"Norma Watkins, a rare, brave, and entrancing human being, has written a uniquely Mississippi story about coming to terms with family, state, and tumultuous times---and discovering herself in the process. It is a great read, pure and simple."---Hodding Carter III "The Last Resort reminded me of why I started reading in the first place---to be enchanted, to be carried away from my world and dropped into a world more vivid and incandescent. Norma Watkins casts her spell with exquisite sentences and unerring, evocative details. She is a writer of inordinate compassion and formidable intelligence. This unsparing and unsentimental memoir documents a woman's struggle for independence over the course of her lifetime and took great moral courage and ferocious honesty to write. And let me add that this book is so much more than personal memoir. It is an eye on history. Norma Watkins puts us there at the white hot center of the struggle for racial equality in Jackson, Mississippi, in the turbulent fifties and sixties."---John Dufresne "What a book! What a woman! And what a life she has led ... touching upon all the major issues of our time. I was riveted from start to finish. Brave, honest, and open, Norma Watkins is a born writer through and through. The Last Resort is an absolute must---read for all southern women---and men, too---as she shines a light into some of the darkest, most secret and sacred areas of our culture. This is one of the best memoirs I have ever read."---Lee Smith "Norma Watkins takes her readers through one woman's journey toward understanding herself and the Mississippi in which she grew up. It is a soul-searching work, one with which many women will identify."--Kay Mills The Last Resort Taking the Mississippi Cure Raised Under The Racial Segregation that kept her family's southern country hotel afloat, Norma Watkins grows up listening at doors, trying to penetrate the secrets and silences of the black help and of her parents' marriage. Groomed to be an ornament to white patriarchy, she sees herself failing at the ideal of becoming a southern lady. The Last Resort, her compelling memoir, begins in childhood at Allison's Wells, a popular Mississippi spa for proper white people, run by her aunt. Life at the rambling hotel seems like paradise. Yet young Norma wonders at a caste system that has colored people cooking every meal while forbidding their sitting with whites to eat. Once integration is court-mandated, her beloved father becomes a stalwart captain in defense of Jim Crow as a counselor to fiery, segregationist Governor Ross Barnett, His daughter flounders, looking for escape. A fine house, wonderful children, and a successful husband do not compensate for the shock of Mississippi's brutal response to change, daily made manifest by the men in her home. A sexually bleak marriage only emphasizes a growing emotional emptiness. When a civil rights lawyer offers love and escape, does a good southern lady dare leave her home state and closed society behind? With humor and heartbreak, The Last Resort conveys at once the idyllic charm and the impossible compromises of a lost way of life.

"Life on the Mississippi" is a memoir by Mark Twain, published in 1883. In this work, Twain reflects on his experiences as a steamboat pilot on the Mississippi River before the Civil War, as well as his return to the river years later as a passenger and observer of the changes that had occurred. The book is a combination of memoir, travelogue, and social commentary, offering a vivid depiction of life along the Mississippi River during the mid-19th century. Twain describes the bustling river towns, the colorful characters he encountered, and the challenges and dangers of navigating the river. "Life on the Mississippi" also explores broader themes such as the passage of time, the impact of technological advancements, and the nostalgic longing for a bygone era. Twain's witty and engaging writing style shines throughout the book, making it both entertaining and thought-provoking. Overall, "Life on the Mississippi" is not only a valuable historical document but also a literary masterpiece that continues to captivate readers with its humor, insight, and vivid portrayal of a vanishing way of life.

All along the Mississippi--on country plantation landings, urban levees and quays, and the decks of steamboats--nineteenth-century African Americans worked and fought for their liberty amid the slave trade and the growth of the cotton South. Offering a counternarrative to Twain's well-known tale from the perspective of the pilothouse, Thomas C. Buchanan paints a more complete picture of the Mississippi, documenting the rich variety of experiences among slaves and free blacks who lived and worked on the lower decks and along the river during slavery, through the Civil War, and into emancipation. Buchanan explores the creative efforts of steamboat workers to link riverside African American communities in the North and South. The networks African Americans created allowed them to keep in touch with family members, help slaves escape, transfer stolen goods, and provide forms of income that were important to the survival of their communities. The author also details the struggles that took place within the steamboat work culture. Although the realities of white supremacy were still potent on the river, Buchanan shows how slaves, free blacks, and postemancipation freedpeople fought for better wages and treatment. By exploring the complex relationship between slavery and freedom, Buchanan sheds new light on the ways African Americans resisted slavery and developed a vibrant culture and economy up and down America's greatest river.

