"One part love letter, one part eulogy, Overdue tells the story of America's public library system . . . Amanda Oliver proves herself a vibrant new literary voice . . . This is a book for all book lovers." —Reza Aslan, author of Zealot: The Life and Times of Jesus of Nazareth When Amanda Oliver began work as a school librarian, fueled by a lifelong love of books and a desire to help, she felt qualified for the job. What she learned was that librarians are expected to serve as mediators and mental-health-crisis support professionals, customer service reps and administrators of overdose treatment, fierce loyalists to institutionalized mythology and enforced silence, and arms of state surveillance. Based on firsthand experiences from six years of professional work as a librarian in high-poverty neighborhoods of Washington, DC, as well as interviews and research, Overdue begins with Oliver's first day at Northwest One, the DC Public Library branch where she would ultimately end her library career. Through her experience at this branch, Oliver highlights the national problems that have existed in libraries since they were founded, troublingly at odds with the common romanticization of the library as a shining beacon of equality: racism, segregation, and economic oppression. These fundamental American problems manifest today as police violence, the opioid epidemic, widespread inaccessibility of affordable housing, and a lack of mental health care nationwide—all of which come to a head in public library spaces. Can public librarians continue to play the many roles they are tasked with? Can American society sustain one of its most noble institutions? Libraries will not save us, but Oliver helps us imagine what might be possible if we stop expecting them to.

A spirited exploration of libraries' evolution from fusty brick-and-mortar institutions to fluid virtual environments.

This book, first published in 1984, is an effective guide to help librarians develop a more systematic and effective approach to dealing with overdues. The editors present statistical data on overdues, as well as successful tactics employed by various libraries to combat the persistent problem of overdue materials.

Despite the stodgy stereotypes, libraries and librarians themselves can be quite funny. The spectrum of library humor from sources inside and outside the profession ranges from the subtle wit of the New Yorker to the satire of Mad. This examination of American library humor over the past 200 years covers a wide range of topics and spans the continuum between light and dark, from parodies to portrayals of libraries and their staffs as objects of fear. It illuminates different types of librarians--the collector, the organization person, the keeper, the change agent--and explores stereotypes like the shushing little old lady with a bun, the male scholar-librarian, the library superhero, and the anti-stereotype of the sexy librarian. Profiles of the most prominent library humorists round out this lively study.

Building libraries on the bookstore model.