Launches a new research agenda on one of the most common but overlooked features of the democratization experience worldwide: authoritarian successor parties.

How did political power function in the communist regimes of Central and Eastern Europe after 1945? Making Sense of Dictatorship addresses this question with a particular focus on the acquiescent behavior of the majority of the population until, at the end of the 1980s, their rejection of state socialism and its authoritarian world. The authors refer to the concept of Sinnwelt, the way in which groups and individuals made sense of the world around them. The essays focus on the dynamics of everyday life and the extent to which the relationship between citizens and the state was collaborative or antagonistic. Each chapter addresses a different aspect of life in this period, including modernization, consumption and leisure, and the everyday experiences of “ordinary people,” single mothers, or those adopting alternative lifestyles. Empirically rich and conceptually original, the essays in this volume suggest new ways to understand how people make sense of everyday life under dictatorial regimes.

Explains how dictatorships rise, survive, and fall, along with why some but not all dictators wield vast powers.

Burundi has recently emerged from twelve years of devastating civil war. Its economy has been destroyed and hundreds and thousands of people have been killed. In this book, the voices of ordinary Burundians are heard for the first time. Farmers, artisans, traders, mothers, soldiers and students talk about the past and the future, war and peace, their hopes for a better life and their relationships with each other and the state. Young men, in particular, often seen as the cause of violence and war, talk about the difficulties of living up to standards of masculinity in an impoverished and war-torn society. Weaving a rich tapestry, Peter Uvin pitches the ideas and aspirations of people on the ground against the theory and assumptions often made by the international development and peace-building agencies and organisations. In doing this, he illuminates both shared goals and misunderstandings. This groundbreaking book on conflict and society in Africa will have profound repercussions for development across the world.

A former Chilean columnist offers a dramatic first-person chronicle of life under dictatorship as she records her own personal experiences and those of others whose lives were dramatically affected by Chile's Pinochet government. Reprint.

Oppression and violence are often cited as the pivotal aspects of modern dictatorships, but it is the collusion of large majorities that enable these regimes to function. The desire for a better life and a powerful national, if not imperial community provide the basis for the many forms of people's cooperation explored in this volume.

During the age of dictatorships, Latin American prisons became a symbol for the vanquishing of political opponents, many of whom were never seen again. In the postdictatorship era of the 1990s, a number of these prisons were repurposed into shopping malls, museums, and memorials. Susana Draper uses the phenomenon of the "opening" of prisons and detention centers to begin a dialog on conceptualizations of democracy and freedom in post-dictatorship Latin America. Focusing on the Southern Cone nations of Uruguay, Chile, and Argentina, Draper examines key works in architecture, film, and literature to peel away the veiled continuity of dictatorial power structures in ensuing consumer cultures. The afterlife of prisons became an important tool in the "forgetting" of past politics, while also serving as a reminder to citizens of the liberties they now enjoyed. In Draper's analysis, these symbols led the populace to believe they had attained freedom, although they had only witnessed the veneer of democracy—in the ability to vote and consume. In selected literary works by Roberto Bola–o, Eleuterio Fernandez Huidoboro, and Diamela Eltit and films by Alejandro Agresti and Marco Bechis, Draper finds further evidence of the emptiness and melancholy of underachieved goals in the afterlife of dictatorships. The social changes that did not occur, the inability to effectively mourn the losses of a now-hidden past, the homogenizing effects of market economies, and a yearning for the promises of true freedom are thematic currents underlying much of these texts. Draper's study of the manipulation of culture and consumerism under the guise of democracy will have powerful implications not only for Latin Americanists but also for those studying neoliberal transformations globally.