This book provides the reader with the latest archaeological discoveries of Liangzhu culture for its sophisticated jade artifacts. The structure and contents systematically present that large-scale ritual vessels such as jade cong and bi were originally regarded as the embodiment of Zhou and Han dynasties have been proved as burial accessories of Liangzhu culture. This confirmation urges archaeologists to renew an earlier interpretation of societal development dimension in Liangzhu culture. The book discussed the compatibilities between types and function of Liangzhu jades vividly displayed. It provides archaeological researchers and students by gaining an in-depth perspective of aesthetic appreciation of jade while understanding of the spiritual world of people in Liangzhu as well as the transition between the functions of power and belief.

This book outlines the latest research in Fanshan by the archaeologist, a man-made hathpace cemetery, on which is located the inner city of Liangzhu historical site at northwest area. There are 11 tomb locations discovered in Fanshan as built based on mutual dependency while and after excavation and were found continuously more than 1200 pieces (assemblages) of burial accessories, while at least 1100 pieces of jades were among the unearthed items. In view of the above-mentioned background, Fanshan as royal cemetery is well known for the largest number and variety of exquisite highly polished jades. In addition to prehistoric art, the work also explores the traces of Fanshan royal cemetery in conjunction with a substantial number of photos taken by expert of the historical site, restores the crucial burial objects and funeral rite as well as interprets burial accessories in different ways to discover the identity of the tomb’s occupants such as social class and status and moreover the interlocking system of an organization.

Examines the application of scientific methods to the study and conservation of art and cultural properties. This work addresses scientific topics of broad interest, cutting across the boundaries of traditional disciplines and attracting up to 250 leadingresearchers in the field.

This volume, with essays by leading archaeologists and prehistorians, considers how prehistoric humans attempted to recognise, understand and conceptualise death.

This book elaborates on the distinctive characteristics as well as the archaeological, historical and artistic value of Liangzhu pottery, welcoming readers to the wonderful world of Liangzhu by introducing them to its origin, type, design, decoration, evolution and processing technology. It also presents the types of pottery that people in Liangzhu used daily to eat, drink, and bury their dead. Thanks to a wealth of photos taken at the archaeological site, readers can admire the color, decorative patterns, types and shapes of unearthed pottery. The book vividly reveals the lifestyle, aesthetics and level of scientific-technical development in Liangzhu society 5000 years ago.