The road to Croke Park can be a long one. For Leitrim hurler Zak Moradi, it was an odyssey. Born at the height of the Gulf War, Zak spent his formative years living in a refugee camp in Ramadi, Iraq, under the oppressive regime of Saddam Hussein. Eventually, he and his family settled in Carrick-on- Shannon, County Leitrim, and this is where life began. Zak couldn't speak English when he first arrived, and he didn't know what sport the boys in his class were playing. It was hurling; he was handy at it, and he picked it up quickly. The GAA gave Zak his chance to put down roots, learn valuable life skills and find friendship. A story of adversity, community and hope, Life Begins in Leitrim is Zak's moving reflection, twenty years later, on the culture shock of landing in rural Ireland; the importance of embracing difference; the continued suffering of refugees around the world; the power of sport; and the realisation that, really, we're not all that different from each other. 'Inspiring ... testament to the power of sport and the kindness of people.' Pat Spillane 'An unputdownable story of overcoming adversity.' Philly McMahon

Focusing on a decade in Irish history which has been largely overlooked, Youth and Popular Culture in 1950s Ireland provides the most complete account of the 1950s in Ireland, through the eyes of the young people who contributed, slowly but steadily, to the social and cultural transformation of Irish society. Eleanor O'Leary presents a picture of a generation with an international outlook, who played basketball, read comic books and romance magazines, listened to rock'n'roll music and skiffle, made their own clothes to mimic international styles and even danced in the street when the major stars and bands of the day rocked into town. She argues that this engagement with imported popular culture was a contributing factor to emigration and the growing dissatisfaction with standards of living and conservative social structures in Ireland. As well as outlining teenagers' resistance to outmoded forms of employment and unfair work practices, she maps their vulnerability as a group who existed in a limbo between childhood and adulthood. Issues of unemployment, emigration and education are examined alongside popular entertainments and social spaces in order to provide a full account of growing up in the decade which preceded the social upheaval of the 1960s. Examining the 1950s through the unique prism of youth culture and reconnecting the decade to the process of social and cultural transition in the second half of the 20th century, this book is a valuable contribution to the literature on 20th-century Irish history.

Amazon's Best Seller.Being caught up in war is not what Ana Mellor expects when she lands in Malta to join her Wing-Commander father. In the midst of horror and destruction, the courage and resilience of the Maltese people is revealed as they struggle to survive. Ana falls in love but treachery intervenes with catastrophic consequences. Meanwhile, disillusioned with Ireland's fight for political independence, Ernie McGuill leaves home to join the British Army. Due to the outbreak of war he trains as a fighter pilot and is posted to Malta.It is against this background that the characters of Ana, Ernie and many others are interwoven in a story of betrayal and intrigue. This is not unravelled until generations later when two women make a journey to Malta - a journey that is to have astonishing consequences.

Partitioned Lives: The Irish Borderlands explores everyday life and senses of identity and belonging along a contested border whose official functions and local impacts have shifted across the twentieth century. It does so through the accounts of contemporary borderland residents in Ireland and Northern Ireland who shared with us their reflections on and experiences of the border from the 1950s to the present day. Since the border is the product of the partition of the island and the creation of Northern Ireland, its meaning has been deeply entangled with the radically and often violently opposed perspectives on the legitimacy of Northern Ireland and the political reunification of the island. Yet the intensely political symbolism of the border has meant that relatively little attention has been paid to the lived experience of the border, its material presence in the landscape and in people’s lives, and its materialisation through the practices and policies of the states on either side. Drawing on recent approaches within historical, political and cultural geography and the cross-disciplinary field of border studies, this book redresses this neglect by exploring the Irish border in terms of its meanings (from the political to the personal) but also, and importantly, through the objects (from tables of custom regulations and travel permits to road blocks and military watch towers) and practices (from official efforts to regulate the movement of people and objects across it to the strategies and experiences of those subject to those state policies) through which it was effectively constituted. The focus is on the Irish border as practised, experienced and materially present in the borderlands.

The Oxford Handbook of Modern Irish Fiction presents authoritative essays by thirty-five leading scholars of Irish fiction. They provide in-depth assessments of the breadth and achievement of novelists and short story writers whose collective contribution to the evolution and modification of these unique art forms has been far out of proportion to Ireland's small size. The volume brings a variety of critical perspectives to bear on the development of modern Irish fiction, situating authors, texts, and genres in their social, intellectual, and literary historical contexts. The Handbook's coverage encompasses an expansive range of topics, including the recalcitrant atavisms of Irish Gothic fiction; nineteenth-century Irish women's fiction and its influence on emergent modernism and cultural nationalism; the diverse modes of irony, fabulism, and social realism that characterize the fiction of the Irish Literary Revival; the fearless aesthetic radicalism of James Joyce; the jolting narratological experiments of Samuel Beckett, Flann O'Brien, and Máirtín Ó Cadhain; the fate of the realist and modernist traditions in the work of Elizabeth Bowen, Frank O'Connor, Seán O'Faoláin, and Mary Lavin, and in that of their ambivalent heirs, Edna O'Brien, John McGahern, and John Banville; the subversive treatment of sexuality and gender in Northern Irish women's fiction written during and after the Troubles; the often neglected genres of Irish crime fiction, science fiction, and fiction for children; the many-hued novelistic responses to the experiences of famine, revolution, and emigration; and the variety and vibrancy of post-millennial fiction from both parts of Ireland. Readably written and employing a wealth of original research, The Oxford Handbook of Modern Irish Fiction illuminates a distinguished literary tradition that has altered the shape of world literature.

Imprint date from introduction, v 1 -- Issued in fascicles by subscription Intended as twelve volumes, one for each month cf Prospectus, v 1 , p [i]-iii at end List of subscribers, v 1 p [609]-624, with updates in subsequent v Includes bibliographical references 5 vols only Lives of the Irish saints : with special festivals, and the commemorations of holy persons, compiled from calendars, martyrologies, and various sources, relating to the ancient church history of Ireland.