The written legacy of C.S. Lewis continues to be a rich mine of Christian thought and perspective. And each work continues to be as relevant today as it was at its original publishing.And now, Lewis scholar Louis Markos has done the community of faith a great service by organizing Lewis’s thoughts on a wide scope of subjects pertaining to modernity and postmodernity—on science and the natural world, the new age movement, philosophy, evil and suffering, the arts, and heaven and hell. Lewis Agonistes will make readers work in the same way that Lewis’s writings made them work, forcing them to rethink and examine ideas—to become participants in the agon (or wrestling match) of the twenty-first century.

Sehnsucht: The C. S. Lewis Journal, established by the Arizona C. S. Lewis Society in 2007, is the only peer-reviewed journal devoted to the study of C. S. Lewis and his writings published anywhere in the world. It exists to promote literary, theological, historical, biographical, philosophical, bibliographical and cultural interest (broadly defined) in Lewis and his writings. The journal includes articles, review essays, book reviews, film reviews and play reviews, bibliographical material, poetry, interviews, editorials, and announcements of Lewis-related conferences, events and publications. Its readership is aimed at academic scholars from a wide variety of disciplines, as well as learned non-scholars and Lewis enthusiasts. At this time, Sehnsucht is published once a year.

It is commonly believed that C.S. Lewis was a theistic evolutionist, a conclusion based on a few statements that he made in The Problem of Pain and Mere Christianity. A careful study of his writings reveals, not only that for most of his life he was not a theistic evolutionist, but strongly opposed Darwinism, especially towards the end of his life.

Employing a postmodernist literary approach, Kyoko Yuasa identifies C.S. Lewis both as an antimodernist and as a Christian postmodernist who tells the story of the Gospel to twentieth- and twenty-first-century readers. Lewis is popularly known as anable Christian apologist, talented at explaining Christian beliefs in simple, logical terms. His fictional works, on the other hand, feature expressions that erect ambiguous borders between non-fiction and fiction, an approach similar to those typical in postmodernist literature. While postmodernist literature is full of micronarratives that deconstruct the Great Story, Lewis's fictional world shows the reverse: in his world, micronarratives express the Story that transcends human understanding. Lewis's approach reflects both his opposition to modernist philosophy, which embraces solidified interpretation, and his criticism of modernised Christianity. Here Yuasa brings to the fore Lewis's focus on the history of interpretation and seeks a new model.

C.S. Lewis For Beginners is a thorough examination of C. S. Lewis, the greatest Christian apologist of the twentieth century, throughout his career as an author and as a professor at Oxford University. A Christian apologist defends Christianity as a consistent and coherent worldview that squares with human reason, history, and desire. It offers answers to every facet of our lives on earth as well as answers to our questions about what happens after we die. What makes C.S. Lewis unique as an apologist is the way he balanced so perfectly reason and imagination, logic and intuition, and head and heart. In addition to writing such non-fiction apologetics books as Mere Christianity, The Problem of Pain, and Miracles, he wrote eleven novels: the seven Chronicles of Narnia, a trilogy of science-fiction adventures, and a haunting retelling of an old myth set in the ancient world. All eleven tell wonderful, captivating stories that stand on their own as fiction but that also support and bring to life the kinds of apologetical arguments he makes in his non-fiction. He also wrote two utterly unique works of fiction, The Screwtape Letters and The Great Divorce, that offer a fresh, highly original take on sin and temptation, angels and devils, and heaven and hell. And that's not all. Lewis the apologist and novelist had a day job. He was a celebrated English professor at Oxford, and then Cambridge, University who wrote works of literary criticism that are still famous today. C.S. Lewis For Beginners takes the reader through the wardrobe of his complete catalog of writing.

This is a unique collection of two of the Inklings and their literary associates’ views on the negative impacts of technology in various areas of life and the resolution of these impacts through fellowship with others and faith in the Creator. Some of these essays offer suggestions on how ensnarement by social media and surrender to modern technology can be countered by surrender to God. Other essays also demonstrate how the significant literary craft of these authors can enchant readers and invite them into fairylands from which they return empowered and with a keener spiritual vision to tackle universal and present concerns.

For thousands of years, philosophers, theologians, and poets have tried to pierce through the veil of death to gaze with wonder, fear, and awe on the final and eternal state of the soul. Indeed, the four great epic poets of the Western tradition (Homer, Virgil, Dante, and Milton) structured their epics in part around a descent into the underworld that is both spiritual and physical, both allegorical and geographical. This book not only considers closely these epic journeys to the "other side," but explores the chain of influences that connects the poets to such writers as Plato, Cicero, St. John, St. Paul, Bunyan, Blake, and C. S. Lewis. Written in a narrative, "man of letters" style and complete with an annotated bibliography, a timeline, a who's who, and an extensive glossary of Jewish, Christian, and mythological terms, this user-friendly book will help readers understand how heaven and hell have been depicted for the last 3,000 years.