Auction catalogues can reveal a lot about a person: their life, their loves and their style. Antique jewellery dealer Sarah Jane Adams became an international model and overnight Instagram sensation in her sixties. She tells her story through a lifetime's collection of rare pieces and worthless objects, as well as personal photographs and effects from her 'estate'. Told with wit, pathos and charm. Life In A Box illustrates the deeply personal connection that we have with our belongings: they are laden with rich meaning and adventure and, above all, redolent of our stories.

Advice for organizing a family toolbox to be used in family emergencies and natural or man-made disasters.

How much would you sacrifice to hide a secret? Andee Camp inherits a box of family history after tragedy strikes along with a challenge to write a novel based on her ancestors.

Have you ever wondered what happens to a cardboard box when you no longer need it? This lovely bedtime story helps children understand how and why we should recycle our cardboard.

A provocative new collection examining the power of language and race in contemporary culture by a leading American poet

For more than 25 years, author Megan O’Hara worked as an hourly associate at Walmart in fifteen stores across five states. In Life within a Big Box, she shares her story, revealing the challenges, laughter, tears, fun, and hard work that went into every year. In chronoloigcal order, O’Hara describes her work experiences. This memoir follows her career from one store to another, through her progressive and sometimes regressive steps toward her final goal. Offering a behind-the-scenes look at how the stores work, she discusses: well-managed and ill-managed stores; how to do the job; shift changes and schedules; a CEO visit; fraternizing with hourly associates; unfair coaching with integrity at stake; discrimination, unions, and Walmart; corporate rules; Black Friday, Christmas, and other holidays; theft; associate camaraderie and favoritism; and hourly wage problems. Life within a Big Box gives an insider’s perspective of Walmart and explores what it’s like to work for the largest retailer and private employer in the world.

A compelling revision of the history of experimental writing from Pound and Stein to Language poetry, disclosing its uses and its limits. In this bold new study of twentieth-century American writing and poetics, Natalia Cecire argues that experimental writing should be understood as a historical phenomenon before it is understood as a set of formal phenomena. This seems counterintuitive because, at its most basic level, experimental writing can be thought of as writing which breaks from established forms. Touching on figures who are not typically considered experimental, such as Stephen Crane, Jacob Riis, Busby Berkeley, Ursula K. Le Guin, and Gottlob Frege, Experimental offers a fresh look at authors who are often treated as constituting a center or an origin point of an experimental literary tradition in the United States, including Gertrude Stein, Ezra Pound, William Carlos Williams, and Marianne Moore. In responding to a crisis of legitimization in the production of knowledge, this tradition borrows and transforms the language of the sciences. Drawing upon terminology from the history of science, Cecire invokes the epistemic virtue, which tethers ethical values to the production of knowledge in order to organize diverse turn-of-the-century knowledge practices feeding into "experimental writing." Using these epistemic virtues as a structuring concept for the book's argument, Cecire demonstrates that experimental writing as we now understand it does not do experiments (as in follow a method) but rather performs epistemic virtues. Experimental texts embody the epistemic virtues of flash, objectivity, precision, and contact, associated respectively with population sciences, neuroanatomy, natural history and toolmaking, and anthropology. Yet which virtues take precedence may vary widely, as may the literary forms through which they manifest. Bringing it up to the 1980s, Cecire reveals the American experimental literary tradition as a concerted and largely successful rewriting of twentieth-century literary history. She shows how the Language poets, a group of primarily white experimental writers, restored to the canon what they saw as modernism's true legacy, whose stakes were simultaneously political and epistemological: it produced a poet who was an intellectual and a text that was experimental.