This book explains how the walls of Liangzhu City were made from bedding stones and mud, with the total area of bedding stones covering roughly 290,000 square meters. Based on ongoing research and studies, the book tells the story of how these stones were collected from the surrounding mountains and how their mining and use required massive manpower and material resources, indicating what a tremendous undertaking the construction of Liangzhu City was. The book also shares insights into the process of discovering and researching the city wall, as well as the stoneware at the Liangzhu historical site complex.

This book summarizes the latest archeological findings on Liangzhu culture and outlines the rise and fall of Liangzhu society in terms of its environment, flora and fauna. In addition, it seeks to analyze the characteristics of animal breeding and agricultural cultivation in Liangzhu from the perspectives of archeobotany and archeozoology. In turn, it explores the dietary structure and population density, reaching the bold conclusion that the dramatic increase in population gave rise to environmental deterioration and to natural disasters that eventually destroyed the Liangzhu culture.

Austronesian Art and Genius brought us on a journey of discovery Book 2, The Austronesian Dilemma explored the abundant jade artifacts left by our ancestors to find answers to the questions of our past. In the 3rd book of the Austronesian series, The Austronesian Story in Western Zhou Bronze, we listen to the story told by ancient bronze vessels found on the Philippine islands and correlate them with similar artifacts of Classical China. These bronze vessels made in the piece-mold casting method were able to hold extremely fine detail, including ancient texts that captured historical events, giving us a precious opportunity to learn about the past as narrated by those who were actually there.

This book traces archaeological exploration and discoveries as early as 2012 and reveals Liangzhu culture by reviewing seven years of archaeological findings at the Liangzhu historical site, developments in archaeology history, the psychological journeys of archaeologists, as well as the collision of schools of thought. It also contains in-depth interviews with archaeological experts and other specialists, building a bridge between popular interest and academic interest, and showcases Liangzhu civilization and archaeology for professionals and the general public alike.

This book outlines the latest research in Fanshan by the archaeologist, a man-made hathpace cemetery, on which is located the inner city of Liangzhu historical site at northwest area. There are 11 tomb locations discovered in Fanshan as built based on mutual dependency while and after excavation and were found continuously more than 1200 pieces (assemblages) of burial accessories, while at least 1100 pieces of jades were among the unearthed items. In view of the above-mentioned background, Fanshan as royal cemetery is well known for the largest number and variety of exquisite highly polished jades. In addition to prehistoric art, the work also explores the traces of Fanshan royal cemetery in conjunction with a substantial number of photos taken by expert of the historical site, restores the crucial burial objects and funeral rite as well as interprets burial accessories in different ways to discover the identity of the tomb’s occupants such as social class and status and moreover the interlocking system of an organization.

This book aims to portray ancient civilizations and the development of early states in China and the rest of the world during the Liangzhu period. From a global perspective, it describes the ancient Egyptian, Sumerian and Harappan civilizations, as well as lesser-known civilizations such as the Cyclades and Caral, underscoring the similarities and differences between their central settlements, capitals and material cultural remains. As for the national aspect, the book mainly explores the development process of east Asian civilization as represented by Chinese civilization and probes into the evolution of the Liangzhu, Dawenkou and Qujialing civilizations four to five thousand years ago in a search for the origins of Chinese civilization.

The Butterfly Lovers Story, sometimes called the Chinese Romeo and Juliet, has been enduringly popular in China and Korea. In Transforming Gender and Emotion, Sookja Cho demonstrates why the Butterfly Lovers Story is more than just a popular love story. By unveiling the complexity of themes and messages concealed beneath the tale’s modern classification as a tragic love story, this book reveals the tale as a rich academic subject for students of human emotions and relationships, comparative geography and culture, and narrative adaptation. By examining folk beliefs and ideas that abound in the narrative—including rebirth and a second life, the association of human souls and butterflies, and women’s spiritual power—this book presents the Butterfly Lovers Story as an example of local religious narrative. The book’s cross-cultural comparisons, best manifested in its discussion of a shamanic ritual narrative version from the Cheju Island of Korea, frame the story as a catalyst for inclusive, expansive discussion of premodern Korean and Chinese literatures and cultures. This scrutiny of the historical and cultural background behind the formation and popularization of the Cheju Island version sheds light on important issues in the Butterfly Lovers Story that are not frequently discussed—either in past examinations of this particular narrative or in the overall literary studies of China and Korea. This new, open approach presents an innovative framework for understanding premodern literary and cultural space in East Asia.