Libels and Theater in Shakespeare's England
Title | Libels and Theater in Shakespeare's England PDF eBook |
Author | Joseph Mansky |
Publisher | |
Pages | 0 |
Release | 2023 |
Genre | English drama |
ISBN | 9781009362795 |
"The first comprehensive history of libels in Elizabethan England, this interdisciplinary study traces the crime across law, literature, and culture, focusing especially on the theater. Ranging from Shakespeare to provincial pageantry, it provides a fresh account of early modern drama and the viral media ecosystem springing up around it"--
Libels and Theater in Shakespeare's England
Title | Libels and Theater in Shakespeare's England PDF eBook |
Author | Joseph Mansky |
Publisher | Cambridge University Press |
Pages | 267 |
Release | 2023-09-30 |
Genre | Literary Criticism |
ISBN | 100936278X |
The first comprehensive history of libels in Elizabethan England, this interdisciplinary study traces the crime across law, literature, and culture, focusing especially on the theater. Ranging from Shakespeare to provincial pageantry, it provides a fresh account of early modern drama and the viral media ecosystem springing up around it.
The Culture of Playgoing in Shakespeare's England
Title | The Culture of Playgoing in Shakespeare's England PDF eBook |
Author | Anthony B. Dawson |
Publisher | Cambridge University Press |
Pages | 240 |
Release | 2001-03-26 |
Genre | Drama |
ISBN | 9780521800167 |
A debate about the relationship between playgoing and the cultural life of Shakespeare's England.
From Performance to Print in Shakespeare's England
Title | From Performance to Print in Shakespeare's England PDF eBook |
Author | Peter Holland |
Publisher | Palgrave Macmillan |
Pages | 256 |
Release | 2006-03-17 |
Genre | Literary Criticism |
ISBN | 9781403992284 |
Early modern theater was a diverse and richly textured world of performances, both scripted and improvised. Our evidence about it, however, depends almost entirely on texts: a small number of descriptions, a very few manuscripts, and a substantial number of published plays. In this collection, a group of innovative and original theater historians considers both the process and the implications of the transformation of staged drama into reading texts--a complex process, not at all direct or unmediated, with broad implications for the developing concept of drama, the changing cultural and commercial status of theater, and the history of the book.
Shakespeare and laughter
Title | Shakespeare and laughter PDF eBook |
Author | Indira Ghose |
Publisher | Manchester University Press |
Pages | 358 |
Release | 2013-07-19 |
Genre | Literary Criticism |
ISBN | 1847797040 |
This book examines laughter in the Shakespearean theatre, in the context of a cultural history of early modern laughter. Aimed at an informed readership as well as graduate students and scholars in the field of Shakespeare studies, it is the first study to focus specifically on laughter, not comedy. It looks at various strands of the early modern discourse on laughter, ranging from medical treatises and courtesy manuals to Puritan tracts and jestbook literature. It argues that few cultural phenomena have undergone as radical a change in meaning as laughter. Laughter became bound up with questions of taste and class identity. At the same time, humanist thinkers revalorised the status of recreation and pleasure. These developments left their trace on the early modern theatre, where laughter was retailed as a commodity in an emerging entertainment industry. Shakespeare ́s plays both reflect and shape these changes, particularly in his adaptation of the Erasmian wise fool as a stage figure, and in the sceptical strain of thought that is encapsulated in the laughter evoked in the plays.
Documents of Performance in Early Modern England
Title | Documents of Performance in Early Modern England PDF eBook |
Author | Tiffany Stern |
Publisher | Cambridge University Press |
Pages | 377 |
Release | 2009-09-17 |
Genre | Literary Criticism |
ISBN | 1139482971 |
As well as 'play-makers' and 'poets', playwrights of the early modern period were known as 'play-patchers' because their texts were made from separate documents. This book is the first to consider all the papers created by authors and theatres by the time of the opening performance, recovering types of script not previously known to have existed. With chapters on plot-scenarios, arguments, playbills, prologues and epilogues, songs, staged scrolls, backstage-plots and parts, it shows how textually distinct production was from any single unified book. And, as performance documents were easily lost, relegated or reused, the story of a play's patchy creation also becomes the story of its co-authorship, cuts, revisions and additions. Using a large body of fresh evidence, Documents of Performance in Early Modern England brings a wholly new reading to printed and manuscript playbooks of the Shakespearean period, redefining what a play, and what a playwright, actually is.
Staging Touch in Shakespeare's England
Title | Staging Touch in Shakespeare's England PDF eBook |
Author | Alex MacConochie |
Publisher | Oxford University Press |
Pages | 259 |
Release | 2022-01-13 |
Genre | Literary Criticism |
ISBN | 0192671782 |
When Shakespearean characters kiss, embrace, or shake hands, what does it mean? Are dramatic characters following established rules of conduct, or breaking them? Are there rules to break? Staging Touch in Shakespeare's England addresses these and related questions and, in the process, uncovers the social semiotics of contact in the early modern theatre. Its central argument is twofold. First, dramatic characters use touch to define and contest the nature of their relationships: taking hands means something different than embracing or, indeed, holding hands a different way. Second, the definitions, the social roles of actions like these, are up for debate in venues ranging from sermons to the era's burgeoning literature on conduct. The drama not only portrays but participates in these debates. Where characters touch, so do different ideas about contact's role in a variety of contexts, from love and friendship to politics and business deals. Attending to the social roles of touch—what it signifies as much as how it feels—the book develops an outside-in approach to our understanding of early modern sensation: a sociology, rather than a phenomenology, of theatrical contact. It will be of use to editors, performers, and anyone interested in Shakespearean approaches to embodiment. Locating interpersonal touch at the centre of dialogues on consent, subjection, agency, and sexuality, this study offers new perspectives on an essential element of Renaissance drama.