This stunning book of photographs captures the graffiti and art that have transformed Israel's wall into a living canvas of resistance and solidarity. Featuring the work of artists Banksy, Ron English, Blu, and others, as well as Palestinian artists and activists, these photographs express outrage, compassion, and touching humor. They illustrate the wall's toll on lives and livelihoods, showing the hardship it has brought to tens of thousands of people, preventing their access to work, education, and vital medical care. Mixed with the images are portraits and vignettes, offering a heartfelt and inspiring account of a people determined to uphold their dignity in the face of profound injustice.

Exploring visual culture, design and politics in 1960s Beirut, this compelling interdisciplinary study examines a critical period in Lebanon's history.

Within these pages are the memories of Palestinians - housewives, pastors, physicians, prisoners, professors, refugees, researchers, students, teachers, and university administrators living either in Palestine, refugee camps, or exile - who have suffered loss and yet have kept their identity as Palestinians and through perseverance have kept their culture vibrant and alive. It is hoped that in meeting these people, the reader will understand the suffering and loss of Palestinians; see their longing for freedom and peace; and join in supporting their struggle for justice.The continuing dispossession of the Palestinians and the violation of their human rights, and the right to political self-determination, is a blight on the collective international community. A major obstacle to restitution of justice for the Palestinian people is the ongoing and unconditional support of Israel by Western nations, especially the United States, which allow Israel to act with impunity.In the words of Dr. Hanan Ashrawi, founder and chairman of the Palestinian Initiative for the Promotion of Global Dialogue and Democracy, "The very intimacy of these revelations (the narratives), their searing honesty, and their unassuming humanity compel the reader to engage in the challenge of awareness through identification, and to acquire that uncomfortable, yet essential, knowledge that has hitherto been denied or excluded or distorted. The simple truth, often the most complex reality to convey, is laid bare in Palestine is Our Home for all those who want to shed the complacency of ignorance in favor of the responsibility of knowledge." Palestine Is Our Home presents brief contemporary history of Palestine, short essays, first hand testimonies, and chapters on the liberation art of Palestine and on the origins of the traditional Palestinian costume. Four tables and sixty-one gray scale images - maps, photographs including those of works of art, traditional costumes, and embroidery - serve to illustrate the narratives and chapters of the book. Finally, a leader's guide is provided, which when used in conjunction with the questions for reflection found at the end of each section of the book, serves to facilitate the use of the book by discussion groups.

Turmoil and violence have defined the lives of Palestinian people over the last few decades, yet in the midst of the chaos artists live and thrive, creating little-seen work that is a powerful response to their situation. Gannit Ankori's Palestinian Art is the first in-depth English-language assessment of contemporary Palestinian art, and it offers an unprecedented and wholly original overview of this art in all its complexity. Ankori comprehensively traces the full history and development of Palestinian art, from its roots in folk art and traditional Christian and Islamic painting to the predominance of nationalistic themes and diverse media used today. Drawing on over a decade of extensive research, studio visits, and interviews, Ankori explores the vast oeuvre of prominent contemporary Palestinian artists, navigating between the personal and biographical dimensions of specific artworks and the symbolic meanings embedded within them. She provides detailed interpretations of many works and considers the complex historical, geographical, political, and cultural contexts in which the art was created. Questions of gender, exile, colonialism, postcolonialism, and hybridity are integral to Ankori's investigation as she probes the influence and thematic dominance of issues such as rootedness and displacement in Palestinian art. Palestinian Art is a fascinating introduction to a virtually unknown visual culture that has been subsumed under the torrent of current political turmoil. A groundbreaking and essential work of art scholarship, Palestinian Art illuminates new and unique facets of the Palestinian cultural identity.

"A Land With A People began as a storytelling project of Jewish Voice for Peace-New York City and subsequently transformed into a theater project performed throughout the New York City area. A Land With A People elevates rarely heard Palestinian and Jewish voices and visions. It brings us the narratives of secular, Muslim, Christian, and LGBTQ Palestinians who endure the particular brand of settler colonialism known as Zionism. It relays the transformational journeys of Ashkenazi, Mizrahi, Palestinian and LGBTQ Jews who have come to reject the received Zionist narrative. Unflinching in their confrontation of the power dynamics that underlie their transformation process, these writers find the courage to face what has happened to historic Palestine, and to their own families as a result. Stories touch hearts, open minds, and transform our understanding of the "other"-as well as comprehension of our own roles and responsibilities. A Land With a People emerges from this reckoning. Contextualized by a detailed historical introduction and timeline charting 150 years of Palestinian and Jewish resistance to Zionism, this collection will stir emotions, provoke fresh thinking, and point to a more hopeful, loving future-one in which Palestine/Israel is seen for what it is in its entirety, as well as for what it can be"--