Describes the life of a Paiute woman who worked as an interpreter, scout, and spokesperson for her tribe in Washington

Sarah Winnemucca Hopkins (Northern Paiute) has long been recognized as an important nineteenth-century American Indian activist and writer. Yet her acclaimed performances and speaking tours across the United States, along with the copious newspaper articles that grew out of those tours, have been largely ignored and forgotten. The Newspaper Warrior presents new material that enhances public memory as the first volume to collect hundreds of newspaper articles, letters to the editor, advertisements, book reviews, and editorial comments by and about Sarah Winnemucca Hopkins. This anthology gathers together her literary production for newspapers and magazines from her 1864 performances in San Francisco to her untimely death in 1891, focusing on the years 1879 to 1887, when Winnemucca Hopkins gave hundreds of lectures in the eastern and western United States; published her book, Life among the Piutes: Their Wrongs and Claims (1883); and established a bilingual school for Native American children. Editors Cari M. Carpenter and Carolyn Sorisio masterfully assemble these exceptional and long-forgotten articles in a call for a deeper assessment and appreciation of Winnemucca Hopkins's stature as a Native American author, while also raising important questions about the nature of Native American literature and authorship.

In 1883 she produced her autobiography - the first written by a Native American woman. Using private contributions, she returned to Nevada and founded a Native school whose educational practices and standards were far ahead of its time. [This book is] composed not only of public challenges and accomplishments but also of private struggles, joys, and ambitions. Unforgettable glimpses of her personality and private life leap from these pages: her notorious sharp tongue and wit, her love of performance, her place in a legendary family of Paiute leaders, her long string of failed relationships, and, at the end, possible poisoning by a romantic rival."--BOOK JACKET.

This is a unique collection of information about the Southern Paiutes, which covers mythology and folklore, traditional crafts, historical stories, and information about the Paiute language. LaVan Martineau began collecting a lot of the information in this book during the 1940s from individuals still maintaining the old ways, while their culture eroded beneath their feet. These elders willingly shared this information with Mr. Martineau. Little did he realize that within a few decades almost no one under the age of 50 would still speak the Paiute language, and even fewer would still know the traditional stories and crafts. Discover the charming winter tales that were told in during the wintertime after the pinyon nut harvest in Fall, each story was designed to be morally instructive. Learn how the Paiute made bows and arrows, baskets, cradleboards, moccasins and more. You'll even get a primer on the Paiute language. A unique document from a vanishing period.

History and legends of the Klamath Indians.

Between 1879 and 1934, the United States government made a concerted effort to dissolve American Indian tribes by allotting communally held lands and forcing them to adopt Euro-American practices. Yet women seized a wave of national fascination with American Indians to challenge the national drive to assimilate indigenous peoples. This book focuses on three women of this era -- the white writer and activist Helen Hunt Jackson, whose 1884 bestseller Ramona has been dubbed "the 'Indian' Uncle Tom's Cabin; " the Paiute performer Sarah Winnemucca, whose Life Among the Piutes is believed to be the first Native woman's autobiography; and Victoria Howard, the Clackamas Chinook storyteller, who worked with Melville Jacobs in 1929 to transcribe hundreds of narratives, ethnographic texts, and songs. Senier is the first to offer a reading of the texts of these three women together and her unique presentation of American Indian oral narrative alongside written narrative recovers a discourse of resistance to assimilation in general and allotment in particular in the voices of American Indian and women artists.