Europe and the European Union are unavoidable, if ambiguous, political references in the post-Yugoslav space. This volume interrogates the forms and implications of the increasingly potent symbolic nexus that has developed between non-heterosexual sexualities, LGBT activism(s) and Europeanisation(s) in all of the Yugoslav successor states. Contributors to this book show how the long EU accession process disseminates discursive tools employed in LGBT activist struggles for human rights and equality. This creates a linkage between “Europeanness” and “gay emancipation” which elevates certain forms of gay activist engagement and perhaps also non-heterosexuality, more generally, to a measure of democracy, progress and modernity. At the same time, it relegates practices of intolerance to the LGBT community to the status of non-European primitivist Other who is inevitably positioned in the patriarchal past that should be left behind. >

This book intertwines academic and activist voices to engage with more than three decades of lesbian activism in the Yugoslav space. The empirically rich contributions uncover a range of lesbian initiatives and the fundamental, but rarely acknowledged, role that lesbian alliances have played in articulating a feminist response to the upsurge of nationalism, widespread violence against women, and high levels of lesbophobia and homophobia in all of the post-Yugoslav states. By offering a distinctly intergenerational and transnational perspective, this collection does not only shed new light on a severely marginalised group of people, but constitutes a pioneering effort in accounting for the intricacies – solidarities, joys, and tensions – of lesbian activist organising in a post-conflict and post-socialist environment. With a plethora of authorial standpoints and innovative methodological approaches, the volume challenges the systematic absence of (post-)Yugoslav lesbian activist enterprises from recent social science scholarship. Lesbian Activism in the (Post-)Yugoslav Space will be of interest to students and scholars across a range of disciplines, including gender studies, history, politics, anthropology, and sociology.

This powerful book documents the unspoken stories of a diversity of gender embodiments across the post-Yugoslav states, uncovering how they have navigated the murky waters of war, racism, capitalism and transphobia.

This book uncovers some of the major moments in the fragile and still poorly known herstory of feminist lesbian engagement in Serbia and Croatia. By treating the trauma of war, homophobia, and neoliberal capitalism as a verbally impenetrable experience that longs to be narrated, this monograph explores the ways in which feminist lesbian language has repeatedly emerged in the context of strong patriarchal silencing that has surrounded the armed conflicts of the Yugoslav succession. With an abundance of empirical material, Bilić illuminates a range of courageous but sometimes contested and controversial activist responses to the challenges posed by the violent intersection of misogyny, lesbophobia, poverty, and nationalism. The book renders visible a surprising diversity of activist initiatives and the resilience of transnational affective ties, which testify to the creativity of lesbian activist mobilisations in the ambivalent semi-peripheral space that used to be Yugoslavia. Trauma, Violence, and Lesbian Agency in Croatia and Serbia will be of interest to scholars and students researching the history and politics of Eastern Europe, as well as to those working in the fields of political sociology, lesbian and gay studies, gender studies, and queer theory and activism.

This book explores two festivals over ten years: Queer Zagreb and Ljubljana Gay and Lesbian Film Festival. Kajinić focuses on the festivals’ participation in a regional network of queer festivals and provides an insight into how these festivals and their audiences negotiated the limits of non-normativity in particularly intensive ways between 2002-2012. By offering an interdisciplinary perspective and exploring the possibilities of critical visual methodology, the author relates the history of these important cultural projects and their organizational practices to the ways in which they impacted the lives of their participants. Post-Yugoslav Queer Festivals will be of interest to readers studying the region of Southeast Europe from a range of perspectives including gender studies, history, politics and festival studies.

This book intertwines academic and activist voices to engage with more than three decades of lesbian activism in the Yugoslav space. The empirically rich contributions uncover a range of lesbian initiatives and the fundamental, but rarely acknowledged, role that lesbian alliances have played in articulating a feminist response to the upsurge of nationalism, widespread violence against women, and high levels of lesbophobia and homophobia in all of the post-Yugoslav states. By offering a distinctly intergenerational and transnational perspective, this collection does not only shed new light on a severely marginalised group of people, but constitutes a pioneering effort in accounting for the intricacies – solidarities, joys, and tensions – of lesbian activist organising in a post-conflict and post-socialist environment. With a plethora of authorial standpoints and innovative methodological approaches, the volume challenges the systematic absence of (post-)Yugoslav lesbian activist enterprises from recent social science scholarship. Lesbian Activism in the (Post-)Yugoslav Space will be of interest to students and scholars across a range of disciplines, including gender studies, history, politics, anthropology, and sociology.

The clandestine festival QueerBeograd created spaces of critique and transformation in order to foster a politics of interconnectedness. Ivana Marjanovi explores the festival's transnational activist cabaret between 2006 and 2008, which was devised, directed and produced by Jet Moon, a founding member of the QueerBeograd collective. This pioneering study demonstrates how the process of staging QueerBeograd Cabaret created a shared space between queer, anti-fascism and No Borders politics, contributing to the advancement of the intersectionality perspective beyond identity. The study thus investigates historical genealogies of gender and political difference in the former and post-Yugoslav space, bringing these into relation with global social and art movements.