Liberalism and American Literature in the Clinton Era argues that a new, post-postmodern aesthetic emerges in the 1990s as a group of American writers – including Mary Gaitskill, George Saunders, Richard Powers, Karen Tei Yamashita, and others – grapples with the political triumph of free-market ideology. The book shows how these writers resist the anti-social qualities of this frantic right-wing shift while still performing its essential gesture, the personalization of otherwise irreducible social antagonisms. Thus, we see these writers reinvent political struggles as differences in values and emotions, in fictions that explore non-antagonistic social forms like families, communities and networks. Situating these formally innovative fictions in the context of the controversies that have defined this rightward shift – including debates over free trade, welfare reform, and family values – Brooks details how American writers and politicians have reinvented liberalism for the age of pro-capitalist consensus.

Argues that a new, post-postmodern aesthetic emerges in the 1990s as American writers grapple with the triumph of free-market politics.

In this provocative book, Anthony Hutchison challenges the belief that the American novel is "antipolitical" and condemns the relative absence of American literature in studies of the political novel. In Hutchison's view, our fiction is always informed by the complexities of the American political tradition, and to acknowledge this is to introduce a new, rewarding chapter of critical inquiry into the study of American literature. Focusing on the works of Herman Melville, Gore Vidal, Russell Banks, Lionel Trilling, and Philip Roth, Hutchison finds a critique of liberalism put forth by classical republicanism, transcendentalism, Marxism, and neoconservatism at their respective moments of historical ascent. He shows how these authors take very specific historical periods and episodes for their subject matter and interrogate, critique, and contextualize pivotal moments in the intellectual history of American liberalism. In their work, liberalism reconstitutes itself in the face of competing ideological pressures, demonstrating that the novel is very much characterized by a "republican" concern with the health of the polity. Considering such artists, philosophers, and theorists as Ralph Waldo Emerson, Fyodor Dostoevsky, Hannah Arendt, and John Dewey, alongside numerous contemporary commentators and historians, Hutchison repositions American novelists as serious political thinkers. He reveals Melville's Moby Dick to be the formal template for the American political novel and compares and contrasts its embodiment of "republican" fiction with the "democratic" mode Mikhail Bakhtin associates with Dostoevsky. He especially draws attention to the meaning of republicanism in the early national period, the place of abolitionism in the Civil War, and the post-1930s liberal retreat from Left radicalism. By concentrating on the tension between issues of liberalism and morality in the political thought of these American novelists, Hutchison hopes to advance a more nuanced and textured understanding of the U.S. political tradition. He scrutinizes a number of critical studies and makes a cogent case for a more interdisciplinary approach to the American political novel that focuses less on the politics of representation and more on the representation of politics.

"An essential starting point for those assessing the Obama presidency.” —Washington Monthly Two presidencies later, the time has never been better to revisit the legacy of Barack Obama. In Audacity, New York Magazine writer Jonathan Chait makes the unassailable case that, in the eyes of history, Obama will be viewed as one of America’s best and most accomplished presidents. Over the course of eight years, Barack Obama has amassed an array of outstanding achievements. His administration saved the American economy from collapse, expanded health insurance to millions who previously could not afford it, negotiated an historic nuclear deal with Iran, helped craft a groundbreaking international climate accord, reined in Wall Street and crafted a new vision of racial progress. He has done all of this despite a left that frequently disdained him as a sellout, and a hysterical right that did everything possible to destroy his agenda even when they agreed with what he was doing. Now, as the page turns to our next Commander in Chief, Jonathan Chait, acclaimed as one of the most incisive and meticulous political commentators in America, digs deep into Obama’s record on major policy fronts—economics, the environment, domestic reform, health care, race, foreign policy, and civil rights—to demonstrate why history will judge our forty-fourth president as among the greatest in history. Audacity does not shy away from Obama’s failures, most notably in foreign policy. Yet Chait convincingly shows that President Obama has accomplished what candidate Obama said he would, despite overwhelming opposition—and that the hopes of those who voted for him have not been dashed despite the smokescreen of extremist propaganda and the limits of short-term perspective.

This volume analyzes how political movements, ideas, and events shaped the American novel.

Shows how representations of poor white southerners helped shape middle-class identity and major American literary movements and genres.

This book gives readers a fresh take on Depression-era poetry in relation to the idea of modernity experienced as crisis.