Examining activist performance techniques, this book shows how women and men could deeply influence public life in the nineteenth century.

The Routledge Anthology of Women's Theatre Theory and Dramatic Criticism is the first wide-ranging anthology of theatre theory and dramatic criticism by women writers. Reproducing key primary documents contextualized by short essays, the collection situates women’s writing within, and also reframes the field’s male-defined and male-dominated traditions. Its collection of documents demonstrates women’s consistent and wide-ranging engagement with writing about theatre and performance and offers a more expansive understanding of the forms and locations of such theoretical and critical writing, dealing with materials that often lie outside established production and publication venues. This alternative tradition of theatre writing that emerges allows contemporary readers to form new ways of conceptualizing the field, bringing to the fore a long-neglected, vibrant, intelligent, deeply informed, and expanded canon that generates a new era of scholarship, learning, and artistry. The Routledge Anthology of Women's Theatrical Theory and Dramatic Criticism is an important intervention into the fields of Theatre and Performance Studies, Literary Studies, and Cultural History, while adding new dimensions to Feminist, Gender and Sexuality Studies.

We often know performance when we see it – but how should we investigate it? And how should we interpret what we find out? This book demonstrates why and how mixed methods research is necessary for investigating and explaining performance and advancing new critical agendas in cultural study. The wide range of aesthetic forms, cultural meanings, and social functions found in theatre and performance globally invites a corresponding variety of research approaches. The essays in this volume model reflective consideration of the means, processes, and choices for conducting performance research that is historical, ethnographic, aesthetic, or computational. An international set of contributors address what is meant by planning or designing a research project, doing research (locating and collecting primary sources or resources), and the ensuing work of interpreting and communicating insights. Providing illuminating and necessary guidance, this volume is an essential resource for scholars and students of theatre, performance, and dance.

Resistance is universal, but why does it occur, and fail or succeed? Resistance is often regarded in traditional management books as a problem to be overcome because it is seen as short-sighted or self-interested. Grint suggests, however, that resistance is not necessarily right or wrong. From resistance to the Roman Empire, to slavery, to the Nazis, to racism, to the state and capital, to patriarchy, and to imperialism, this book ranges across time and place to explain the success or failure of resistance. While many contemporary approaches focus on leadership as the explanatory variable, A Cartography of Resistance expands the approach to include management and command of resistance movements - and of their opponents. Many of the case studies explore the failures, as well as the successes, of resistance and the book suggests that even the failures reveal a fundamental truth about the human condition: just because the situation looks bleak for those suffering from oppression does not mean they surrendered meekly. Rather many seemed to adopt the same attitude that led Sisyphus to keep rolling the boulder up the hill: they were determined not to let their situation define or defeat them.

This lively and highly innovative book reconstructs the texture and meaning of popular pleasure in the Victorian entertainment industry. Integrating theories of language and social action with close reading of contemporary sources, Peter Bailey provides a richly detailed study of the pub, music-hall, theatre and comic newspaper. Analysis of the interplay between entrepreneurs, performers, social critics and audience reveals distinctive codes of humour, sociability and glamour that constituted a new populist ideology of consumerism and the good time. Bailey shows how the new leisure world offered a repertoire of roles that enabled its audience to negotiate the unsettling encounters of urban life. Bailey offers challenging interpretations of respectability, sexuality, and the cultural politics of class and gender in a distinctive, personal voice.

This book challenges the myth that Americans' emphasis on personal fulfilment necessarily weakens commitment to the common good. Drawing on extensive participant-observation with a variety of environmentalist groups, Paul Lichterman argues that individualism sometimes enhances public, political commitment and that a shared respect for individual inspiration enables activists with diverse political backgrounds to work together. This personalised culture of commitment has sustained activists working long-term for social change. The book contrasts 'personalised politics' in mainly white environmental groups with a more traditional, community-centred culture of commitment in an African-American group. The untraditional, personalised politics of many recent social movements invites us to rethink common understandings of commitment, community, and individualism in a post-traditional world.

Using examples from the US, Europe and Asia,this collection presentsempirical studies of print, recorded music, movies, radio, television and the Internetto reveal both how media structure public spheresand how people use media to participate in the public sphere.