Does a family mystery stand in the way of saving Kip’s best friend? Katherine Pearl Baker—“Kip” for short—is the only child on her family’s rural peach farm. She longs for a pet to ease the loneliness. Unfortunately, her father has an angry opposition to all animals—horses in particular. Why he dislikes them is a confounding mystery. Hiding in the woods on the Fourth of July, Kip encounters a bedraggled donkey with one eye and a floppy ear. Immediately smitten and compelled to protect him, she feeds him biscuits and takes him home. When it is discovered the donkey fled an abusive owner, Kip’s father finally relents, reluctantly allowing him to stay. Kip is elated when her grandfather agrees to help her foster the donkey, who she names “Liberty Biscuit,” along with two emaciated horses removed by the local sheriff from the same home, as the cruelty case goes to court. While caring for the animals, Kip’s happiness is overshadowed by a shocking discovery in a trunk in the family farm’s hayloft—a faded photograph of her father as a boy that reveals secrets long kept. A court order to return the horses, and even worse, Kip’s beloved Liberty Biscuit, to the owner who had starved and beaten them, throws Kip’s world into turmoil. She knows she must find a way to keep them, or she will have betrayed the best friend she has ever had. But saving the animals means risking the complete unraveling of her family as she exposes the long-buried truth about a tragic accident and a hurt like she’s never known before.

Two-time Pulitzer Prize winning Colson Whitehead continues his Harlem saga in a powerful and hugely-entertaining novel that summons 1970s New York in all its seedy glory. It's 1971. Trash piles up on the streets, crime is at an all-time high, the city is careening towards bankruptcy, and a shooting war has broken out between the NYPD and the Black Liberation Army. Amid this collective nervous breakdown, furniture store owner and ex-fence Ray Carney tries to keep his head down and his business thriving. His days moving stolen goods around the city are over. It's strictly the straight and narrow for him--until he needs Jackson 5 tickets for his daughter, May, and he decides to hit up his old police contact Munson, fixer extraordinaire. But Munson has his own favors to ask of Carney and staying out of the game gets a lot more complicated--and deadly. 1973. The counterculture has created a new generation, the old ways are being overthrown, but there is one constant--Pepper, Carney's endearingly violent partner in crime. It's getting harder to put together a reliable crew for hijackings, heists, and assorted felonies, so Pepper takes on a side gig doing security on a Blaxploitation shoot in Harlem. He finds himself in a freaky world of Hollywood stars, up-and-coming comedians, and celebrity drug dealers, in addition to the usual cast of hustlers, mobsters, and hit men. These adversaries underestimate the seasoned crook--to their regret. 1976. Harlem is burning, block by block, while the whole country is gearing up for Bicentennial celebrations. Carney is trying to come up with a July Fourth ad he can live with. ("Two Hundred Years of Getting Away with It!"), while his wife, Elizabeth, is campaigning for her childhood friend, the former assistant D.A. and rising politician Alexander Oakes. When a fire severely injures one of Carney's tenants, he enlists Pepper to look into who may be behind it. Our crooked duo have to battle their way through a crumbling metropolis run by the shady, the violent and the utterly corrupted. Crook Manifesto is a darkly funny tale of a city under siege, but also a sneakily searching portrait of the meaning of family. Colson Whitehead's kaleidoscopic portrait of Harlem is sure to stand as one of the all-time great evocations of a place and a time.

1887-1892 include the Proceedings of the 1st-6th annual convention of the International Association of Factory Inspectors of North America.