This spooky stand-alone from MG horror expert Dan Poblocki is perfect for fans of Katherine Arden and Victoria Schwab! Simon is a liar. Stella and Alex know this about their new step-brother, so they aren't bothered by his stories about their new house. Wildwyck, a former schoolhouse for misbehaved boys, might have plenty of creaks and shadows, but the twins know that ghosts aren't real. But Simon is getting harder and harder to ignore, as his cries for attention become increasingly dangerous and difficult to explain. Stella and Alex have to consider . . . could Simon actually be telling the truth? As they look for answers, they learn that the history of Wildwyck is more sinister than they could have imagined. And when a shocking truth is revealed, it's not clear who can be trusted anymore. Will the three siblings be able to put aside their differences to save their family . . . before it's too late?

A new spine-tingling thriller from the author of The New Neighbors that takes place over the course of a therapy session, in which neither patient nor therapist are who they claim to be. Two liars. One room. No way out. Susanna Fenton has a secret. Fourteen years ago she left her identity behind, reinventing herself as a therapist and starting a new life. It was the only way to keep her daughter safe. But when a young man, Adam Geraghty, walks into her office, claiming he needs Susanna's help but asking unsettling questions, she begins to fear that her secret has been discovered. Who is Adam, really? What does he intend to do to Susanna? And what has he done to her daughter?

The author, a poet, recounts her difficult childhood growing up in a Texas oil town.

Ted Hammond learns that in a very small town, there's no such thing as an isolated event. And the solution of one mystery is often the beginning of another. Ted Hammond loves a good mystery, and in the spring of his fifth-grade year, he's working on a big one. How can his school in the little town of Plattsford stay open next year if there are going to be only five students? Out here on the Great Plains in western Nebraska, everyone understands that if you lose the school, you lose the town. But the mystery that has Ted's full attention at the moment is about that face, the face he sees in the upper window of the Andersons' house as he rides past on his paper route. The Andersons moved away two years ago, and their old farmhouse is empty, boarded up tight. At least it's supposed to be. A shrinking school in a dying town. A face in the window of an empty house. At first these facts don't seem to be related. But...

Perfect for fans of Kathryn Erskine’s Mockingbird and Holly Goldberg Sloan’s Counting by 7s, this is a stunningly unique and poignant story of one girl’s strength and courage as she decides who she is and what she will believe in. Behind the white-washed walls of the Arizona compound, life was simple. Follow the rules, "live in the light," and all would be well. Zylynn was excited to turn thirteen and begin the work of bringing others into the light, to save them from the liars and the darkness of the outside world. But when she is taken away by a man who claims to be her father, Zylynn is confused, and desperate to return to her home. Zylynn resists her new life—until she finds small comforts, like shampoo, the color pink, and strawberries. But as her thirteenth birthday approaches, Zylynn must make a difficult decision—to stay here with the enemy, or find her way back to the light. And neither may be what they seem.

The author recounts his experiences on the lucrative Wall Street bond market of the 1980s, where young traders made millions in a very short time, in a humorous account of greed and epic folly.

What does it take to go from being a TV fan to a professional TV writer? Television writers--whose many produced credits include The Simpsons; Mad Men; Frasier; X-Files; Battlestar Gallactica; CSI: Miami; Law and Order; and House, M.D.--take aspiring writers through the process of writing their first spec script for an on-air series, creating one-hour drama and sitcom pilots that break out from the pack, and revising their scripts to meet pro standards. They also learn how to launch and sustain a writing career and get a rare look inside the process of creating, selling, and getting a TV show made. Edited by Linda Venis, Director of the UCLA Extension Writers' Program, Inside the Room is an unmatched resource for everything readers need to know to write their way into the Writers Guild of America.