One day in 1852, The Princess, one of the finest steamboats afloat on the Mississippi River one hundred years ago was rounding the bend a Duncan�s Point about ten miles below Baton Rouge, when the boilers exploded with a frightful loss of life. The disaster occurred in front of the Conrad cottage where a descendant, the late G. Mather Conrad, of New Orleans, was born and lived as a youth. Lyle Saxon in his Old Louisiana tells of having known an old gentleman who remembered the awful holocaust. Then a little boy, this old gentleman was awaiting the return of his mother and father from New Orleans. He saw the Princess come around the bend and then turn in toward the bank. As he watched he heard a terrific explosion and saw the steamboat burst into flames. Mr. F. D. Conrad, plantation owner of that generation, so Saxon tells us, sent his slaves out in skiffs to rescue the men and women who crew struggling in the water. Many of them were frightfully scalded by steam from the broken boilers. Sheets were spread on the ground under the oak trees on the lawn and barrels of flour were broken open and the contents poured on the sheets. As the scalded people were pulled from the river, they were stripped and rolled in the flour, where they writhed and shrieked in agony. The little boy went from one sufferer to another seeking his father and mother. They were not there. They returned from New Orleans on a later boat, but he never forgot the anguish of his search.

Winner, Best History, 2012 Association for Recorded Sound Collections Award for Excellence in Historical Recorded Sound Research When Mississippi John Hurt (1892-1966) was "rediscovered" by blues revivalists in 1963, his musicianship and recordings transformed popular notions of prewar country blues. At seventy-one he moved to Washington, D.C., from Avalon, Mississippi, and became a live-wire connection to a powerful, authentic past. His intricate and lively style made him the most sought after musician among the many talents the revival brought to light. Mississippi John Hurt provides this legendary creator's life story for the first time. Biographer Philip Ratcliffe traces Hurt's roots to the moment his mother Mary Jane McCain and his father Isom Hurt were freed from slavery. Anecdotes from Hurt's childhood and teenage years include the destiny-making moment when his mother purchased his first guitar for $1.50 when he was only nine years old. Stories from his neighbors and friends, from both of his wives, and from his extended family round out the community picture of Avalon. US census records, Hurt's first marriage record in 1916, images of his first autographed LP record, and excerpts from personal letters written in his own hand provide treasures for fans. Ratcliffe details Hurt's musical influences and the origins of his style and repertoire. The author also relates numerous stories from the time of his success, drawing on published sources and many hours of interviews with people who knew Hurt well, including the late Jerry Ricks, Pat Sky, Stefan Grossman and Max Ochs, Dick Spottswood, and the late Mike Stewart. In addition, some of the last photographs taken of the legendary musician are featured for the first time in Mississippi John Hurt.

Examining the lives of individuals - freedmen, planters, and merchants - Willis explores the reciprocal interests of former slaves and former slaveholders. He shows how, in a cruel irony replicated in other areas of the South, the backbreaking work that African Americans did to clear, settle, and farm the land away from the river made the land ultimately too valuable for them to retain.

?Mark Twain was the first truly American writer, and all of us since are his heirs.? --William Faulkner A brilliant amalgam of remembrance and reportage, by turns satiric, celebratory, nostalgic, and melancholy, Life on the Mississippi evokes the great river that Mark Twain knew as a boy and young man and the one he revisited as a mature and successful author. Written between the publication of his two greatest novels, Tom Sawyer and Huckleberry Finn, Twain?s rich portrait of the Mississippi marks a distinctive transition in the life of the river and the nation, from the boom years preceding the Civil War to the sober times that followed it. Library of America Paperback Classics feature authoritative texts drawn from the acclaimed Library of America series and introduced by today?s most distinguished scholars and writers. Each book features a detailed chronology of the author?s life and career, and essay on the choice of the text, and notes. The contents of this Paperback Classic are drawn from Mark Twain: Mississippi Writings, volume number 5 in the Library of America series. It is joined in the series by six companion volumes, gathering the collected works of Mark Twain.