MÁS DE 50 DISEÑOS RELAJANTES

IMPRESIÓN DE ALTA RESOLUCIÓN

50 completely unique mermaid coloring pages for kids ages 4-8! Get ready to frolic with a posse of cute mermaids and all of their sea creature friends! In this collection of delightful scenes, mermaids find sunken treasure, discover pirate island and spy a unicorn. We find mermaids exploring and playing in the ocean, on the beach, at their sea castles, and even napping in an oyster shell with a pearl for a night light. There are plenty of rainbows, stars and fun, happy creatures to color. Share the fun and magic of mermaids with a special child! This coloring book is a great screen-free activity to stimulate a child's creativity and imagination. It makes a perfect gift! About this mermaid coloring book: * Contains 40 completely unique coloring pages. There are NO duplicate images in this book. * The pages are single-sided to prevent bleed-through, and so that pages can be removed and displayed without losing an image on the back. * We have carefully designed each page to be entertaining and suitable for children in the 4 to 8 year-old age range. We have avoided overly-intricate designs as well as overly-simplistic ones. We believe children of this age love coloring fun scenes that fire up their imaginations, not a book full of simple shapes. * The pages are a nice, large 8.5x11 size

MÁS DE 100 DISEÑOS RELAJANTES. 🐔 NUEVO LANZAMIENTO 🐱 DESESTRESARSE Colorear en formas e imágenes es una de las primeras formas de arte básico que practicamos, generalmente a una edad temprana. Nos ayuda a afinar nuestra concentración y precisión, además de darnos una sensación de logro y proporcionar una base para seguir explorando el mundo del arte. Pero colorear no es sólo para los niños. Ahora ha visto una enorme explosión de popularidad entre los adultos también. Este libro le proporciona suficientes formas para horas de colorear y ofrece: ✓ Más de 100 hermosos diseños ✓ Coloración para el alivio del estrés para los días en que la vida es dura ✓ Imágenes que querrás conservar y mostrar ✓ Una oportunidad de relajarse después de un largo día 🛍️ Compre ahora & Relajarse... 🛍️ Desplácese hasta la parte superior de la página y haga clic en el botón Agregar al carrito. 💳

(Book). Explore the pages of Musical Instrument Coloring Book and unleash your inner artist! Featuring: * Forty-six illustrations of musical instruments * Single-sided printing on high-quality paper to reduce the chance of bleed-through * Perforated, removable sheets that are easy to frame or share at coloring parties

A systematic historical survey of Chinese thought is followed by an investigation of the historical-metaphysical questions of modern technology, asking how Chinese thought might contribute to a renewed questioning of globalized technics. Heidegger's critique of modern technology and its relation to metaphysics has been widely accepted in the East. Yet the conception that there is only one—originally Greek—type of technics has been an obstacle to any original critical thinking of technology in modern Chinese thought. Yuk Hui argues for the urgency of imagining a specifically Chinese philosophy of technology capable of responding to Heidegger's challenge, while problematizing the affirmation of technics and technologies as anthropologically universal. This investigation of the historical-metaphysical question of technology, drawing on Lyotard, Simondon, and Stiegler, and introducing a history of modern Eastern philosophical thinking largely unknown to Western readers, including philosophers such as Feng Youlan, Mou Zongsan, and Keiji Nishitani, sheds new light on the obscurity of the question of technology in China. Why was technics never thematized in Chinese thought? Why has time never been a real question for Chinese philosophy? How was the traditional concept of Qi transformed in its relation to Dao as China welcomed technological modernity and westernization? In The Question Concerning Technology in China, a systematic historical survey of the major concepts of traditional Chinese thinking is followed by a startlingly original investigation of these questions, in order to ask how Chinese thought might today contribute to a renewed, cosmotechnical questioning of globalized technics.

This book employs recursivity and contingency as two principle concepts to investigate into the relation between nature and technology, machine and organism, system and freedom. It reconstructs a trajectory of thought from an Organic condition of thinking elaborated by Kant, passing by the philosophy of nature (Schelling and Hegel), to the 20th century Organicism (Bertalanffy, Needham, Whitehead, Wiener among others) and Organology (Bergson, Canguilhem, Simodnon, Stiegler), and questions the new condition of philosophizing in the time of algorithmic contingency, ecological and algorithmic catastrophes, which Heidegger calls the end of philosophy. The book centres on the following speculative question: if in the philosophical tradition, the concept of contingency is always related to the laws of nature, then in what way can we understand contingency in related to technical systems? The book situates the concept of recursivity as a break from the Cartesian mechanism and the drive of system construction; it elaborates on the necessity of contingency in such epistemological rupture where nature ends and system emerges. In this development, we see how German idealism is precursor to cybernetics, and the Anthropocene and Noosphere (Teilhard de Chardin) point toward the realization of a gigantic cybernetic system, which lead us back to the question of freedom. It questions the concept of absolute contingency (Meillassoux) and proposes a cosmotechnical pluralism. Engaging with modern and contemporary European philosophy as well as Chinese thought through the mediation of Needham, this book refers to cybernetics, mathematics, artificial intelligence and inhumanism.