"In the Cathedral Church of Mary of the Assumption in Tbilisi, Georgia, in Eastern Europe, "the Word of Life" is proclaimed in the Liturgy, and also told through one hundred and thirty icons of scenes from the Bible, elegantly arranged along the Cathedral's side walls. For the faithful, these icons uncover the thread of love that can draw them to enter, through prayer, into contemplation of the image of the invisible God." "Thirty of these icons, which tell the story of the life of Jesus, are reproduced in this book together with the relevant biblical texts and a commentary written especially for the English language edition by Francis J. Moloney, SDB. Carefully chosen extracts from early Church Fathers shed further light on each of the events portrayed in the icons."--BOOK JACKET.

This is the most comprehensive introduction available to the history and theology of the icon, and is the standard text upon which most modern studies of iconography are based. It includes more than the basic theory of the transfiguration of beauty and the sanctification of art. It is a fundamental element in the entire body of Orthodox Tradition. n this two-volume work, author Leonid Ouspensky provides the reader with a deep and serious approach to the mystery of the sacred image. He surveys the development of the sacred art of the Christian East from its beginnings in catacomb art through the iconoclastic controversy of the eighth and ninth century. Drawing especially on the Russian Orthodox tradition, the author studies a large number of texts with care and in great detail. He includes an analysis of the flowering of early Russian iconography, tracing its later development and the state of the art today. The 51 black and white photo illustrations, along with the four-panel foldout and six color plates, will enable the reader to appreciate the Orthodox icon with an informed mind and open heart. Volume I, originally published in 1978, has been updated by the author and contains large sections of new material [Publisher description]

This twentieth anniversary edition (more than 111,000 copies sold) brings Henri J.M. Nouwen's writings on Eastern Orthodox icons to a new generation and adds to the Nouwen collection published by Ave Maria Press. With a foreword by Br. Robert Lentz, a well-known painter of contemporary icons, this classic Nouwen book invites readers to pray with four Russian icons with their eyes open by emphasizing seeing or gazing, which are at the heart of Eastern spirituality. Nouwen's meditations reveal his viewing of the icons not as decorations, but holy places. The book includes four full-color icons for private contemplation or meditation.

Phyllis Zagano is an internationally acclaimed Catholic scholar and lecturer on contemporary spirituality and women's issues in the Church and is a member of the papal commission for the study of the diaconate of women. Her other books with Paulist Press include Women in Ministry: Emerging Questions about the Diaconate and Women Deacons: Past, Present, Future. She is senior research associate-in-residence and adjunct professor of religion at Hofstra University, Hempstead, New York. Book jacket.

Drawing on a rich source of devotional theology, Archbishop Rowan Williams shows readers of all Christian traditions how to understand and interact with four classical icons depicting Jesus.

An icon (from the Greek word "eikon," "image") is a wooden panel painting of a holy person or scene from Orthodox Christianity, the religion of the Byzantine Empire that is practiced today mainly in Greece and Russia. It was believed that these works acted as intermediaries between worshipers and the holy personages they depicted. Their pictorial language is stylized and primarily symbolic, rather than literal and narrative. Indeed, every attitude, pose, and color depicted in an icon has a precise meaning, and their painters--usually monks--followed prescribed models from iconographic manuals. The goal of this book is to catalogue the vast heritage of images according to iconographic type and subject, from the most ancient at the Monastery of Saint Catherine in the Sinai to those from Greece, Constantinople, and Russia. Chapters focus on the role of icons in the Orthodox liturgy and on common iconic subjects, including the fathers and saints of the Eastern Church and the life of Jesus and his followers. As with other volumes in the Guide to Imagery series, this book includes a wealth of color illustrations in which details are called out for discussion.