Papers furnishing a review and critique of past work in women's history are combined with selections delineating new approaches to the study of women in history and empirical studies considering ideological and class factors.

This collection of essays focuses on the history and politics of the Women's Liberation Movement and Women's Studies, in Australia and around the world.

Winner of the 2018 Richard Wall Memorial Award​ from the Theater Library Association Liberating Hollywood examines the professional experiences and creative output of women filmmakers during a unique moment in history when the social justice movements that defined the 1960s and 1970s challenged the enduring culture of sexism and racism in the U.S. film industry. Throughout the 1970s feminist reform efforts resulted in a noticeable rise in the number of women directors, yet at the same time the institutionalized sexism of Hollywood continued to create obstacles to closing the gender gap. Maya Montañez Smukler reveals that during this era there were an estimated sixteen women making independent and studio films: Penny Allen, Karen Arthur, Anne Bancroft, Joan Darling, Lee Grant, Barbara Loden, Elaine May, Barbara Peeters, Joan Rivers, Stephanie Rothman, Beverly Sebastian, Joan Micklin Silver, Joan Tewkesbury, Jane Wagner, Nancy Walker, and Claudia Weill. Drawing on interviews conducted by the author, Liberating Hollywood is the first study of women directors within the intersection of second wave feminism, civil rights legislation, and Hollywood to investigate the remarkable careers of these filmmakers during one of the most mythologized periods in American film history.

In The Liberation of Women, Roberta Hamilton explores two of the key questions that have been systematically raised by the Women's Liberation Movement: why have women occupied a subordinate position in society and how can the variation in the forms and intensity of their exploitation and oppression be explained? Within the Women's Liberation Movement there have been seen to be two different and opposed answers to these questions: a feminist answer and a Marxist one. This new work attempts to examine this debate in specific analytical terms through a study of the changing role of women during a particular historical period - the seventeenth century. In the course of less than one hundred years the rise of capitalism and the acceptance of Protestantism had separately and together radically altered every aspect of a woman's life. Can both a feminist and a Marxist analysis account for these changes? Do such accounts conflict with each other, making a choice inevitable? Do they overlap to such an extent that retaining both would be redundant? Or, finally, are they complementary, can they usefully coexist? The Liberation of Women will be of particular interest to students of history, sociology and Women's Studies and to those who have been involved in the Women's Liberation Movement. In particular, it will prove essential basic reading for an ever-growing number of courses on sexual divisions in society and the role of women.