn in the power struggles of her age and tried unsuccessfully to flee her fate, dying a tragic death in the tower of London.

Lady Arbella Stuart, claimant to the English throne, traditionally has been portrayed as either a hero or fool for marrying against King James's edict and attempting to flee from France. This is Stuart's story as she tells it in more than one hundred letters written to relatives, her husband, the royal family, public officials, and friends. Based largely on original manuscripts, this volume reveals a powerful personal and public drama, as Stuart's royal birth and demand for independence place her in conflict with Queen Elizabeth and King James. Verbally gifted, Stuart creates a fictional lover, maneuvers within the patronage network, and, after her marriage, applies her considerable rhetorical skills to solicit favor and freedom. Her own revisions, which are included, offer the reader unusual access to the thinking of a talented Renaissance writer as she shapes her prose. Steen has transcribed, ordered, dated, annotated, and critically analyzed the letters and drafts.

More widely studied and more frequently performed than ever before, John Webster's The Duchess of Malfi is here presented in an accessible and thoroughly up-to-date edition. Based on the Revels Plays text, the notes have been augmented to cast further light both on Webster's amazing dialogue and on the stage action. An entirely new introduction sets the tragedy in the context of pre-Civil War England and gives a revealing view of its imagery and dramatic action. From its well-documented early performances to the two productions seen in the West End of London in the 1995-96 season, a stage history gives an account of the play in performance. Students, actors, directors and theatre-goers will all find here a reappraisal of Webster's artistry in the greatest age of English theatre, which highlights why it has lived on stage with renewed force in the last decades of the twentieth century.