Shortlisted for the James Tait Black Prize for Fiction 2022 A NEW YORK TIMES NOTABLE BOOK OF 2021 LONGLISTED FOR THE 2022 PEN AMERICA OPEN BOOK AWARD A Times Book of the Month One of Roxane Gay's Audacious Book Club Picks 'A feat of monumental thematic imagination' - The New York Times Book Review 'An elegantly layered, beautifully rendered tour de force that is not to be missed' - Roxane Gay Libertie Sampson was named by her father as he lay dying, in honour of the bright, shining future he was sure was coming. The only daughter of a prosperous Black woman physician, she was born free in a country still blighted by slavery. But she has never felt free. Shrinking from her mother's ambitions for her future, Libertie ventures beyond her insulated community, hoping that somehow, somewhere, she will create a life that feels like her own. Immersive, lyrical and deeply moving, Libertie is a novel about legacy and longing, the story of a young woman struggling to discover what freedom truly means - for herself, and for generations to come.

A FINALIST FOR THE 2016 CENTER FOR FICTION FIRST NOVEL PRIZE AND THE 2017 YOUNG LIONS AWARD “A terrifically auspicious debut.” —Janet Maslin, The New York Times “Smart, timely and powerful . . . A rich examination of America’s treatment of race, and the ways we attempt to discuss and confront it today.” —The Huffington Post The Freeman family--Charles, Laurel, and their daughters, teenage Charlotte and nine-year-old Callie--have been invited to the Toneybee Institute to participate in a research experiment. They will live in an apartment on campus with Charlie, a young chimp abandoned by his mother. The Freemans were selected because they know sign language; they are supposed to teach it to Charlie and welcome him as a member of their family. But when Charlotte discovers the truth about the institute’s history of questionable studies, the secrets of the past invade the present in devious ways. The power of this shattering novel resides in Greenidge’s undeniable storytelling talents. What appears to be a story of mothers and daughters, of sisterhood put to the test, of adolescent love and grown-up misconduct, and of history’s long reach, becomes a provocative and compelling exploration of America’s failure to find a language to talk about race. “A magnificently textured, vital, visceral feat of storytelling . . . [by] a sharp, poignant, extraordinary new voice of American literature.” —Téa Obreht, author of The Tiger’s Wife

Liberties Journal of Culture and Politics is devoted to educating the general public about the history, current trends, and possibilities of culture and politics.

Religious freedom is a founding tenet of the United States, and it has frequently been used to justify policies towards other nations. Such was the case in 1945 when Americans occupied Japan following World War II. Though the Japanese constitution had guaranteed freedom of religion since 1889, the United States declared that protection faulty, and when the occupation ended in 1952, they claimed to have successfully replaced it with “real” religious freedom. Through a fresh analysis of pre-war Japanese law, Jolyon Baraka Thomas demonstrates that the occupiers’ triumphant narrative obscured salient Japanese political debates about religious freedom. Indeed, Thomas reveals that American occupiers also vehemently disagreed about the topic. By reconstructing these vibrant debates, Faking Liberties unsettles any notion of American authorship and imposition of religious freedom. Instead, Thomas shows that, during the Occupation, a dialogue about freedom of religion ensued that constructed a new global set of political norms that continue to form policies today.

4th in a series of anthologies featuring voices of Bay Area writers, poets, artists of color, and allies.

American Civil Liberties Union and the Making of Modern Liberalism, 1930-1960

A remarkable, sparkling historical novel by the author of A Catch of Consequence.